6.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A photographer finds herself falling under the spell of a witch.
Starring: Carroll Baker, George Eastman, Isabelle De Funès, Ely Galleani, Daniela BalzarettiHorror | 100% |
Foreign | 50% |
Comic book | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 Mono (48kHz, 16-bit)
Italian: LPCM 2.0 Mono (48kHz, 16-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region B, A (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
Corrado Farina's "Baba Yaga" a.k.a. "Kiss Me Kill Me" (1973) arrives on Blu-ray courtesy of Shameless Entertainment. The supplemental features on the disc include archival interview with the director; two short featurettes focusing on Guido Crepax and his work; and exclusive new audio commentary by critic Kat Ellinger. In English or Italian, with optional subtitles for the main feature. Region-B "locked".
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Baba Yaga arrives on Blu-ray courtesy of Shameless Entertainment.
Baba Yaga initially appeared on Blu-ray via Blue Underground in the United States. (You can see our listing and review of the first release here). However, this release features two versions of the film. One of them is a complete reconstruction of Corrado Farina's original and preferred longer version, which reintroduces a little over six minutes of extra footage. When the cuts were made by the film's producer, and without Farina's knowledge, the original elements were destroyed. As a result, the extra footage comes from trims that were pulled out of a standard definition master. I am going to comment on the quality of the reconstructed longer version, which was created exclusively for Shameless Entertainment's release.
First, even though there are some minor framing discrepancies, the master that was used to produce the reconstruction -- as well as the edited theatrical version -- appears to be the same one Blue Underground utilized to produce the U.S. release of the film in 2012. While there is some minor scanner noise that affects the surface of the visuals, this was actually one of the better masters to emerge from Italian labs early into the high-definition format's cycle. In fact, with some basic equipment tweaks, it can make the film look surprisingly good, even on a very large screen. Admittedly, it does help that there is quite a bit of darker footage, but even in areas where there is plenty of light that produces a variety of nuances the visuals can look quite good (see screencaptures #3, 7 and 13). What gives up the age of the master is the nature of the grain exposure, which ranges from decent to good, but does not have that tight and clean appearance new 4K and 2K masters boast. Still, there is a lot to like, especially if you consider how harsh some of the early Italian masters were. (For reference, see the master that was prepared and used for Django). Color saturation and balance are good. Some highlights could have been managed better, but overall the color scheme looks solid. Image stability is very good.
What about the quality of the inserts? Predictably, the difference is quite obvious, so when the transitions occur you will immediately know because delineation, depth, clarity, and color stability are instantly affected. However, I thought that the reconstruction was done really well and especially the continuity of the edited sequences managed perfectly. You can see examples that demonstrated the quality of the trims in screencaptures #16, 17, and 18. Finally, I want to make this clear: there is extra footage in the beginning of the film as well as sporadic inserts in a couple of other sequences. All in all, I think that the folks at Shameless Entertainment did a good job with the reconstruction of the longer version and I am very happy to have it on Blu-ray. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).
There are two standard audio tracks on this Blu-ray release: English LPCM 2.0 and Italian LPCM 2.0. (for the theatrical and extended versions of the film). Optional English subtitles are provided.
The English track should be considered the original track for this film since virtually all of the important characters utter their lines in English. As usual, however, you should keep in mind that some overdubbing was done, which is why some small but notable unevenness pops up here and there. Clarity and sharpness are good, but I wonder if a new remaster might improve the depth and dynamic strength of the jazzy soundtrack. I used to have a R2 DVD release of the film and when Blue Underground released it on Blu-ray the gap in quality was quite apparent. (I am not referring only to the elimination of the PAL speedup). However, if you turn up the volume substantially, it just feels like some areas could sound even better. On the other hand, it is difficult to tell with absolute certainty if meaningful improvements can be made because this may very well be how the original soundtrack was done when the theatrical version of the film was finalized. Obviously, if you watch the reconstructed version, there are additional dynamic fluctuations as well.
I am glad to see that Shameless Entertainment produced this release of Baba Yaga because it has the reconstructed longer version of the film Corrado Farina liked. Blue Underground's release has the trims as well, but they are included as bonus content. Also, this release features a different and quite good archival video interview with the late director that fans of the film should appreciate. RECOMMENDED. (If you enjoy the strange atmosphere of Baba Yaga, you should consider picking up The Laughing Woman, which U.S. label Mondo Macabro will release on Blu-ray in 2021).
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