Best F(r)iends: Volume 2 Blu-ray Movie

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Best F(r)iends: Volume 2 Blu-ray Movie United States

Lionsgate Films | 2018 | 120 min | Rated R | No Release Date

Best F(r)iends: Volume 2 (Blu-ray Movie)

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Movie rating

6
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer2.5 of 52.5
Overall2.5 of 52.5

Overview

Best F(r)iends: Volume 2 (2018)

The dynamic duo of Tommy Wiseau and Greg Sestero have reunited for a dream project, Best F(r)iends – Volume 2. As Sestero’s drifter makes a run for it, he finds himself on an expedition across the Southwest, where he encounters wild and crazy characters through a series of twisted and dark foibles. While his misadventure teaches him a valuable lesson about friendship and loyalty, Wiseau’s mortician carries the story home with more than a few surprises.

Starring: Tommy Wiseau, Greg Sestero, Rick Edwards, R.J. Cantu, Patrick Greene
Director: Justin MacGregor

Comedy100%
ThrillerInsignificant

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.90:1
    Original aspect ratio: 1.85:1

  • Audio

    English: Dolby Digital 5.1

  • Subtitles

    English SDH, French, German, Italian, Japanese, Portuguese, Spanish, Arabic, Dutch, Korean, Mandarin (Traditional), Polish, Russian, Thai, Turkish

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Playback

    Region A (B, C untested)

Review

Rating summary

Movie2.5 of 52.5
Video4.0 of 54.0
Audio3.0 of 53.0
Extras2.0 of 52.0
Overall2.5 of 52.5

Best F(r)iends: Volume 2 Blu-ray Movie Review

Reviewed by Jeffrey Kauffman January 1, 2020

Note: This film is available as part of Best F(r)iends: Volume 1 and 2.

Many years ago when there were things called brick and mortar record stores, I was excited to find two comedy CDs by Jonathan and Darlene Edwards, the "alter egos" of music icons Paul Weston and Jo Stafford (if you don't know about the "fabulous" Edwards duo, I highly recommend some ardent Googling). I was stunned to stumble across these rarities in a tiny little shop in a far north coast village in Washington state, and when I asked the owner how he had ended up with them (he was dispensing of them in the $1 bargain bin, and I happily scooped them up), he hilariously relayed that a customer had special ordered them, thinking he was getting albums by the Jonathan Edwards who had a big hit with "Sunshine" in the 1970s. (Again, for those unacquainted with this Jonathan Edwards and his lovely wife Darlene, just do a little internet sleuthing, and the full force of the hilarity may hit you.) In a similar vein, I wonder if anyone out there intrigued by Brie Larson's Oscar win in 2015 for Room may have led some who misremembered the title to order The Room by mistake. I'm not sure if hilarity would have ensued in that instance, but consternation almost certainly would have, as fans of this now legendary "so bad it's good" opus may understand. The Room's production famously gave birth to The Disaster Artist a couple of years ago, and anyone who is curious about either the original Tommy Wiseau - Greg Sestero outing or the Franco brothers film which grew out of it may find both volumes of Best F(r)iends at least occasionally engaging. Others may simply want to spend the evening listening to Jonathan and Darlene Edwards.


The first "volume" of Best F(r)iends ended with a literal cliffhanger which seemed to kinda sorta suggest that the character of Harvey, played by Tommy Wiseau, may have met his fate at the bottom of a cliff. However, as with so much else in both volumes of this film, things are never quite as they seem, and both in the first volume, which has an almost comical number of little vignettes offered as codas "after" the film has supposedly ended, and in this second part, Harvey is still around, at least in a bunch of interstitial vignettes which may or may not be memories. In fact the timeline of this second volume is rather confusing, and I'm not that embarrassed to admit that I'm still unsure as to when certain things supposedly took place, and how in fact the entire tale is supposed to be woven together.

