7.1 | / 10 |
Users | 4.0 | |
Reviewer | 3.0 | |
Overall | 3.3 |
In an age of mystery and superstition, how would the people of Gotham react to a weird creature of the night, a bat-garbed vigilante feared by the guilty and the innocent alike? The very first Elseworlds tale re-imagines the Dark Knight detective in Victorian times and puts him against the infamous murderer Jack the Ripper.
Starring: Bruce Greenwood, Jennifer Carpenter, Chris Cox (I), John DiMaggio, David ForsethComic book | 100% |
Action | 80% |
Animation | 64% |
Mystery | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region free
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 3.0 |
Like the previous DCU animated film, Batman and Harley Quinn, Gotham by Gaslight is being released in both standard and 4K UHD editions, and, also like the previous dual release, there's hardly any difference between them.
(Note: Screenshots accompanying this review have been captured from the standard Blu-ray.
Additional captures from that disc can be found here.)
Everything I said about Batman and
Harley Quinn in 4K applies equally to Warner's 2160p,
HEVC/H.265-encoded UHD of Batman: Gotham by Gaslight; so I'll repeat it here. Watching
this 4K disc, you might be pardoned for thinking that you made a mistake and inserted the
standard Blu-ray instead. There is no visible uptick in detail, which is hardly surprising given the
minimalist style of the animation. (Contrast the busy style of LEGO Batman, where 4K/HDR
adds texture and brings out minutia crammed into the overstuffed frame.) Gotham by Gaslight's
4K image is yet another demonstration that increased resolution doesn't automatically improve
an image. There has to be something to resolve.
Nor does HDR encoding provide a meaningful benefit. The palette is essentially the same as the
standard Blu-ray's, and while colors may be a bit more refined, the HDR encoding isn't a
revisionist take that adds "pop" where there wasn't any before. The same brighter colors that
stood out against the muted backgrounds stand out just as much—and no more—on both
formats. The nocturnal shadows in which Jack the Ripper stalks his victims and Batman prowls
the rooftops are just as dark, with maybe a hint of greater contrast here and there. The flames of
the film's fiery conclusion are just as bright, but no brighter.
As with Harley Quinn, about the only noteworthy difference that I could see between the UHD
image and the Blu-ray was the absence of even slight banding on the former. Here again, whether
this is due to the difference in format or to superior authoring of the UHD disc is something I
can't judge. If you're someone who's distracted by even the slightest instance of banding, then I
guess the UHD is worth the extra cash. Otherwise, it's a waste of money.
The UHD disc arrives with the same DTS-HD MA 5.1 track previously reviewed. It is worth noting that the 4K disc has fewer language options, both spoken and written, than the standard Blu- ray.
The UHD disc has no extras. The accompanying standard Blu-ray contains the extras listed here.
Since the release of Batman and Harley Quinn in 4K last summer, Warner has substantially
expanded its UHD catalog with an excellent selection of first-rate 4K offerings, including Blade
Runner and its sequel, the first two
Harry Potter films (newly
transferred in 4K from the original negatives) and
Dunkirk (not to mention the entire
Christopher Nolan Collection). It has
been quick to drop UHD releases of box office bombs like
Geostorm. But the studio's animation titles keep
receiving special dispensation, as evidenced by
the Peanuts: Holiday Collection
and now Gotham by Gaslight, regardless of whether their visual
minimalism is well-served by the format (and, just as importantly, whether the format is well-served by putting out titles that don't benefit from the
upgrade). The studio is rumored to have
several 4K remasters of major catalog titles in the works, and it would be well-advised to expand
those efforts. As I've said before, it's not doing itself or the format any favors with titles that
offer little or no opportunity to showcase UHD's advantages. With Gotham by Gaslight, stick to
the Blu-ray.
2018
2003
2018
2016
2018
2020
2020
2019
DC Showcase / Animated Shorts Collection
2020
2021
2019
DC Universe Animated Original Movie #30
2017
2017
2019
DC Universe Animated Original Movie #27
2016
DC Universe Animated Original Movie #28
2017
1999-2001
2014
2022
1998