6.1 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
1840s England, an infamous fossil hunter and a young woman sent to convalesce by the sea develop an intense relationship, altering both of their lives forever.
Starring: Saoirse Ronan, Kate Winslet, Fiona Shaw, Gemma Jones, Claire RushbrookDrama | 100% |
Foreign | 73% |
Romance | 67% |
Biography | 16% |
Period | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 2.5 |
For those of you who are able to easily pass a joking quiz I posted in the opening paragraph of our Portrait of a Lady on Fire Blu-ray review asking folks to name an 18th century female painter, here's a potentially more difficult stumper: name a 19th century female paleontologist. Don't feel bad if an answer doesn't instantly appear from the deepest, darkest nooks and crannies of your synapses, since my hunch is there were probably even fewer 19th century female paleontologists than there were 18th century female painters. That said, both Portrait of a Lady on Fire and Ammonite ply at least somewhat similar stories, detailing women in cultures (and vocations) where men invariably and inarguably dominated, and with a romance between two women ensuing. Ammonite has the distinction of supposedly offering two real life historical characters, Mary Anning (Kate Winslet) and Charlotte Murchison (Saoirse Ronan), though much about this film has been "fictionalized" (a nice sounding euphemism indicating things are pretty much made up throughout the story). While the historical record evidently supports the fact that Anning and Murchison knew each other, went fossil hunting together, and evidently enjoyed a close and warm friendship, the intimate aspects between them indicated in this film have met with some skepticism.
Ammonite is presented on Blu-ray courtesy of Universal Films with an AVC encoded 1080p transfer in 1.85:1. The IMDb lists the Red Monstro and a 2K DI as salient data points. As I've discussed in many reviews, I personally tend to prefer the look of Red digital capture to Arri Alexa, especially in low light situations, and that opinion is reinforced by the general appearance of this presentation. While natural lighting seems to have been utilized extensively, including some scenes apparently lit only by candles, there's little of what I call a "murky" look here, though it's probably unavoidable that fine detail levels can falter a bit in the dimmest moments. A lot of the film is graded toward rather cool, even icy, blue tones, as can be seen in several of the screenshots accompanying this review, but aside from that stylistic choice, the palette looks natural and is nicely suffused throughout. Detail levels on everything from the fabrics on costumes to even some of the supposed "fossils" is typically excellent. I noticed no major compression anomalies.
Ammonite features a DTS-HD Master Audio 5.1 that springs to surround life during the outdoor scenes, where aspects like the roaring seas offer good immersion (no pun intended). A kind of plaintive score by Dustin O'Halloran and Volker Bertelmann which emphasizes solo piano also sounds surprisingly spacious throughout the film. A lot of the sound design is intentionally on the quiet side, and some of the interior scenes featuring two or three characters don't really offer a whale of a lot of engagement of the side and rear channels. Dialogue is presented cleanly and clearly throughout this problem free track. Optional English subtitles are available.
Some readers of my reviews may be aware of my longstanding frustration with "fictionalization" as exemplified by my deconstruction of "fake news" promulgated in the old Jessica Lange feature Frances, ostensibly about Golden Age actress Frances Farmer. I just don't understand why filmmakers feel the need to "tweak" the actual historical record for supposedly "dramatic" purposes. That would seem to be especially true of Ammonite, since the film had the opportunity to present a more fact based account of what were evidently two of the most remarkable women of their era, Mary Anning and Charlotte Murchison. Winslet and Ronan are unsurprisingly effective in their roles, and the film's production design doesn't shy away from the dirtier, grimier aspects of village life in the 19th century, but this is an often really cold and static feeling film considering how hot and bothered the two central characters are at various times. Technical merits are solid for those considering a purchase.
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