| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Biography of clarinetist and bandleader Artie Shaw, one of the principal figures of the big band/jazz era of the late 1930s and 1940s. He discusses his constant need to seek new challenges, which led to numerous retirements and career changes including his foray into writing, which had long been his primary intention. He speaks about his difficulty in reconciling his fans' popular expectations with his personal, more esoteric musical ambitions. His many years of retreat from public life are also discussed, as well as his notorious series of unsuccessful marriages.
Starring: Artie Shaw, Mel Tormé, Lana Turner, Helen Forrest (I)| Documentary | 100% |
| Music | 83% |
| Biography | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.29:1
Original aspect ratio: 1.33:1
English: LPCM 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 4.5 |
The oft quoted adage (and/or memorable tune title) states "video killed the radio star", but what tended to make radio stars back in the day, at least before the blandishments (?) of television came along, was: talent. And in the case of instrumentalists who hit it big during the Big Band Era, that "talent" was often virtuosity on whatever their chosen instrument might be. In that regard the Swing Era had two ace clarinet players in the forms of Benny Goodman, famously dubbed the King of Swing, and Artie Shaw, a guy who had labored (quite successfully) as a session player and (less successfully) band leader before hitting it big (huge, actually) in 1938 with his epochal recording of Cole Porter's "Begin the Beguine". It's at least arguable that Shaw was at least the technician that Goodman was, and perhaps even more so, but he had a somewhat troubled persona that at least interstitially led to some problems both personally and professionally.


Artie Shaw: Time Is All You've Got is presented on Blu-ray courtesy of Film Movement's Film Movement Classics imprint with an AVC encoded 1080p transfer in 1.29:1. The film's 4K restoration (evidently done a few years ago) is advertised in some prefatory text cards, and while undeniably heterogeneous looking at times due to the wide variety of source material utilized, there's a really appealing organic appearance and the (then) contemporary interview sequences have nicely suffused color. Those same interview sequences also tend to offer the most secure detail levels, probably understandably, and fine detail on things like Shaw's ribbed sweaters is quite precise looking. Some of the archival material doesn't fare nearly as well, and it certainly looks like some of Shaw's film appearances were sourced off of pretty shoddy videotape.

Artie Shaw: Time Is All You've Got features a nice sounding LPCM 2.0 Mono track. This is by and large either a talking head or narrated (by Brigitte Berman) affair, with Shaw's memorable music tending to be utilized either interstitially or as quasi-underscore. All spoken material is delivered cleanly and clearly. Optional English subtitles are available.


One of the really beneficial things about this documentary, even if it later went sour, is Shaw's own involvement in it. He seems at least passingly aware of some of his own faults and/or peccadilloes, but some of the actually most moving moments in this piece are when he listens to some of his old recordings, and you can just see him getting transported by the music again. Technical merits are generally solid and the commentary and insert essay are enjoyable. Highly recommended.