5.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
A brilliant scientist is plucked out of the company lab and sent to India to sell the genetically modified rice she created - which she doesn't realize will destroy the farmers she thinks she's helping.
Starring: Brie Larson, Scott Bakula, Donald Sutherland, Tyne Daly, Utkarsh Ambudkar| Comedy | 100% |
| Romance | 38% |
| Musical | 18% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 5.0 | |
| Audio | 4.0 | |
| Extras | 4.0 | |
| Overall | 4.0 |
Film production can be an arduous process, but for “Basmati Blues,” it was an endless cycle of disruptions and delays. The picture was actually shot in 2013, long before star Brie Larson enjoyed a career boost with her Oscar-winning performance in “Room,” with the production spending the next five years reshooting and tinkering to create a final edit before finally seeing a theatrical release earlier this year. It’s an uncommon moviemaking story, but it helps to keep such chaos in mind while watching the effort, which opens with a big heart and desire to please, only to slowly grind its way to tedium as director Danny Baron tries to do too much with very little. The concept here is to rework Bollywood formula to fit an American tale of romance and corporate villainy, but Baron is lost at sea, sticking close to punishing formula to help find his way out of this mess. Larson does the best she can with such unchallenging material, and she ends up the lone highlight, smiling and dancing her heart out while the rest of “Basmati Blues” stumbles around, on a weird quest to be a proper musical extravaganza and a condemnation of Monsanto-style agribusiness corruption.


The AVC encoded image (2.39:1 aspect ratio) presentation preserves cinematographic sharpness, giving detail priority during the viewing experience. Locations are vividly textured, with dimensional distances and dense farmland. Facial particulars are appealing, identifying subtle reactions and aging. Costumes are fibrous, from science lab suits to more ornate celebratory creations. Colors are bright and bold, embracing the power of cultural hues, offering clear primaries, also delivering heightened purples and blues. Greenery is deep, taking in the vast network of rice farming. Delineation is comfortable.

The 5.1 DTS-HD MA mix carries an adequate presence for a musical, though vocals emerging from the center are noticeably louder than the music, creating a distinctly separated sound that takes a little time to get used to, varying in intensity during the movie. Instrumentation is appealing, with a sharp orchestral presence that also pushes into the surrounds to create an enveloping feel for the musical numbers. Low-end handles percussion well. Dialogue exchanges are tight and true, capturing accents and emotional intensity without trouble. Atmospherics are valuable, delivering a feel for outdoor activities and group interactions.


The idea here is to sweeten corporate maliciousness with Bollywood-inspired formula and visuals. "Basmati Blues" becomes a bad cocktail of tones and ideas, going completely braindead in the finale, which involves a train chase and Linda trying to save the day on horseback. A full-throated scream toward predatory agribusiness practices is most welcome, but "Basmati Blues" is a candied version of a real-world issue, playing cute with a dark subject matter while musical selections aren't memorable, unable to save an increasingly laborious sit. Perhaps the best of intentions were in place when the production began shooting the movie five years ago, but now "Basmati Blues" comes across as a messy experiment in the merging of film cultures.
(Still not reliable for this title)

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