| Users | 0.0 | |
| Reviewer | 5.0 | |
| Overall | 5.0 |
| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
German: Dolby Atmos
German: Dolby TrueHD 7.1
German: DTS-HD Master Audio 5.1
German: LPCM 2.0
96/24 tracks for audio, 48/24 tracks for video, Atmos on both versions
English, German
Blu-ray Disc
Three-disc set (1 BD, 2 CDs)
Region A (B, C untested)
| Movie | 5.0 | |
| Video | 4.0 | |
| Audio | 5.0 | |
| Extras | 2.0 | |
| Overall | 5.0 |
It's only about a month until Easter as this review is being written, and for those who want to start a musical celebration a bit on the early side, Deutsche Grammophon has released a wonderful new performance of Bach's immortal St. John Passion with the venerable John Eliot Gardiner leading his equally venerable Monteverdi Choir and English Baroque Soloists. Filmed on Good Friday 2021, and with appropriate "social distancing" in place which can be clearly seen in the screenshots I've uploaded to accompany this review, this performance, as some brief notes in the DigiPack mention, marks Gardner's "return to the Yellow Label".


Bach: St. John Passion is presented on Blu-ray courtesy of Deutsche Grammophon with an AVC encoded 1080i transfer in 1.78, for those who opt to view the video side of things (see the audio section below for how the disc is authored in terms of menus and the like). This isn't a reference quality presentation, but it's certainly sharp enough, with good detail levels for the most part. There are some minor combing artifacts that can be spotted and whatever cameras they used tend to feature some slight blurriness at the very edges of the frame for whatever reason. The palette looks natural, but really doesn't pop in any significant way due to the prevalence of brown and black tones.

Bach: St. John Passion features Dolby Atmos, DTS-HD Master Audio 5.1 and LPCM 2.0 audio options. Screenshot 10 shows the primary menu that appears at disc boot up, and for those who want only the audio experience, you really don't even need to have a monitor or display of any kind fired up, as long as you can remember which color on your remote accesses which audio option (yellow for LPCM 2.0, red for DTS-HD Master Audio 5.1 and green for Dolby Atmos). Clicking on "video" on that menu then brings you to the video menu I've uploaded in the ninth position of screenshots. The audio is resplendent in all three options, and the fact that there was social distancing employs may actually add a bit of spaciousness in terms of the spread of sound that is obvious on both the DTS-HD Master Audio 5.1 and probably especially the Dolby Atmos track. Fidelity is superb throughout, with a gorgeously burnished sound from the English Baroque Soloists and brilliant reproduction of both the solo and choral voices. Dynamic range is perhaps not huge, but there are definitely ebbs and flows that all three tracks more than adequately support. Optional English and German subtitles are available on the video side of things.

While there are no real on disc supplements, unless one includes the video aspect (which I'm not, since I consider it to be part and parcel of this release), there are two Bonus CDs offering the entire performance with Deutsche Grammophon's traditional attention to engineering excellence. A nicely appointed insert booklet also contains Charlotte Gardner's essay and a complete libretto in both German and English.

Not to sound overly sacrilegious, but this wonderful concert provides a "resurrection" of sorts for Gardiner, the Monteverdi Choir and the English Baroque Soloists, and you can feel the energy pouring out of the combined forces, as well as from Gardiner himself. This is a wonderful release that can be enjoyed as either an audio Blu-ray or a full audio-visual experience. Technical merits are solid, especially the stellar audio, and Bach: St. John Passion comes Highly recommended.