6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A woman grieving over the death of her daughter loses grip of reality when she begins to think her girl may still be alive.
Starring: Noomi Rapace, Yvonne Strahovski, Luke Evans, Richard Roxburgh, Emily GruhlThriller | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
Noomi Rapace is an intense actress. She rarely plays light roles that offer a peek at the sunnier side of cinematic fantasy. Instead, she takes on the gut-rot parts that have her screaming in pain or suppressing emotion to such a degree, she risks implosion. Rapace has been on a tear with darker material in recent years, acting herself into a frenzy in “Close,” “What Happened to Monday,” and “Rupture.” She continues her career riot with “Angel of Mine,” which asks the talented thespian to portray possible madness in escalating offerings of distress. Screenwriters Luke Davies and David Regal have plenty of agony for Rapace to work her hands through, and she’s a magnetic lead for the picture, which has some issues with pace and the potency of reveals, but rarely falters when it comes to the primal scream Rapace provides without hesitation.
The AVC encoded image (2.39:1 aspect ratio) presentation supports the intimate visual needs of the feature, which favors close-ups. Such tight cinematography delivers interesting clarity with facial surfaces, securing subtle emotional exposure and more pronounced reactions to growing trouble. The softness of youth and the hardness of trauma are easily communicated, along with suburban settings, as decoration is open for study, along with neighborhood distances. Colors are capable, favoring a cool palette to reinforce Lizzie's isolation, with a bluer sense of the world. Brighter hues are available during celebratory scenes, including birthday parties and dance recitals. Costuming also brings out more defined wear for Lizzie as her investigation continues. Delineation is acceptable. Some mild banding is detected during the viewing event.
The 5.1 DTS-HD MA sound mix creates an immersive understanding of the main character's experience with possible insanity, delivering crisp performance beats with sharp dialogue exchanges, picking up on elements of urgency and panic. Atmospherics are enveloping, with a circular sense of neighborhood activity and domestic movement, secured with some mild separation effects. Scoring needs are met, with a driving sense of tension and appreciable instrumentation. Low-end isn't robust, but violence carries some weight.
There are only two possible resolutions for "Angel of Mine," with Lizzie either losing her mind completely or in touch with a dangerous situation of manipulation. There's a definite resolution to the feature, which comes off a tad pat considering how grim Lizzie's traumatic life becomes while in the throes of her manic behavior. Most interesting is Rapace's commitment to the part, where she delivers a full-body unraveling, and the screenplay's understanding of Lizzie's depth of mourning, missing everything she was before she lost her baby. There are passages of thriller and stalker cinema, teases of B-moviemaking, but "Angel of Mine" truly connects when it examines the psychological extent of the lead character's pain and her gradually unstoppable determination to repair all that was once cruelly ruined.
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