5.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A newly discovered 36-foot gorilla escapes from a freighter off the coast of Korea. At the same time an American actress is filming a movie in the country. Chaos ensues as the ape kidnaps her and rampages through Seoul.
Starring: Joanna Kerns, Alex Nicol, Rod Arrants, Nak-hun Lee, Woo Yeon-jeongForeign | 100% |
Fantasy | 52% |
Sci-Fi | 48% |
Adventure | Insignificant |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
None
Blu-ray Disc
Single disc (1 BD)
Blu-ray 3D
Region A (locked)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 2.5 | |
Extras | 2.0 | |
Overall | 3.5 |
“Building after building is being destroyed. People are dying!” is the urgent plea heard during Director Paul Leder's (I Dismember Mama) Ape. It sounds terrible. The creature must be stopped! Think of all those miniatures! Think of all those people in peril from oversized fluffy props! Bring that man in the suit down! Ape is a tongue-in-cheek, intentionally or not, take on the classic Monster movie, essentially King Kong and Godzilla on the humorously cheap. It's a low-budget cheese extravaganza that promises the moon (see Ape..."defy the jaws of a giant shark!" "demolish an ocean liner!" "vanquish monster reptile!") but delivers, instead, a hilarious 80-some minutes of the title creature on a casual "rampage," more bumping into rather than destroying crude miniatures, tossing (with the help of a wire guide) rather than hurtling rocks, and carrying a doll, all the while...nothing much else happens. It's overstuffed but very fun and well worth a watch if for no other reason than for the laughs, and certainly to enjoy its well designed, albeit gimmicky, 3D presentation.
Note: the 2D image was reviewed on an LG OLED65C7P while the 3D content was reviewed on a Sony XBR65Z9D.
Ape arrives on the Blu-ray format with two viewing options, a flat 2D canvas and a dynamic 3D presentation. First, the 2D image. The film
begins at night, with deep, devouring blacks (except when there's black fade in various shots, here and elsewhere). Bright daytime
exteriors and well-lit interiors see the image at it best. Some scene reveal mildly faded colors, but there are some undeniably rich and well saturated
hues in play, too, like a red top and a blue sweater in the first scene following the film's nighttime open, after Ape walks ashore. Generally, colors are
firm, and most of the fading appears in an early scene when Marilyn Baker first lands in Korea. Her red dress as she's filming a scene in chapter five
appears very well saturated, offering a nice bit of pop against a white staircase she descends for her scene. Details are fairly good. While it's certainly
not tight or razor-sharp, basic image integrity is very strong. Core textural qualities, not simply clothes and faces but also rocky terrain, the ape suit,
and various concrete structures, hold fairly sharp and nicely crisp. Grain is a bit thick and clumpy. Skin tones appear accurate. Print wear -- speckles,
stray vertical lines, some mild flicker in places (34:45, for example) -- is ever-obvious but rarely distracting. This is an ultra low-budget movie,
reportedly made for $23,000, a pittance even in the 1970s. And considering the small budget allotted to its Blu-ray restoration, the results are very
impressive, and even more so considering the high-yield 3D imagery.
3-D Film Archive's work on the 3D presentation is fantastic, as always. They continue to not only get the most out of what they have work with, but
they goes the extra mile and give that extra TLC to make even a hilarious dud of a movie like this a masterpiece within the 3D realm. The 3D effect is a
little weird at the beginning The camera is angled downward towards the water (somewhere around 45 degrees, as a guesstimate), with a boat back
there somewhere, and the credits appearing above the off-kilter perspective makes for a
slightly uneven presentation, but such is the result of dealing with the chosen shot construction. The title colors don't jive very well with the
(lightly faded?)
background water, either, but that's really the only major source of complaint in the presentation, so at least it's out of the way right off the bat.
