7.7 | / 10 |
Users | 4.5 | |
Reviewer | 3.5 | |
Overall | 4.2 |
In England in 1935, Briony, an imaginative and impetuous teenage girl, spies her older sister Cecilia in an erotic embrace with Robbie, the dashing son of one of their estate's servants. Briony's jealousy then drives her to tell an explosive lie which changes the course of their lives forever on the eve of World War II.
Starring: James McAvoy, Keira Knightley, Romola Garai, Saoirse Ronan, Vanessa RedgraveDrama | 100% |
Romance | 86% |
Period | 53% |
Melodrama | 29% |
War | 24% |
Epic | 10% |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.84:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: DTS 5.1 (48kHz, 24-bit)
Spanish: DTS 5.1 (48kHz, 24-bit)
English SDH, French, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
BD-Live
Region free
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 3.5 |
Seamus McGarvey's sumptuous cinematography, Dario Marianelli's unforgettable score, director Joe Wright's highly anticipated followup to Pride & Prejudice, Christopher Hampton's sharp adaptation of Ian McEwan's celebrated novel, a haunting tale of love and woe, an exceptionally talented young cast, critical acclaim, rampant hype, countless nominations, a heap of awards, a coveted Oscar, golden statue after golden statue... how could a film like Atonement possibly disappoint? Having never seen it until now, it's a question I didn't expect to be asking; a question an absorbing, evocative period piece should never require its audience to ask. The answer? With a jarring shock to the senses that hits just eight minutes before Wright's credits roll. An unnecessary send-off if there ever was one, it abruptly unravels everything that's come before it, attempting but ultimately failing to redefine 106 minutes of heart-aching, cinematic bliss. It is without a doubt one of the more divisive, controversial endings to cap an Academy favorite. And while it will certainly continue to speak to some -- it does have narrative merit -- it will leave others with the overwhelming desire to hit eject and erase its botched endgame from their minds.
How impressive is Universal's video transfer? You can spot the streaks in Knightley's makeup...
Both achingly filmic and incredibly faithful to its source, Atonement's 1080p/AVC-encoded transfer is nothing short of beautiful. Every texture, every detail has been preserved, and edge enhancement and ringing are nowhere to be found. Everything from the second act's blood-stained uniforms, tattered bandages, and plumes of smoke to the first act's fire-lit chambers, fog-swept gardens, and sun-bathed fields are dazzling. Yes, visibility is a bit low in McGarvey's darkest shots, and yes, his hazy, dreamlike cinematography occasionally invites piercing light to flood the image, but crush, noise and other anomalies remain at bay. More importantly, his palette has been perfectly reproduced, granting Wright's lush fields and cold hospital halls equal parts boldness and brilliance. Blacks are deep and natural, skintones are lifelike, and primaries surge, all in service of the director's vision, all in response to his every intention. Instances of softness, rare as they are, can be attributed to the original print; each speck of grain, consistent and unobtrusive as it is, lends value and legitimacy to the presentation. And Universal's technical efforts? Artifacting, aliasing, smearing, DNR and other nonsense are either kept to a minimum or absent from the proceedings altogether. Think what you will of the film's ending, the studio's transfer is truly a sight to behold.
Dat... dat... dat... dat... dat... dat-dat-dat-dat. So thunders Briony's typewriter as Atonement's hushed but arresting DTS-HD Master Audio 5.1 surround track first makes itself known. While it isn't the most aggressive mix I've had the opportunity to review of late, it's nevertheless an exceedingly effective one, freeing the nimble piano runs and tepid string strums of Dario Marianelli's masterful, Oscar-winning score in every channel. Wright's period piece is largely a front-heavy affair, dominated by whispered admissions and restrained conversations, but that's not to say the rear speakers remain quiet. Along with the absorbing music and rhythmic chatter of typewriters, a steady stream of convincing acoustics, nuanced ambience, and precise directional effects heighten the experience. Note the subtle echo of interior voices, the singsong call of distant birds, the rustle of trees, the chick-chack of Robbie's footsteps on a stone path, the gravely crinch-cratch as he shuffles past a collapsed building. LFE output is no slouch either. Though the film doesn't have the explosiveness of a more traditional genre pic, it meticulously massages Marianelli's compositions, makes McAvoy's battlefield encounters more haunting, and adds believable weight to everything from toppling rubble to the harshest French winds. Through it all, dialogue remains clear and compelling, and prioritization (save a few mishaps, all of which are arguably intentional) is spot on. As it stands, anyone who insists Atonement doesn't deliver an engrossing soundfield should seriously consider upgrading their audio gear.
Sadly, the Blu-ray edition of Atonement offers the same supplemental package as its DVD counterpart, standard definition video and all. New content, particularly of the Picture-in-Picture variety, would have certainly helped, but there isn't any to be found. As it stands, Director Joe Wright's audio commentary is the only feature that adds substantial value to the release.
Atonement is a resonant period romance, a powerful study of longing and regret, and a startling tale of misperception and misunderstanding... at least for 106 minutes. The eight minutes that follow will either hold your attention or leave you enraged. Three guesses as to how well its ending sat with me. Luckily, Universal's Blu-ray release isn't as divisive. Even though its supplemental package desperately needs more content and punch, its video transfer is nearly impeccable and its DTS-HD Master Audio track is faithful and immersive. I wouldn't recommend buying this one without seeing the film first, but anyone who appreciates everything Wright has to offer will be mesmerized by the results.
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