7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
| Drama | Uncertain |
| Fantasy | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-2
Video resolution: 1080p
Aspect ratio: 1.78:1
English: Dolby Digital 2.0
None
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Region A (B, C untested)
| Movie | 1.5 | |
| Video | 3.0 | |
| Audio | 1.5 | |
| Extras | 1.5 | |
| Overall | 2.0 |
"In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so." Though it may seem strange to begin a review of a seventh-tier independent film by quoting Ratatouille's foremost restaurant critic, Pixar's wisdom prevails. Better the Devil You Know isn't a good film by any means, and certainly isn't the undiscovered masterpiece its exorbitant pricepoint might suggest, but the fact that it exists, the fact that a group of people committed themselves to a shoestring production and impossible odds, is more meaningful than anything I could ever say about it. I have respect for anyone with a drive and a dream, so kudos for committing it to film and putting it out there, gentlemen. I just wish that dream made a lick of sense.

"I'm not even supposed to be here today."

Produced and shot on a daydreamer's dime, Better the Devil You Know wears every dollar of its meager budget on its sleeve. Costumes, special effects, makeup, set design, even the disc's home-brewed main menu.... we're not talking Hollywood production values here. Still, Augment Image's 1080p/MPEG-2 transfer isn't half bad, offering those who venture into the Devil's realm an entirely passable presentation. Yes, skintones range from chalky to oversaturated, contrast is terribly inconsistent, and director Greg Augustine and principal photography director Anthony Gagnon's palette is often washed away by untempered sunlight, but most of the transfer's shortcomings are the result of Augustine's limited resources rather than some glaring technical deficiency. Colors are relatively strong and stable, black levels are quite satisfying (dare I say rich and inky on occasion), and fine detailing is far more competent than I expected. Not only do textures tend to impress, object definition is crisp and clean on the whole, and background details are unfettered. Moreover, the image isn't prone to compression mishaps or encoding issues. Errant artifacts, minor aliasing, and bursts of noise do find their way into the presentation, but rarely amount to a major distraction. All things considered, the Blu-ray edition of Better the Devil You Know features a decidedly decent transfer. Low-budget eyesores and antiquated codec notwithstanding, no one will mistake it for a DVD.

Unfortunately, the disc's Dolby Digital stereo track doesn't fare so well. Dialogue is muddy and muffled, slave to every stiff breeze, passing car, and greedy sheet of drywall the cast are forced to contend with. Lines are often overwhelmed by wind or undermined by hiss, and Augustine's synthesized music tends to overpower whatever ominous quips and shallow effects that find their way into the mix. Proper prioritization either wasn't feasible or, ironically, wasn't a priority. The LFE channel and rear speakers have been given the day off as well, leaving little for anyone to get excited about. Given Augustine's limitations, I'm sure Better the Devil You Know sounds about as good as it ever could. But if you're going to release a movie on Blu-ray at a premium price...

While the Blu-ray edition of Better the Devil You Know packs more than an hour of special features onto a second disc, there isn't much to dig into. A meandering "Behind the Scenes" documentary (SD, 60 minutes) provides little in the way of production insight, focusing instead on the cast and crew's downtime antics and casual conversations; a batch of "Deleted Scenes" (SD, 15 minutes) serves up more of the same (even though three of the sequences actually work better than many of the scenes that made Augustine's final cut); and a bloated "Theatrical Trailer" (SD, 4 minutes) does little to clear up the plot.

Better the Devil You Know isn't an ingenious diamond-in-the-rough or an underfunded intellectual gem. It's the sort of film you'd expect from Echo Bridge or Blue Underground... minus the aforementioned studios' already shabby production values. As a Blu-ray release, it fails as well. Its video transfer is surprisingly sound, but its Dolby Digital stereo mix is awful, its supplemental package is trite, and its pricepoint is shockingly steep. If it could be had for less than ten dollars, I might shrug my shoulders and simply say "buyer beware." As it stands though, Better the Devil You Know doesn't provide anything to offset its cost.