7.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
17-year-old "J" Cody, moves in with his freewheeling relatives in their Southern California beach town after his mother dies of an overdose. Headed by matriarch "Smurf" Cody, the clan also consists of Pope, the oldest and most dangerous of the Cody boys; Baz, who is Smurf's chief lieutenant; Craig, the tough and fearless middle son; and Deran, the troubled, suspicious "baby" of the family. J is pulled into the family's life of indulgence and excess, but he quickly discovers that it's all being funded by criminal activities.
Starring: Ellen Barkin, Scott Speedman, Shawn Hatosy, Ben Robson, Finn ColeCrime | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English SDH, French, Spanish, Danish, Dutch, Finnish, Norwegian, Swedish
Blu-ray Disc
Two-disc set (2 BDs)
UV digital copy
Region A (B, C untested)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
It took a while for me to warm up to TNT's Animal Kingdom, which debuted on June 16, 2016,
and concluded its initial season on August 9. I was a big fan of the 2010 Australian crime thriller
on which the series is based, written and directed by David Michôd, who is listed as
an executive producer of the U.S. series but appears to have little or no direct involvement.
Michôd's film was a grim, gritty drama about a Melbourne-based crime family presided over by
a cheerful matriarch with a gargoyle's grin (an Oscar-nominated performance by Jacki Weaver).
The TV adaptation, developed by Jonathan Lisco (Southland) and
overseen by Lisco and fellow
Yank John Wells (Shameless
, ER and The West Wing), not only transposes Michôd's story and
characters to America, but also gives them an overlay of California glamor—Goodfellas meets
Baywatch. On first acquaintance, the four squabbling brothers of the
American Cody family
suggest an updated version of the bank-robbing surfers in the original Point Break: a bunch of
bros bucking the system and enjoying the rush. As their domineering mom, Ellen Barkin initially
seems more like an aging biker chick, a post-menopausal refugee from Sons of Anarchy.
But then . . .
It turns out that Lisco and Wells haven't lost any of Michôd's pessimistic grit; they just take their
time getting there. Their Animal Kingdom lures you in with scenic beachfront vistas, a prettier
cast than the original and more explicit sex than one usually finds on basic cable, but it's all a
setup for the multiple wallops that land with brutal accuracy as the season progresses.
The lead cinematographer for Animal Kingdom is Loren Yaconelli, a veteran of Shameless and
several other premium cable original series, although the pilot was shot by Daniel Moder (The
Normal Heart), who established the visual style. Specific information about the shooting format
was unavailable, but it has the clarity, sharpness and detail of digital photography, which is what
one would expect from a contemporary TV series. Warner and TNT have distributed the ten
episodes of Season One over two 1080p, AVC-encoded Blu-rays (although the episode numbers
are somewhat confusing, because the first two episodes, "Pilot/We Don't Hurt People", were
broadcast as single two-hour premiere and are presented on disc as Episode 1). The image
features solid blacks, stable primaries, a varied palette and a surface gleam that makes the Codys'
world seem all the more inviting, despite the constant deception and betrayal (not to mention the
occasional murder). Except for a few fleeting instances of aliasing, I did not spot any obvious
interference or distortion.
As they so frequently do with TV on Blu-ray, both Warner and TNT continue to utilize low
average bitrates—here, about 14 Mbps, with some episodes faring better and some worse—while
refusing to exploit all of the available space. Each of the BD-50s in this two-disc set has at least
10 GB of unused space. Digital origination gives the compressionist room to maneuver, and the
fact that the standard for comparison is supplied by bit-starved broadcast and streaming versions
makes the Blu-ray image look good by comparison. But that's a low threshold for quality, and we
know from the product of less parsimonious studios that well-mastered television Blu-rays can
look as good as the best feature films. Animal Kingdom's image is serviceable, but not stellar.
Animal Kingdom arrives with a 5.1 soundtrack, encoded in lossless DTS-HD MA, that can't compete with major action films, but effectively supplies a sonic signature for the California beaches and hilly residential neighborhoods where the series' creatures hunt and play. Gunfire is rare, but when it occurs, it has authority, as does the occasional vehicular pursuit. Loud scenes are more likely to be parties at the Cody family pool than episodes of violence, some of which can be disturbingly quiet. The rear speakers are almost constantly engaged, but surround activity is generally limited to ambiance. Dialogue is clear and properly localized. The scoring is credited to the team of Samuel Jones and Alexis March (Lila & Eve), but the jagged opening theme, set to a montage of tattoos in progress, is the work of Atticus Ross, who is David Fincher's current composer of choice, starting with The Social Network.
Many of the extras are brief and promotional in nature. The quoted descriptions are taken from
the disc menus.
Television has seen some memorable crime families in recent years, setting the bar dauntingly
high for newcomers, but Animal Kingdom's first season shows promise, with the stark contrast
between its pretty environment and the sickening creatures who inhabit it. Barkin's Smurf
unabashedly aims to stand comparison with paragons of dysfunctional villainy like Tony Soprano
and Walter White, and she may well achieve that dubious honor, if Lisco and Wells are allowed
to pursue the various threads they have left for the upcoming Season Two (scheduled to debut on
May 30, 2017). Whether or not you have seen the Australian original, this American remake is
attractive, inventive and, ultimately, appalling in the way that lurid tales of bad behavior should
be. With due account for the low bitrates, the Blu-rays are capably produced and recommended.
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