6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A group of young recruits go through boot camp during the Second World War in Biloxi Mississippi. From the play by Neil Simon.
Starring: Matthew Broderick, Christopher Walken, Matt Mulhern, Michael Dolan (I), Corey ParkerDrama | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
1669 kbps
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 1.5 | |
Overall | 3.0 |
Biloxi Blues is the middle entry in Neil Simon's trilogy about the odyssey of his boyhood alter-ego, Eugene Morris Jerome. It won the Tony Award for Best Play of 1985, among several other prizes. This was the fourth time that director Mike Nichols worked with Simon and the first for a big-screen adaptation. Biloxi Blues picks up some time after the events of Brighton Beach Memoirs with Eugene (Matthew Broderick, reprising his role from the stage play) on a train headed for Army Basic Training in Biloxi, Mississippi. Eugene is befriended by a fellow Jew, Arnold Epstein (Corey Parker), who is very erudite and acts as Eugene's conscience. The two friends are teased and taunted by two bigger and brawnier recruits, Joseph Wykowski (Matt Mulhern) and Roy Selridge (Markus Flanagan). But even the tough guys can't prepare themselves for the rude awakening they're all in for at army barracks. Sgt. Toomey (Christopher Walken) is one cold and harsh drill instructor. He isn't as boisterous as Sgt. Hartman (R. Lee Ermey) but the privates better obey his orders quickly or they'll have to give him 100 pushups or clean the latrines. In his downtime, Eugene hangs out with his comrades in the barracks and plays a fantasy game of what one desires if he only has one more week to live. Eugene also works on his formative goals of finding the perfect girl, losing his virginity, surviving boot camp, and becoming a writer.
Nichols's tenth feature as a director makes its Blu-ray debut worldwide on this MPEG-4 AVC-encoded BD-50 courtesy of Shout
Select (#89 in the sublabel's catalog). Biloxi Blues appears in 2.35:1, which approximates the screen ratio of its
theatrical exhibition. The opening aerial shots of the train have some specks of dust and dirt but those seem to have caught the
lens on the Panaflex and are not the fault of Shout. There is minimal debris in the frame throughout the presentation. There are
some density fluctuations beginning in the first lineup scene that the Army recruits meet Sgt. Toomey. You'll notice in
Screenshots 12 and 13 that the image looks clearer and sharper than in #14 where thick grain is introduced. This may have
something to do with the sunlight coming in but the granularity is markedly different. Additionally, coarse grain is prominent
when the privates eat in the cafeteria and chat in the barracks (frame grabs # 1 and 9). The transfer looks fairly soft but its
palette is predominated by beige, tan, and off-white hues. Green and blue are positively accented. Shimmering that's present on
the non-anamorphic European DVDs is gone here. Shout has encoded the feature at an average video bitrate of 36000 kbps.
The 106-minute feature is accompanied by twelve scene selections.
Shout supplies the original Dolby Digital Stereo here as a DTS-HD Master Audio 2.0 Stereo mix (1669 kbps, 24-bit). The track is
consistent and well-balanced. There really aren't any sound effects which drastically affect the pitch levels. Dialogue is clean and
audible, although I preferred having the volume up on my Onkyo since it was a little hard to discern all the slang. There are ten
period songs (including two that bookend the main titles and end credits, which sound the best). Georges Delerue wrote just a
couple of pieces for the film and one is used as a sound bridge. The score is evocative of the warm and romantic Southern music
he composed during this period, which was highlighted by Crimes of the Heart (1986) and Steel Magnolias
(1989).
The optional English SDH cover much of the dialogue but doesn't always identify (in brackets) the character speaking.
Biloxi Blues (1988) is superior filmmaking to Brighton Beach Memoirs (1986) thanks to Matthew Broderick and Christopher Walken's performances as well as Bill Butler's sturdy camera work. More than the antisemitic and racist undercurrents that Simon critiques in his play, Nichols's film condemns the spate of homophobia in army life that existed during the war and the military system that punished its victims. Shout Select delivers a very good transfer that easily surpasses its SD counterparts, although the grain structure has some inconsistencies. The uncompressed stereo track is passable but not dynamic. Mr. Simon and Mr. Nichols are no longer with us and it would have been great to get their thoughts, as well as Broderick's, who apparently was unavailable. The Corey Parker interview covers pretty sufficient terrain in only twenty minutes. RECOMMENDED to fans of Nichols, Simon, and Broderick.
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