8.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A teenage Norman Bates and his mother Norma move to an old house overlooking the adjoining motel which they are renovating. The house and motel both come with secrets of their own as does the new town which the Bates family now calls home. A modern re-imagining and prequel to the movie Psycho (1960).
Starring: Freddie Highmore, Vera Farmiga, Max Thieriot, Olivia Cooke, Nestor CarbonellHorror | 100% |
Psychological thriller | 27% |
Mystery | 14% |
Coming of age | 10% |
Thriller | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: DTS 5.1
English SDH, French, Danish, Dutch, Finnish, Norwegian, Swedish
50GB Blu-ray Disc
Two-disc set (2 BDs)
UV digital copy
Mobile features
Slipcover in original pressing
Region free
Movie | 4.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 4.0 |
Warning: The following review assumes that the reader is familiar with Season One of Bates Motel. If you have not seen Season One and proceed past this point, you will encounter spoilers. Bates Motel's executive producer Carlton Cuse has said that he and fellow showrunner Kerry Ehrin like to paint themselves into corners, then "climb the walls" to get out of them. At the conclusion of Bates Motel's first season, they seemed to be stuck in a particularly tight corner as Norman's English teacher, Miss Watson (Keegan Connor Tracy), was revealed on the floor of her home, her throat slashed after trying to seduce her prize student, Norman Bates (Freddie Highmore). It seemed that the infamous serial killer whose split personality dispatched any woman who aroused him sexually had just emerged. All that remained was the inevitable, fatal confrontation between Norman and the physical incarnation of his possessive mother, Norma (Vera Farmiga), whose essence was already camped out inside Norman's fevered brain, emerging whenever he felt threatened or frightened. But not so fast. Cuse and Ehrin planted a clue that Miss Watson's life was a troubled one, when Norman overheard her arguing with someone on the phone. As Season Two opens, that tiny seed flowers into doubts about whether Norman caused the secretive teacher's death. Those doubts, and Miss Watson's life itself, wind intricately through the vast criminal underground that makes the Oregon town of White Pine Bay such a unique and treacherous locale hiding behind a scenic exterior. Miss Watson, it turns out, associated with people more conventionally dangerous than her troubled teenage student. As we discover who they are, Cuse and Ehrin dig deeper into the twisted history of the Bates family and introduce intriguing new characters, who may or may not play long-term roles. The pair has also retained their knack for the unexpected, as they demonstrate in the Season Two opener, which caught fans completely off-guard.
The Blu-ray image for Season Two of Bates Motel is comparable to that of Season One, with a few differences. First, the two 1080p discs for Season Two have been encoded with AVC instead of VC-1. Second, the average bitrate on the discs for Season Two is lower (approximately 17.99 Mbps for Season Two vs. 22.02 Mbps for Season One). The difference is probably attributable to the fact that all of the extras for Season Two are in hi-def, thus requiring additional space on the disc. Although Bates Motel is shot digitally, the additional compression does result in some minor artifacting here and there, which will probably not be noticeable except when the image is projected at large sizes or viewed at close range. Compression issues aside, the image is otherwise sharp and detailed, the blacks are deep and solid, and the colors range from the occasional flash of bright cheer (e.g., at the party thrown by Christine Heldens where Norma meets Nick Ford and George) to the dim, even dingy interior of the Bates household and the perpetually overcast skies of the Pacific Northwest. The forests where the rival drug families grow their fields of marijuana remain as vividly green as ever. Cinematographer John S. Bartley (Lost), who shot half of Season One, returned to shoot all of Season Two, ensuring a continuity of style.
Bates Motel continues to have a rich and involving 5.1 soundtrack, encoded on Blu-ray in lossless DTS-HD MA. The bass extension for such effects as the neon sign that switches on for the brief title sequence remains impressive for a TV show. Gunshots, slamming doors and physical battles also register forcefully. The sound mixers also make effective use of subtle environmental cues in varied locales in and around White Pine Bay, including the forest, the Municipal Building, the docks (where Nick Ford meets Norma on his yacht), at the remote marijuana processing plant where Dylan works and in the Sheriff's office. A complex layering of subjective and objective sounds (I can't be more specific without spoilers) provides an especially memorably demonstration of sonic storytelling in episode 9, "The Box". Dialogue is beautifully rendered, and the thriller score by Chris Bacon (Source Code) continues to be one of Bates Motel's best assets.
Season Two of Bates Motel delivers more of what initially drew fans to the show, without falling into repetition. Showrunners Cuse and Ehrin continue to find rich and unexpected corners of both the Bates family history and White Pine Bay to explore and exploit for high drama. The further they progress, however, the more they appear to be (in Cuse's phrase) painting themselves into the tightest possible corner. As Cuse has frequently acknowledged, the story of Norma Bates and her rapidly maturing son has an outcome that is already known, even if the back story was so sparely related in Hitchcock's Psycho that Cuse and Ehrin have felt free to embroider it as ornately as possible. At some point, however, they will have to tie up all their dangling threads in a bundle that's neat enough to leave Norman more or less where a contemporary version of Marion Crane might find him, tending his empty motel, preparing Cabin 1 for the next pretty woman who happens to take a wrong turn off the main highway. Especially after the finale of Season Two, the two writer/producers have built themselves a steep wall to climb. It's going to be fascinating to watch how they do it. Highly recommended.
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Collector's Edition
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The Secret of Marrowbone
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Extended Director's Cut
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Slipcover in Original Pressing
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