6.3 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Alcoholic werewolf cop Lou Garou springs into action when an eccentric businessman with evil intentions seduces Woodhaven's residents with a new brewery and hockey team in this outrageous horror-comedy sequel.
Starring: Leo Fafard, Amy Matysio, Jonathan Cherry, Laura Abramsen, Yannick BissonHorror | 100% |
Comedy | 5% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
The WolfCop series is proof that you don't need distressed images and fake trailers to make an authentic grindhouse feature. All you need is gallons of fake blood, a warehouse of gloppy prosthetics, and a cast who can keep a straight face as the story gets progressively sillier. Canadian writer/director Lowell Dean's franchise shows no sign of letting up, with a mid-credit promise that "WolfCop will return". Fans of splatter cinema should rejoice.
Another WolfCop was shot by Adam Swica (The Haunting in Connecticut and George A.
Romero's Diary of the Dead). Specific information
about the shooting format was not available,
but the film is obviously a digital production, featuring the usual virtues of digital capture, with
superior detail, clarity and an absence of noise or interference. Swica's approach to lighting both
the title character and the film's many other elaborate makeup effects is the opposite of the style
seen in such classic horror films as The Howling: He
frequently puts plenty of light on these
scenes, trusting the technicians and the prosthetics to make the effects as convincing as necessary
to convey the right degree of credibility (no one is supposed to take this stuff seriously). He also
makes creative use of red and blue washes that tint the entire frame, but without overdoing it to
the point where you notice the lighting more than the action (for an example of the wrong way to
do it, see Deep Blue Sea 2).
RLJ/Image Entertainment's 1080p, AVC-encoded Blu-ray presents a faithful and enjoyable
reproduction of Swica's work, with solid blacks and a nice contrast between the vivid colors of
critical elements like blood and the duller tones of Woodhaven's deceptively normal everyday
surface. There's some occasional color bleeding in darker scenes, although it's hard to tell
whether this is a fault in the Blu-ray or inherent in the original. Strongly lit scenes (e.g., the
extended hockey sequence that serves as the film's grand finale) are bright, sharp and clear. The
elaborate makeup that transforms Lou into WolfCop looks impressively convincing, as does the
intensely sexual makeup of his new lover (of whom I wish I could show more, but I'd run afoul
of Blu-ray.com's prohibition on showing bare breasts in screenshots). Some of the other
creatures look decidedly fake, and I'm sure that's on purpose.
RLJ/Image continues to use BD-25s wherever it can get away with it, but Another WolfCop's
short running time of 79 minutes has allowed it to achieve an average bitrate of 22.99 Mbps,
which isn't bad for digitally originated material. The encode appears to be capable.
Another WolfCop's 5.1 sound mix, encoded in lossless DTS-HD MA, can't compete with big-budget studio efforts, but it supplies all the necessary oomph that the story needs, particularly in the film's explosive finale. The surrounds are used sparingly but effectively to expand the listening space, and the track is filled with plenty of icky audio elements to complement the gross-out visual effects (almost entirely practical rather than digital). Composer Toby Bond and the Canadian heavy metal band Shooting Guns resume their scoring duties from WolfCop, and their work hits just the right grindhouse note.
The extras are short and promotional, but taken as a whole, they're more informative about the
making of the film, and the spirit behind it, than the bland EPKs typically prepared by today's
Hollywood studios. The single most important fact: Another WolfCop was shot in seventeen (17)
days, which, when you consider the complexity of the stunts and effects, is a sad comment on the
inflated budgets and protracted shoots that have become routine in the mainstream film industry.
Another WolfCop is a worthy sequel and a gift to fans of horror comedy. It accomplishes exactly
what it sets out to do and does so with panache (and my feature rating reflects that). I don't relish
this style of filmmaking as much as I used to when Rick Baker, John Landis, Dick Smith, David
Cronenberg and many lesser talents dominated it, but I know worthy successors when I see them.
Lowell Dean and his creative partners are the real deal—fitting successors in the art of splattery
cinema with a comic edge. For those who appreciate this sort of thing, highly recommended.
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