7.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
After killing her treacherous step-father, Nancy tries to escape the country with Jim, a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal a car in their attempt to escape the police, and reach Canada.
Starring: Wallace Beery, Louise Brooks, Richard Arlen, Blue Washington, Kewpie MorganDrama | 100% |
Adventure | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.34:1
Original aspect ratio: 1.33:1
Music: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 4.0 |
1928’s “Beggars of Life” is largely considered to be one of Louise Brooks’s finest motion pictures. The material asks quite a lot of the actress, portraying a haunted character in the midst of interstate travel and personal turmoil, facing threat from all sides. Brooks gives the role all she’s got, and effort is appreciated, adding a rich sense of emotion to the production, which winds through elements of murder, abuse, and law enforcement pursuit, requiring a little softness to balance out all the edge that’s served up during the run time.
"Digitally restored from 35mm film elements preserved by the George Eastman Museum," "Beggars of Life" arrives on Blu-ray with an AVC encoded image (1.34:1 aspect ratio) presentation. Wear and tear is present throughout the viewing experience, which encounters speckling and scratches, and jumpy and frozen frames. Clarity is as good as expected with the age and relative rarity of the source, delivering mildly textured close-ups and decent detail with locations and interiors. Blacks also show their age, but delineation isn't concerning.
The 2.0 DTS-HD MA sound mix features a score by The Mont Alto Motion Picture Orchestra, "employing selections from the original 1928 Paramount cue-sheet." Instrumentation is clear and commanding, providing emotional movements and more pulse-pounding moods when onscreen action heats up.
"Beggars of Life" dips some in its second half, which trades intimacy for action and tensions within the hobo nation. Beery is appropriately menacing, but the features loses suspense as it goes, though stunt work is impressive, sending actors to crawl all over speeding train cars as the cops and the homeless clash. "Beggars of Life" is better with character than spectacle, and more interesting with wounded hearts than hardened ones, but most of it comes through vividly, making something compelling out of this strange journey.
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