5.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Duane recovers from his delusional breakdown to find his freakish basket-bound brother Belial will soon become a father. But not everything is joyous as the once tight knit brothers no longer seem to trust each other.
Starring: Kevin Van Hentenryck, Annie Ross, Gil Roper, Dan Biggers, Tina Louise HilbertHorror | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 3.5 | |
Extras | 1.0 | |
Overall | 3.5 |
In “Basket Case 2,” the series developed into a tale of community, where Duane and his deformed brother Belial finally found a home with a group of “Unique Individuals,” learning to temporarily silence their murderous appetites and learn the warmth of acceptance. There was even a little sex thrown in there too, giving writer/director Frank Henenlotter a narrative direction for 1991’s “Basket Case 3: The Progeny,” which tries to pay off the eye-crossing conclusion of the last film with a newfound desire to transform what was once a creepy, icky horror picture into a demented Saturday morning cartoon, loaded with creatures and chaos. While it’s made strictly for fans of the franchise, presenting the faithful with ample screen time for ghoulish celebration, “Basket Case 3: The Progeny” definitely keeps up Henenlotter’s interests in the macabre and zany, successfully advancing the saga of Duane and Belial into trials of fatherhood and human acceptance. This final chapter isn’t as memorable as its predecessors, but the effort isn’t lazy, working hard to disrupt expectations and stage ridiculousness, though it becomes increasingly clear that Henenlotter has run out of ideas for his creation.
The AVC encoded image (1.78:1 aspect ratio) presentation is sourced from "original 35mm vault materials," and it sustains the HD impression that began with "Basket Case 2." It's a clear viewing experience, providing encouraging detail for the monster mayhem, gifting fans a chance to study make-up and animatronic artistry, while human characters offer satisfying facial particulars and textured costuming. Delineation is comfortable, making sense of evening attacks and shadow play. Grain is fine and filmic. Colors preserve the cartoon tone Henenlotter is aiming for, capturing bold reds and veiny purples. Faint speckling is detected, but the source is in terrific shape.
The 2.0 DTS-HD MA sound mix comes through very sharply, with a thinner presence dominating the listening event, finding dialogue exchanges easy to follow, but periodically lacking richness to accompany the heated emotions on display. Scoring is satisfactory, supplying a traditional synth push to the proceedings, supporting onscreen craziness. Interestingly, the musical number isn't as pronounced as expected, almost muted to a certain degree, though it's difficult to tell if this is a source issue or a production one. Atmospherics are emphasized, including an overpopulation of wildlife at Dr. Hal's home.
"The Progeny" goes feral during its grand finale, presenting a buffet of twisted limbs, torn faces, and ocular trauma as Belial does what he does best. It's extremely violent, but also a rare sampling of overt aggression from a franchise that's enjoyed its horror show up to this point. Not that the feature is strictly a comedy, but "Basket Case 3: The Progeny" doesn't indulge in genre highlights quite like its predecessors, content to sit back and stage a monster movie in a very Henenlotter-ian manner. Perhaps "Basket Case" deserved a more perverse cinematic exploration to match the original nightmare, but the sequels certainly find compelling ways to stay invested in Duane and Belial's survival, even if all grows incredibly silly at times. Henenlotter may not have franchise consistency, but he does have a limitless imagination for the bizarre.
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