5.9 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
It's 1934, and the evil local land baron forecloses on Angie's place, and she and her two daughters must leave and continue their life of crime.
Starring: Angie Dickinson, Robert Culp, Danielle Brisebois, Julie McCullough, Jeff YagherCrime | Insignificant |
Comedy | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
There was a sense of finality to 1974’s “Big Bad Mama.” And then the feature made some sizable money for producer Roger Corman, inspiring him to attempt a sequel 13 years later, with “Big Bad Mama II” bringing back star Angie Dickinson for another round of Depression-era mayhem. The divide in time between the movies is substantial, which is why Corman orders up more of a remake for “Big Bad Mama II,” which tweaks the original plot to handle different dramatic interests for the do-over, though co-writer/director Jim Wynorski is smart to keep his cameras trained on Dickinson for most of the endeavor, who provides another spirited performance as Wilma returns to power, and definitely not as a ghost.
The AVC encoded image (1.85:1 aspect ratio) presentation delivers an enjoyable viewing experience for "Big Bad Mama II." Colors are bright and compelling, with primaries commanding, especially with deep red costumes and interior decoration. Blonde hair is striking, and skintones are natural. Greenery is consistent. Detail preserves facial particulars, dealing with a good mix of older and younger actors. Locations are dimensional, visiting rural locations and small communities. Delineation is satisfactory. Grain is heavy but film-like. Source is in good condition, with some mild speckling.
The 2.0 DTS-HD MA sound mix provides a clear listen event, finding dialogue exchange crisp and emotive, only periodically competing with boisterous public gatherings. Scoring cues are sharp with strong instrumentation, balanced well with performances. Sound effects are alert, with snappy gunfire and heavier explosions.
Helping the thespian cause is Robert Culp, who plays a newspaper reporter caught up in Wilma's story, and soon, her sheets. He's a nice addition to the cast, and villainy is broadly defined by Bruce Glover. However, "Big Bad Mama II" is most comfortable with Dickinson, who isn't as invested in the material as she previously was, but still provides an appealingly commanding performance, looking more comfortable with one-liners and weapons as Wilma steamrolls through towns on the hunt for justice. "Big Bad Mama II" tries to be more socially conscious, assessing the financial and political predators of the 1930s, adding them to the kill list, but it tends to be more engaging as a blunt instrument of cheap thrills, returning Dickinson to one of her more vivid roles.
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