6.7 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
"Bag Boy Lover Boy" follows the lowly life of Albert, an oddball hotdog vendor who is shocked to find himself suddenly becoming the bizarre muse of enigmatic NYC photographer Ivan. But shocks come his way even more so when, amidst his role in Ivan's disturbing photographs for which he poses, Albert finds out just how difficult it is to succeed in the art world, leading him to take some disturbing photographs of his own that suit his very unique - and very limited - skill set.
Starring: Jon Wächter, Theodore Bouloukos, Kathy Biehl, Karah Serine, Adrienne GoriHorror | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 (48kHz, 16-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 2.0 |
I may have a new candidate for Oddest Film I’ve Reviewed. That list is long, and evidently growing longer by the day, and has included a number of extremely outré efforts in any number of genres. But Bag Boy Lover Boy’s very title may hint at its truly peculiar qualities, qualities which include a setup which is simplicity itself but whose execution (an apt term, considering the carnage that ultimately unfolds) is at times patently bizarre. The film boasts a cast and production crew that my hunch is very few film fans will have heard of. The film’s star is one Jon Wächter, a youngish man with a kind of hangdog Ray Romano- esque quality about him, albeit with a kind of weird generic European accent (the actor evidently hails from Sweden). Wächter portrays Albert, a somewhat dimwitted guy who works at a food cart providing hot dogs and other noshables in what looks like lower Manhattan. The film begins with a disturbing vignette showing Albert dealing with a highly inebriated man who, with his girlfriend or wife, goes a little (traditionally New York) ballistic when Albert drops a hot dog on the floor of the food wagon and then simply picks it up and places it back on the burner. That leads to an odd interchange where it seems like violence may break out, until another passerby named Ivan Worthington (Theodore Bouloukos) wanders into the area and confronts the drunk guy, giving him a little Manhattan “love” (and you New Yorkers will know exactly what I mean). Ivan becomes a regular customer at Albert’s cart, and begins taking pictures of him, ultimately inviting Albert to take part in what turn out to be sessions devoted to various fetishistic practices. Albert simply doesn’t seem to have the intellectual capacity to really understand what he’s taking part in, something that may lead to some viewers feeling a bit of appropriate discomfort at his predicament, but things ultimately venture into comedy-horror territory when Ivan takes off and Albert decides to start using Ivan’s studio for his own “shoots” (so to speak).
Bag Boy Lover Boy is presented on Blu-ray courtesy of Severin Films with an AVC encoded 1080p transfer in 1.78:1. The film was digitally captured with Arri Alexa cameras, and while it boasts generally good detail levels, it has a somewhat flat and drab overall appearance. Grading keeps things on the cool side quite a bit of the time, to the point that flesh tones can almost skew toward purple. The palette actually looks slightly desaturated throughout the presentation, which I'm assuming was an intentional stylistic choice. There are a number of other "arty" moments where things verge on the surreal (see screenshot 15). Detail levels tend to suffer at least a little in several dimly lit scenes, like an early moment with Albert munching on hot dogs in his apartment or even later in some of the photo studio sequences.
While there's not much "wow" factor in Bag Boy Lover Boy's LPCM 2.0 mix, there's also nothing really to complain about, either. Ambient effects aren't especially spatially placed, but are prevalent in the outdoor scenes, while the bulk of the film, which offers fairly talky dialogue scenes, boasts fine fidelity and no problems whatsoever to report.
- Got Light (1080i; 1:22) is in black and white and silent.
- The Never Starting Story (1080i; 1:13) is also in black and white and silent, though this comes with a mandatory Wachter "commentary".
I've said this same thing a few other times recently in reviews for other candidates for Oddest Film I've Reviewed, but the one thing Bag Boy Lover Boy has going for it is that it's sui generis. You may not like all of it, or even most of it, but chances are you've never seen anything quite like it before. Technical merits are generally strong for those considering a purchase.
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