| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Everyone knows the classic American horror titles: Night of the Living Dead, The Texas Chain Saw Massacre and A Nightmare on Elm Street, to name but a few. But we want to tell you a different story: a story of the unsung heroes of stars-and-stripes terror, films that have remained on the fringes of the genre either through lack of availability or else sheer obscurity. This is where American Horror Project comes in. Volume One of this series presents three tales of violence and madness from the 1970s. Malatesta’s Carnival of Blood (Christopher Speeth, 1973) sees a family arrive at a creepy, dilapidated fairground in search of their missing son, only to find themselves at the mercy of the cannibalistic ghouls lurking beneath the park. Meanwhile, The Witch Who Came from the Sea (Matt Cimber, 1976), stars Millie Perkins (The Diary of Anne Frank) as a young woman whose bizarre and violent fantasies start to bleed into reality – literally. Lastly, every parent’s worst nightmare comes true in The Premonition (Robert Allen Schnitzer, 1976), a tale of psychic terror in which five-year-old Janie is snatched away by a strange woman claiming to be her long-lost mother.
| Horror | 100% |
| Psychological thriller | 6% |
| Surreal | 4% |
| Thriller | 4% |
| Sci-Fi | Insignificant |
| Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1, 2.35:1
Original aspect ratio: 2.35:1, 1.85:1
English: LPCM Mono (48khz, 24-bit)
English SDH
50GB Blu-ray Disc
Six-disc set (3 BDs, 3 DVDs)
DVD copy
Region free
| Movie | 3.0 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 4.0 | |
| Overall | 3.5 |
The acronym WEHT is typically utilized to wonder where stars of yesteryear have gotten to, and it may be perfectly applicable to at least a couple of people who show up in the three films included in Arrow Films’ American Horror Project Volume 1. But “what ever happened to” might also be used with regard to the films themselves, for this initial trio of offerings may be relatively little known to even some who consider themselves to be diehard horror fans. The Blu-ray era has been a boon to lovers of horror, with any number of cult items seeing the high definition light of day courtesy of a gaggle of licensors and/or niche labels. Many if not most of those offerings, though, were probably at a somewhat higher level of general public recognition than the three films included in this set, which is not to say that those films were automatically of a higher quality than the three collected here. Arrow nonetheless seems to be well aware that they’re dipping into a stratum of horror films that may be perceived as “lesser” material, but each of these initial three offerings has something unique about it, if only frankly some inherent weirdness.


Video quality of each film is assessed in the above linked reviews.

Audio quality of each film is assessed in the above linked reviews.

Supplemental material for each release is detailed in the above linked reviews. Additionally, the set comes housed in a sturdy chipboard box which also includes a lavishly illustrated booklet with several interesting essays and production information.

It would be hard to argue that any of the three films in this initial American Horror Project is an undiscovered or underappreciated masterpiece, but there's some fascinating content here, at least for those who don't mind the patently weird. This release is by very definition a niche product and will appeal to a perhaps small(ish) demographic, and for those folks, technical merits are occasionally spotty but generally at least okay, and the supplemental package is quite impressive. Recommended.