6.5 | / 10 |
Users | 0.0 | |
Reviewer | 1.5 | |
Overall | 1.5 |
The Wood family moves into a house with an extra the realtor didn’t know about: teenage Ronald, who’s been living in a secret room ever since his late mother hid him from the law. Ronald was a little weird when he entered the room, but now he’s creepy-scary.
Starring: Scott Jacoby, Pippa Scott, John Larch, Dabney Coleman, Kim HunterHorror | 100% |
Thriller | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 1.0 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 0.0 | |
Overall | 1.5 |
This opening line writes itself: Bad Ronald is a bad movie. It was made in an era when the boundary was clearly drawn between films made for television and those aimed at theatrical release. The latter usually had bigger budgets, better writing and more accomplished talent. The former were disposable fare, designed to hold viewers' attention just long enough to get through the commercials. Directors like Buzz Kulik were specialists in the genre, occasionally turning out something memorable like Brian's Song (1971). But Kulik also made Bad Ronald, which sold surprisingly well when the Warner Archive Collection released it on DVD. As a result, we now have a remastered Blu-ray.
Bad Ronald was shot on film by Charles F. Wheeler, who worked mostly in TV but also
photographed a few memorable features like the original Freaky
Friday. Previous video
presentations, including the Warner Archive Collection's DVD, were taken from an antique
video master that was soft and cloudy. For this 1080p, AVC-encoded Blu-ray, WAC was able to
use a recently manufactured interpositive, which was scanned by Warner's MPI facility at 2K,
then given a thorough cleaning to remove dirt, scratches and other age-related damage. The
resulting image looks far better than the movie deserves: film-like, clear, detailed and unquestionably superior to anything that could have been
broadcast in standard definition when the film was first shown in 1974. The colors are distinct but more naturalistic than bright, and a finely rendered
grain field is visible throughout. The Blu-ray's aspect ratio accurately reproduces the film's original SD TV format of 1.33:1.
Improved clarity isn't always a boon to low-budget productions, and Bad Ronald is a case in
point. Feature-film visual quality only highlights the corner-cutting in the movie's overall design.
Still, for better or worse, WAC's Blu-ray offers Bad Ronald's fans the chance to see it as they
never have before. The film's short running time and lack of extras has allowed WAC to fit it on
a BD-25 without compromising their customarily generous compression, with a bitrate that
averages 34.99 Mbps.
Bad Ronald's soundtrack has been taken from the mono composite magnetic master, cleaned of any pops, clicks or other interference, and encoded in lossless DTS-HD MA 2.0. Having been designed for the limited TV speakers of a pre-home theater era, the track exhibits a notably compressed dynamic range, with a high end that sounds genuinely unpleasant at today's reference volume. It appears that WAC has not succumbed to the temptation to "sweeten" the audio (which might be impossible), and the Blu-ray's track is only as good as the source. (The audio score is weighted for fidelity.) The forgettable musical accompaniment was supplied by Fred Karlin, who, on better days, composed soundtracks for Westworld and The Sterile Cuckoo.
No extras are included. WAC's 2009 DVD was similarly bare.
It has been many years since premium channels like HBO and streaming services like Netflix
erased the line between theatrical features and made-for-TV movies, and even major networks
have been forced to up their game in response. Bad Ronald is a museum piece, a reminder of a
time when "made-for-TV" could be a dismissive epithet (though a few good productions
managed to slip through, e.g. Katherine (The Radical), Sybil or Duel). Technical merits are good,
but Bad Ronald is recommended only for diehard fans.
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