6.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A mysterious suitcase that threatens the security of Miami changes the lives of a divorced dad, an unhappy housewife, two hit men, a pair of street thugs, two love-struck teens, two FBI men and a psychedelic toad. Based on humorist Dave Barry's novel.
Starring: Tim Allen, Rene Russo, Stanley Tucci, Tom Sizemore, Johnny KnoxvilleComedy | 100% |
Thriller | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 4.0 | |
Video | 2.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.0 |
To be fair to “Big Trouble,” it’s not like it had a chance to be a success at the box office. A chaotic comedy that includes a subplot concerning the movement of a nuclear bomb around an airport, the movie was originally scheduled for release on September 21st, 2001, only to find its content reconsidered by Disney after the 9/11 terrorist attacks, who decided to push the release date to April, 2002. By the time the feature finally opened, it was damaged goods, lacking a refreshed marketing push and positive press, with the studio basically scraping the film off the bottom of its shoe before moving on to more important pictures in the pipeline (like “The Country Bears” and “The Hot Chick”). “Big Trouble” isn’t a masterclass in cinematic storytelling, but as silly, swiftly paced ensemble endeavors about Floridian mischief go, it’s very entertaining, becoming something of a highlight in the disturbingly uneven career of director Barry Sonnenfeld.
The AVC encoded image (1.85:1 aspect ratio) presentation is another Disney catalog title acquired by Kino Lorber that hasn't been touched since the DVD days. There's no refreshing here for Blu-ray, just a lackluster viewing experience that's low on fine detail, delivering more of a softer look for the movie, with only the most cartoonish elements of sweat and grime emerging with any passable definition. Floridian locations are dulled throughout, losing dimensional appeal. Colors enjoy a grand boost of regional hues, with costuming taking command of the palette, especially outfits worn by Anna, who favors bright pinks and greens, along with her platinum hair. Still, there's fatigue all-around, finding skintones periodically too reddish and greenery drained. Delineation suffers, with a few evening adventures losing information with dark costumes and thick hair. Source is in decent shape. Some banding is detected along the way.
The 5.1 DTS-HD MA sound mix does well with the speed of "Big Trouble," offering a track that's not explicitly circular, but has its immersive moments. Atmospherics are generally preserved in the surrounds, providing a feel for bar and household interiors, while activity on school grounds and nightlife maintains emphasis. Dialogue exchanges are direct and enjoyable, securing thespian choices in accent and emphasis, giving the slapstick sharpness. Scoring is supportive without overwhelming the performances, maintaining a milder but detectable rhythm to the movie. Low-end shows some surprising heft, adding some rumble with airplane flybys and explosions, and the opening of the nuclear bomb trunk also handles with weight.
"Big Trouble" eventually leads to the controversial showdown inside of an airport. At least it was controversial, but now works again as dark comedy, staged by Sonnenfeld as pure buffoonery with a slight Kubrickian conclusion. Disney's hesitation back in 2001 was understandable, but today "Big Trouble" is just frivolous fun with solid performances all around (Farina is a standout as a hitman who hates Florida), and a fine representation of what Sonnenfeld is capable of as a director of minimal material, concentration on timing and character connection, which he pulls off with comfortable craziness.
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