6.9 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
12 Japanese seaman who, in June 1944, are stranded on an abandoned island called An-ta-han for 7 years. The island's only inhabitants are the overseer of the abandoned plantation and an attractive young Japanese woman. Soon, discipline and rationality are replaced by a struggle for power and the woman. Power is represented by a pair of pistols found in the wreckage of an American airplane, so important that five men pay for their lives in a bid for supremacy.
Starring: Akemi Negishi, Jun Fujikawa, Hiroshi Kondô, Tadashi Suganuma, Kisaburo SawamuraDrama | 100% |
War | 5% |
Adventure | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.34:1
Original aspect ratio: 1.37:1
English: LPCM 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 3.0 | |
Extras | 3.5 | |
Overall | 4.0 |
After a lengthy, celebrated career in silent and sound features, director Josef von Sternberg elected to close out his filmmaking interests with 1953’s “Anatahan,” a picture he continued to tinker with long after its initial release. Dramatizing the true story of Japanese soldiers stranded for six years on an island after their home country’s surrender (eventually confronted with the allure of the lone woman living there), “Anatahan” takes a strange story of isolation and delivers it with a docudrama approach that finds von Sternberg assuming narration duties, becoming a personal guide to a war story trapped in time.
The AVC encoded image (1.34:1 aspect ratio) presentation is a "New 2K restoration of the uncensored 1958 version, mastered from film elements preserved by the Library of Congress and Cinematheque Francaise." Age is unavoidable, and it shows throughout the viewing experience, which has its share of wear and tear, including scratches, speckling, and jumpy frames. However, clarity is preserved, with a good amount of detail opened up for inspection, permitting a pauseable look at elaborate sets and expressive faces. Cinematographic balance is sustained, offering communicative delineation. Grain is fine and filmic.
The 2.0 LPCM mix is also weakened a bit by age, with a slight degree of hiss clouding Sternberg's narration. Dramatic intent is always understood, but precision lacks throughout. Music is equally underwhelming, yet moods are supported, and subtlety with traditional Japanese instruments is appreciable.
The director's fan base will likely get the most out of "Anatahan," but there are production accomplishments worth studying, including the dense jungle sets that periodically look authentic, and there's a palpable weariness communicated throughout, with the men creating a microcosm of power plays while the world around them has moved on. The helmer has big ideas for "Anatahan," and most of them find their way to the screen. However, the ones that flounder or befuddle tend to linger the longest after a viewing.
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