Suffice it to say that the heist that Jon (Greg Sestero) and Traci (Kristen StephensonPino) plot in the first film seems to have more or less succeeded, except that there's a pesky ATM safe that needs to be opened for untold riches to be there. That sets the pair off on a completely crazy quest which soon involves a bunch of desperadoes out in the southwestern deserts of the United States. In between this already often near hallucinogenic storyline are little vignettes documenting Jon handcuffed to a bed in what seems to be Harvey's room, with Harvey wearing some weird headgear that might make him a candidate for a new version of The Man in the Iron Mask.

This second part of Best F(r)iends tries to inject a few twists into the proceedings, offering supposedly mind blowing tidbits about the pasts of both of its focal characters, while also emphasizing that true friendship should be able to withstand all (or at least most) troubles. The film ends with an obviously comedic "sting" presenting the "resurrection" of a badly wounded supporting character, which may offer some hopes to a certain fanbase that a Volume 3 will be forthcoming.


Best F(r)iends: Volume 2 Blu-ray Movie, Video Quality  4.0 of 5

Best F(r)iends: Volume 1 and Volume 2 are (is?) presented on Blu-ray courtesy of Lionsgate Films with AVC encoded 1080p transfers in 1.90:1 and 2.35:*. The IMDb lists several different Sony cameras as having been utilized, some of which are capable of native 4K output, but I have a hunch this was finished at a 2K DI. Both films look reasonably sharp and well detailed when lighting conditions allow, and fine detail is often quite pleasing in close-ups, but both transfers have somewhat milky blacks in some dimly lit scenes, scenes which some may feel could have benefitted from a bit more solid contrast as well. Director and co-cinematographer Justin MacGregor often opts for intentionally "arty" framings which can tend to be kind of hazy and impressionistic at times, two artistic choices that also tend to keep fine detail levels tamped down on occasion.

* Update 1/2/20: I had jotted this down in the notes that I took as I watched the films, and then of course promptly forgot to include it in the review when I posted it yesterday, but there are some brief interstitial moments that are framed in 2.35:1 for reasons I personally couldn't discern.


Best F(r)iends: Volume 2 Blu-ray Movie, Audio Quality  3.0 of 5

There is only a lossy Dolby Digital 5.1 track available for both parts of Best F(r)iends, and that may mean that some may feel (as I do) that the low end in particular that is so prominently featured in scenes like the big clifftop climax of the first part (with swirling ocean waves below, and some prominent washes of LFE mixed in) might have definitely benefited from a lossless track. That said, there's good surround activity here courtesy of a lot of outdoor material where ambient environmental effects populate the side and rear channels. Dialogue is rendered cleanly and clearly throughout both volumes, and Daniel Platzman's score sounds fine as well.


Best F(r)iends: Volume 2 Blu-ray Movie, Special Features and Extras  2.0 of 5

Both "volumes" of Best F(r)iends share a disc, and so some of the supplements may be about one part and some about another.

  • Commentary with Writer / Producer / Actor Greg Sestero and Actor Tommy Wiseau (Volume 1 Only)

  • Deleted Scenes
  • Bizarre Stories (1080p; 00:29)

  • I Think We Can Blow This Up, Man! (1080p; 1:32)

  • I Wanna Go (1080p; 1:17)

  • You Can Always Knock (1080p; 00:30)

  • I Am the Map (1080p; 1:22)

  • I'll Clean Everything (1080p; 00:40)

  • Oak Bar Ranch: A Presence (1080p; 1:55)

  • Oak Bar Ranch: Caretaker (1080p; 00:43)
  • Behind the F(r)iendship Featurettes
  • Welcome to My Paradise (1080p; 5:36)

  • Tommy and Greg: Best F(r)iends Forever (1080p; 2:21)

  • The Tommy Diaries (1080p; 2:55)

  • Uncle Rick (1080p; 3:16)


Best F(r)iends: Volume 2 Blu-ray Movie, Overall Score and Recommendation  2.5 of 5

Fans of this pair, The Room (note that definite article, please) and/or The Disaster Artist may find this two-fer oddly engaging, but it's hardly a model of narrative clarity, and as may be expected by its "star" duo, performances are a little wobbly at times as well. Technical merits are okay, though there's only lossy audio, for those who are considering a purchase.