There's understandably not much of a
sense of real depth in the earliest sequence featuring the two characters set against a pitch-black backdrop, but there's at least a sense of volume to
their faces. Big explosions as Ape escapes illuminate the water, and the resultant sense of stretch and space becomes more obvious in the first great
3D look at the movie. At the airport, the image stretches far back
into the terminal and, outside, the parking lot. There's a good sense of separation between characters and the environment, clearly offset from the
background, which stretches to some distance. At the 17:20 mark there's a shot at ground level, panning around a scene of destruction, which offers
substantial
environmental depth, some of the finest 3D on the disc, or anywhere, for that matter. There's not enough time (or space in this review) to comment on
every scene, but suffice it to say general shot construction allows for a firm, authentic sense of place and depth, with shapelessly characters and
environments evident throughout.
The film offers plenty of pop-out effects. A plank crashes through a Jeep window early in the film. It's not quite as dramatic as one might think, but
there are some other solid "gimmick" 3D shots in the film, including children at play in a playground at the 20-minute mark, Ape tossing a snake at
the screen a few minutes later, bladed weapons poking into the screen in the 24-minute mark and arrows shooting towards the camera moments later,
and
a cue stick extending outward a little over an hour into the movie. Hands-down the best screen-extending 3D moment comes near the end when
riflemen battle Ape,
and the rifle barrels practically poke the viewer in the eye. Good thing they're not equipped with bayonets!
As far as essentials go within the 3D presentation, blacks are deep, textural efficiency is excellent, and colors are handled well. The basics play better
in 3D
than they do in 2D, and they
play fairly well in 2D. Those who wish to see the film without 3D capabilities can enjoy a solid enough 2D watch, but the movie shines with this
first-class
3D presentation from Kino and 3-D Film Archive.
Ape ambles onto Blu-ray with a DTS-HD Master Audio 2.0 lossless soundtrack that presents the film's meager, budget-limited soundtrack with an acceptable presentation. Make no mistake, muddled and scratchy music is the norm. Essential definition is fine, but highs shriek and there is, of course, no dedicated low end channel to help carry the bottom. Spacing is adequate across the front end. Sound effects, like ringing phones, impacting kicks and punches during a fight in chapter three, and other, similar elements offer solid enough core detailing. Dialogue is efficient, itself a little scratchy but it pushes far enough to the center for a fairly well-imaged sensation. When one character speaks in the opening exchange on the boat, a small, underlying electronic hum accompanies his voice and drops out when he is done speaking, or when the other man speaks. Otherwise, dialogue is largely fine. This is certainly not a high-end, high-yield track, but for a small budget Monster movie that's more a Comedy than it is a serious picture, it's hard to find too much fault with the elements as they are.
The highlight supplement on Ape is a commentary track with Hillary Hess and Delirium magazine's Chris Alexander. The former doesn't chime in until a bit later into the track. Both offer wonderful insight, Alexander's a little more inherently humorous. Both comment on the film's shortcomings and its so-bad-it's-good qualities. There is also some interesting insight into 3D film structure (listen to Hess around the 35-minute mark), talk of the film's director (father of contemporary filmmaker Mimi Leder) and much more. This is a first-rate track that balances humor with sincere insight into the movie; it's a must-listen. Additionally, trailers for Ape (1080p, 1:32) as well as The Bubble (1080p, 1:41), GOG (1080p, 1:51), The Mask (1080p, 2:47), and September Storm (1080p, 2:02) are included.
Ape is a terrible movie, but it engenders goodwill in its silliness and is certain to make the audience smile. It's well worth a watch for a chuckle or three and for its 3D visuals, too. Kino and 3-D Film Archive's Blu-ray 3D release is quite nice. The 2D video is flawed but fine under various constraints, the 3D is awesome, sound is passable, and the included commentary track is well worth a listen. Highly recommended.
1949
1977
1967
1940
1983
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1964
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1998
Le avventure dell'incredibile Ercole
1985
1957
1974
Where Time Began
1977
1956
1976
ゴジラvsキングギドラ / Gojira vs. Kingu Gidorâ
1991
モスラ対ゴジラ / Mosura tai Gojira
1964
1977
ゴジラ / Gojira / The Return of Godzilla
1984
City in the Sea / The City under the Sea
1965
地球攻撃命令 ゴジラ対ガイガン / Chikyû kogeki meirei: Gojira tai Gaigan / Godzilla vs. Gigan
1972
怪獣総進撃 / Kaijû sôshingeki
1968