6.3 | / 10 |
| Users | 3.5 | |
| Reviewer | 4.0 | |
| Overall | 3.5 |
A workplace robot, AUTO, transforms into a killing machine when he discovers he will be replaced by a more efficient model. AUTO fears being terminated and will stop at nothing to prevent his own destruction. The human employees must band together to stop him before it’s too late.
Starring: Elissa Dowling, Sadie Katz, Parry Shen, Graham Skipper, Sarah French| Sci-Fi | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: Dolby Digital 5.1
English: Dolby Digital 2.0
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 5.0 | |
| Overall | 4.0 |
While the world faces a future of increasing workplace automation, removing humans from jobs, the film “Automation” is here to…not really comment on any of that. Instead of sinking his teeth into the juicy politics and fear factor of robotic replacement, co-writer/director Garo Setian makes a horror/comedy with “Automation,” wasting a wonderful idea on limp B-movie production achievements and a story that falls far short of its potential.


The AVC encoded image (2.35:1 aspect ratio) presentation supplies a sharp look at the production effort behind "Automation." Such clarity isn't always a good thing, as one can easy spot the foam creases on Auto's "metallic" suit, diminishing the robotic illusion. Facial particulars are strong, and costuming is textured. Colors are lively, dealing with office and warehouse primaries, while extremes, such as Jenny's purple hair, are appealing. Delineation is acceptable. Compression issues are periodic, with banding detected.

The 5.1 Dolby Digital sound mix reaches as far as the recording equipment allows, with tech limitations common. Dialogue exchanges are fine, without pronounced issues, and there's sharpness to Auto's voice. Scoring isn't elevated to sweeten suspense, remaining fairly sedate but certainly defined. Same goes for atmospherics and sound effects, which aren't dynamic. Low-end isn't challenged.


"Automation" takes a while to get to Auto's uprising, and such violence isn't worth the wait. Setian aims to add some emotion to the material, but that fails as well. "Automation" is too goofy to take seriously, which is a real crime, as the conflict between corporate profit and worker disposability is a ripe one to explore.