6 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
The dynamic duo of Tommy Wiseau and Greg Sestero have reunited for a dream project, Best F(r)iends – Volume 2. As Sestero’s drifter makes a run for it, he finds himself on an expedition across the Southwest, where he encounters wild and crazy characters through a series of twisted and dark foibles. While his misadventure teaches him a valuable lesson about friendship and loyalty, Wiseau’s mortician carries the story home with more than a few surprises.
Starring: Tommy Wiseau, Greg Sestero, Rick Edwards, R.J. Cantu, Patrick GreeneComedy | 100% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.90:1
Original aspect ratio: 1.85:1
English: Dolby Digital 5.1
English SDH, French, German, Italian, Japanese, Portuguese, Spanish, Arabic, Dutch, Korean, Mandarin (Traditional), Polish, Russian, Thai, Turkish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 2.0 | |
Overall | 2.5 |
Note: This film is available as part of
Best F(r)iends: Volume 1 and 2.
Many years ago when there were things called brick and mortar record stores, I was excited to find two comedy CDs by Jonathan and Darlene
Edwards, the
"alter
egos" of music icons Paul Weston and Jo Stafford (if you don't know about the "fabulous" Edwards duo, I highly recommend some ardent
Googling). I
was stunned to stumble across these rarities in a tiny little shop in a far north coast village in Washington state, and when I asked the owner how
he had
ended up with
them (he was dispensing of them in the $1 bargain bin, and I happily scooped them up), he hilariously relayed that a customer had special ordered
them, thinking he was getting albums by the Jonathan Edwards who had a big hit with
"Sunshine" in the 1970s. (Again, for those unacquainted with
this Jonathan Edwards and his lovely wife Darlene, just do a little internet sleuthing, and the full force of the hilarity may hit you.) In a
similar vein, I wonder if anyone out there intrigued by Brie Larson's Oscar win in 2015 for Room may have led some who misremembered the title to order The Room by mistake. I'm not sure if hilarity would have ensued in that instance, but
consternation
almost certainly would have, as fans of this now legendary "so bad it's good" opus may understand. The Room's production famously
gave
birth to The Disaster Artist a couple of years ago,
and
anyone who is curious about either the original Tommy Wiseau - Greg Sestero outing or the Franco brothers film which grew out of it may find both
volumes of Best F(r)iends at least occasionally engaging. Others may simply want to spend the evening listening to Jonathan and
Darlene
Edwards.
Best F(r)iends: Volume 1 and Volume 2 are (is?) presented on Blu-ray courtesy of Lionsgate Films with AVC encoded 1080p transfers in
1.90:1 and 2.35:*. The IMDb lists several different Sony cameras as having been utilized, some of which are capable of native 4K output, but I have a
hunch this
was finished at a 2K DI. Both films look reasonably sharp and well detailed when lighting conditions allow, and fine detail is often quite pleasing in
close-ups, but both transfers have somewhat milky blacks in some dimly lit scenes, scenes which some may feel could have benefitted from a bit more
solid contrast as well. Director and co-cinematographer Justin MacGregor often opts for intentionally "arty" framings which can tend to be kind of hazy
and impressionistic at times, two artistic choices that also tend to keep fine detail levels tamped down on occasion.
* Update 1/2/20: I had jotted this down in the notes that I took as I watched the films, and then of course promptly forgot to include it in the
review when I posted it yesterday, but there are some brief interstitial moments that are framed in 2.35:1 for reasons I personally couldn't discern.
There is only a lossy Dolby Digital 5.1 track available for both parts of Best F(r)iends, and that may mean that some may feel (as I do) that the low end in particular that is so prominently featured in scenes like the big clifftop climax of the first part (with swirling ocean waves below, and some prominent washes of LFE mixed in) might have definitely benefited from a lossless track. That said, there's good surround activity here courtesy of a lot of outdoor material where ambient environmental effects populate the side and rear channels. Dialogue is rendered cleanly and clearly throughout both volumes, and Daniel Platzman's score sounds fine as well.
Both "volumes" of Best F(r)iends share a disc, and so some of the supplements may be about one part and some about another.
- Bizarre Stories (1080p; 00:29)
- I Think We Can Blow This Up, Man! (1080p; 1:32)
- I Wanna Go (1080p; 1:17)
- You Can Always Knock (1080p; 00:30)
- I Am the Map (1080p; 1:22)
- I'll Clean Everything (1080p; 00:40)
- Oak Bar Ranch: A Presence (1080p; 1:55)
- Oak Bar Ranch: Caretaker (1080p; 00:43)
- Welcome to My Paradise (1080p; 5:36)
- Tommy and Greg: Best F(r)iends Forever (1080p; 2:21)
- The Tommy Diaries (1080p; 2:55)
- Uncle Rick (1080p; 3:16)
Fans of this pair, The Room (note that definite article, please) and/or The Disaster Artist may find this two-fer oddly engaging, but it's hardly a model of narrative clarity, and as may be expected by its "star" duo, performances are a little wobbly at times as well. Technical merits are okay, though there's only lossy audio, for those who are considering a purchase.
(Still not reliable for this title)
2017
2018
2010
2016
2018
Apocalypse 2024 | Collector's Edition
1975
2018
2017
2019
1963
2014
2018
Uncut
2013
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2012
1986
1986
Special Edition
1998
2019
2014