7.5 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
Chronicles Hitler's life as a failed painter and far-right activist up to his election as Chancellor of Germany, leading to his relentless rise to power, culminating in the beginning of World War II.
Starring: Adolf Hitler, Friedrich Ebert Sr., Joseph Goebbels, Hermann Göring, Rudolf HessForeign | 100% |
History | 89% |
War | 88% |
Documentary | 39% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 5.1
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 1.5 | |
Video | 2.5 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 2.0 |
When confronted with evil on the scale of Adolph Hitler, can a “mere” biography ever hope to explain its subject? Reciting a series of facts and figures about a character may give a timeline and even some historical context, but it probably can’t ever hope to really explicate why. And that huge, looming question hanging over Apocalypse: Hitler is most likely the most glaring thing that prevents this documentary from ever really providing much more than a surface deep look at the most villainous man of the twentieth century, and perhaps of all time. As with Apocalypse: World War II, this sibling documentary also utilizes a glut of colorized archival footage, something which supposedly will make the content somehow more “accessible” to modern day audiences, but which often does nothing other than call attention to itself (especially when the “colorizers” totally miss elements like individual faces in a crowd, leaving them standing out in good old black and white like a monochromatic sore thumb). It’s especially odd in the case of Apocalypse: Hitler as the documentary also makes copious use of real color footage, including some of Eva Braun’s famous home movies, which look brilliantly vivid and lush when thrust up against the often pallid, lackluster colorized elements.
Apocalypse: Hitler is presented on Blu-ray courtesy of Entertainment One with an AVC encoded 1080i transfer in 1.78:1. This two part documentary is built out of archival footage including small format film, still photographs, and the like. Some of these elements are in decent enough shape, but they've been so haphazardly colorized that it's almost comical at times. In any given frame there will be weird greens and browns kind of pasted willy-nilly on various surfaces, while large swaths of the same frame remain completely in black and white. Crowd scenes are especially comical, as either the colorizing team ran out of money or patience, as colorized faces cohabitate with black and white visages. It's completely ludicrous and makes some of this obviously very serious (and in the case of the Holocaust, troubling) footage unintentionally comic. Putting the colorization issue aside (which frankly is near impossible to do), quite a bit of this documentary looks pretty ragged in any case. The best looking elements here by far are the still photographs, which obviously aren't in motion and remain more stable looking as a result. While some of the better archival elements have been gussied up with scratch removal, the bulk of them are still pretty rough looking, with an overall fuzziness and lack of any significant detail. Some of this footage would have intrinsic historical value, but the colorizing has depleted most if not all of that worth.
Much better—if no less artificial than the colorization—is Apocalypse: Hitler's lossless DTS-HD Master Audio 5.1 mix. The Making Of featurette included on this Blu-ray as a supplement shows some of the surround elements being configured, and there's no denying that there has been a lot of good surround activity added to this documentary. It's probably most noticeable in the second half, which deals more exclusively with the war years, but even in the opening half, there's really good use of crowd noises and the like which significantly opens up the sound field. Fidelity is excellent, though it's to be expected that actual "original soundtrack" recordings of Hitler often pop and crackle and display other age related damage. There's quite wide dynamic range when taking the entire documentary as a whole, with occasional bursts of LFE as well during some of the battle segments.
Apocalypse: Hitler has some fascinating (and at time extremely unsettling) footage, a lot of which I personally had never seen before. And there are occasional facts and tidbits bandied about that may surprise some armchair historians. But this documentary is too over generalized and eager to move from one chronological moment to the next to ever really delve into its villainous subject as deeply as some might want. What really sinks this enterprise, though, is the shoddy colorizing. Colorizing in and of itself is not as hideous as it used to be, and there's a certain restraint in the use of an understated palette here that actually looks okay, if never great. But why colorize only part of any given frame? It's just downright ridiculous and makes some of this otherwise riveting footage unintentionally funny. There's no dearth of excellent World War II documentaries out there, many of which manage to reveal at least as much about Hitler as this one does.
(Still not reliable for this title)
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