6.6 | / 10 |
Users | 3.2 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A young man falls overboard and is saved by a beautiful Polynesian girl. They fall in love, but their idyll is smashed when the local volcano begins to erupt. The man discovers that the local custom is to sacrifice a young woman to the volcanic gods. They try to escape but realize that "east is east and west is west, and never the twain shall meet."
Starring: Dolores del Rio, Joel McCrea, John Halliday, Richard 'Skeets' Gallagher, Bert RoachRomance | 100% |
Drama | 28% |
Adventure | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.34:1
Original aspect ratio: 1.37:1
English: LPCM 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 2.5 | |
Extras | 0.5 | |
Overall | 3.0 |
The civilized character "going native" is one of the oldest tropes of the adventure/capital-R-Romance film genre, and the way it's been implemented has changed drastically over time along with our shifting cultural attitudes towards race. A common theme in movies made after the 1960s or so--due to some much-needed historical revisionism--is "white guilt" about the ill-treatment of indigenous peoples. It shows up in many films, but the most famous examples are probably Avatar and Dances with Wolves. In the case of both, the white male lead learns the way of the "noble savage" and inevitably turns on his own so-called civilized culture, which is alienating and responsible for most of the real savagery. Note, though, that the white guy is still the hero, and usually portrayed as being a better native than the natives themselves. Even today, there's a subtle form of racism at work, with the film industry seemingly dead-set on the idea that predominately white American audiences won't be attracted to non- white protagonists. (Will Smith excepted.) In the early part of the 20th century, however, films about white men "going native" were far less self- aware of their racial implications. And while some may seem offensive now, its mostly in quaint and almost innocent ways.
Like most titles in the public domain, Bird of Paradise has been subject to some underwhelming home video releases in the past, so it's great to see that Kino Classics has given the film such a wonderful Blu-ray presentation. The disc's 1080p/AVC-encoded transfer has been newly mastered from an original nitrate 35mm print that was preserved by the George Eastman House Motion Picture Department. Note, though, that I used preserved and not restored. There's been little-to-no digital clean-up of the 80-year-old print, but I'm fine with this hands-off approach. The minor specks and scratches you'll see here are rarely--if ever--distracting, and the image is reproduced faithfully, with no texture-robbing noise reduction or halo-inducing edge enhancement. The picture is plenty sharp on its own, with appreciable fine detail in close-ups and an overall level of clarity that easily bests prior standard definition editions. Just as importantly, the film's monochromatic gradation has been treated carefully; blacks are deep without crushing too much shadow detail, white are bright but not overblown, and there's a rich spectrum of grays in between. Finally, I didn't spot any overt compression issues--the film sits with room to spare on a single-layer, 25 GB disc. Another strong Kino Classics transfer.
Bird of Paradise is sometimes claimed to be the first talkie with a full-length film score, and while that's not exactly true, Max Steiner's lulling, Polynesia-influenced score is memorable, blending traditional orchestration with some distinctly South Pacific motifs and instrumentation. Steiner, the "father of film music," would go on to compose for King Kong, Gone with the Wind, and Casablanca--among some 300 others--so it's fascinating to hear one of his earliest efforts. By way of the Blu-ray's LPCM 2.0 mono track, the music sounds quite crackly and brittle, as you'd expect from an 80-year-old film, but there are moments where it's noticeably peaky and overly brash. Likewise, dialogue is sometimes a hair low in the mix, and slightly muffled on occasion, though I never had any real trouble understanding what was being said. Unfortunately for those who might need subtitles, however, none are supplied. I'm assuming Kino did what they could to get the original audio in listenable shape, but don't expect high fidelity from this mix.
The only extras on the disc are high definition trailers for Pandora and the Flying Dutchman, Nothing's Sacred, and A Star is Born.
Although King Vidor's Bird of Paradise is hokey and understandably outdated when it comes to racial and gender attitudes, it's also a prime example of the sort of lush, sweeping romance that Hollywood did so well in the 1930s. (Steer clear of the unnecessary 1951 remake, starring Debra Paget.) The film looks great on Blu-ray, especially after years languishing in the public domain, but the disc is unfortunately short of value-extending extras. Still, it's worth a purchase for those collecting Kino Classics' David O. Selznick series. There are precious few studios and distributors regularly putting out films from the 1920s and '30s, so it's good to show Kino your support!
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Limited Edition to 3000 - SOLD OUT
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