6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
The harrowing autobiography of Janet Frame, New Zealand's most distinguished author. The film describes her journey from an impoverished childhood marked by tragedy to a misdiagnosis of schizophrenia resulting in electroshock therapy and a narrowly escaped lobotomy to, finally, international literary fame.
Starring: Kerry Fox, Alexia Keogh, Karen Fergusson, Iris Churn, Kevin J. WilsonDrama | 100% |
Coming of age | Insignificant |
Biography | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.0 |
A celebrated author in her native New Zealand, Janet Frame decided she didn’t want others to tell her own story, eventually issuing three autobiographies to sufficiently cover the extent of her experiences in her homeland and beyond. With the release of “To the Is-Land,” “An Angel at My Table,” and “The Envoy from Mirror City,” Frame offered a full understanding of the horrors and personal awakenings she experienced as she became a woman, richly detailing her memories and the perceptions. For direction Jane Campion, the opportunity to dramatize these tales was irresistible. Working from a screenplay by Laura Jones, Campion creates a “trilogy” with “An Angel at My Table,” which was originally created as a television mini- series, soon reworked into a chapter-based feature film, bringing the scope of Frame’s life to the screen with the lengthy run time it deserves. Protective of the subject’s work, Campion shows extreme care for Frame’s journey, providing remarkable casting and locations for the story, while Jones has the decidedly more pressurized job of condensing such extraordinary turns of fate into a cohesive endeavor.
Billed as a "High-definition restoration, supervised by director of photography Stuart Dryburgh and approved by director Jane Campion," the AVC encoded image (1.78:1 aspect ratio) presentation doesn't come across as a fresh scan, offering blockier grain. Colors are acceptable, bringing out the brightness of locations, with greenery and blue waters. Frame's red hair is also a major focal point, along with her costuming, which works through various period wear, preserving primaries. Interiors secure earth tones and faded paint jobs. Skintones are natural. Detail goes about as far as possible with the original cinematography, delivering a decent view of facial particulars and fibrous outfits, and distances are dimensional. Delineation isn't problematic. Jumpy frames are common during the viewing experience, which retains harsh splices, but damage and debris have been managed.
The 5.1 DTS-HD MA sound mix deals primarily with dialogue exchanges, which clarify accents and emotional intensity, offering a clear understanding of performances, especially from Fox, who goes insular (and mumbly) as Janet on many occasions. Scoring is defined to satisfaction, with crisp instrumentation, and vocal performances are sharp. Surrounds aren't employed often, but atmospherics come through at times, creating a circular understanding of outdoor adventures and echoed room tone. Low-end isn't challenged.
"An Angel at My Table" presents an adaptation challenge for Jones, who elects to offer little bits of everything from Frame's books instead of a grand arc of experience. Such episodic storytelling creates some confusion as times, with certain passages of the film disjointed as Frame begins to take on the world, conquering her fears. Characterization isn't hurt along the way, as Campion preserves an understanding of Janet's growth and independence, creating a meaningful portrait of an artist grasping who she really is, defining identity while subjected to constant judgment. It's a beautiful idea, and "An Angel at My Table" is a lovely picture.
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