5.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actress, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.
Starring: Pauline Jacquard, Elina Löwensohn, Anne Lise Maulin, Lola Créton, Vimala PonsForeign | 100% |
Horror | 73% |
Short | 5% |
Comedy | Insignificant |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
French: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 1.0 | |
Overall | 3.5 |
Director Bertrand Mandico made an impression on certain audiences with 2017’s “The Wild Boys.” It was his first feature-length production, and he poured everything into its creation, using experience gained after spending a large portion of his life making short films. “The Wild Boys” was weird and incredibly specific in its moviemaking goals. Dramatic value is debatable, but the endeavor was a striking showcase of craftsmanship, earning him a loyal fanbase interested in his helming future. Altered Innocence elects to go into Mandico’s past with their release of “Apocalypse After,” which offers the 2018 short and ten others to provide an understanding of creative development and artistic vision, identifying Mandico’s growing obsessions as well. It’s a high dive into challenging, arresting cinema, with the shorts detailing Mandico’s fetishes and pursuit of enigmatic material.
The AVC encoded image (2.39:1 aspect ratio) presentation for "Apocalypse After" preserves the artful elements of the short. Color is striking, handling heavy blues and reds, and distinct silver costuming is present. Hues are vivid throughout the viewing experience, and skin tones are natural. Detail offers a textured examination of fantasy additions and clothing, and skin particulars are distinct. Delineation is satisfactory. Grain is fine and film-like. The rest of the shorts vary in age and intensity, with some black and white offerings and equally hallucinogenic shorts in line with "Apocalypse After."
The 5.1 DTS-HD MA mix on "Apocalypse After" mostly remains a frontal affair, handling dialogue exchanges and breathy narration. Scoring retain a crisp synth presence with a slight low-end presence. Atmospherics are engaging, along with pronounced sound effects.
Mandico creates challenge work, and he does it with extreme filmmaking care and curiosity, after distinct visual and aural experiences that often make sense only to him. "Apocalypse After" is entirely bizarre and that's the idea, taking viewers on ride of bodily fluids, environments, lighting, makeup, and the acting efforts of Elina Lowensohn (who appears in almost everything he makes), trying to reach a specific area of confusion that delights the helmer. The shorts demand a full surrender to the dreamlike viewing experiences, as traditional dramatic movements aren't welcome here, presenting those with a specific curiosity about Mandico's work a chance to grasp his foundation as a filmmaker and his unwavering love of the impenetrable.
2019
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