6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Three key moments, all of them sensual, define Ana's life. Her carnal search sways between reality and colored fantasies becoming more and more oppressive. A black laced hand prevents her from screaming. The wind lifts her dress and caresses her thighs. A razor blade brushes her skin, where will this chaotic and carnivorous journey leave her?
Starring: Marie Bos, Harry Cleven, Delphine Brual, Jean-Michel Vovk, Bernard MarbaixForeign | 100% |
Horror | 85% |
Drama | 28% |
Psychological thriller | 20% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
French: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
French: DTS-HD Master Audio 2.0
English
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.5 |
Giallo is an Italian word meaning “yellow,” a term ported over to a genre of 1970s Italian horror cinema because the source novels many of the films were based on were originally published with saffron colored covers. It’s somewhat ironic that yellow is one of the few colors not exploited in Amer, a really stunning French-Belgian film from 2009 that seeks to rethink the 1970s giallo ethos in a sort of post-modern, abstract environment. The film is discursive, opaque, never completely clear and therefore will not be to everyone’s taste. Playing out with just a handful of spoken dialogue lines, the film charts the course of its female protagonist, Ana, shown at three critical moments in her life. As a young girl, she is haunted by the death of an elderly man one assumes must be her Grandfather (nothing is explained definitively in Amer, which is either part of its allure or is part of its maddening frustrating propensity, depending on your point of view). As an adolescent, she seems involved in a sexual competition with her mother, not so subtly provoking a biker gang with whom she comes into contact. As an adult, she is returning to her family home as she is lasciviously eyeballed by her taxi driver on the way there and then is tormented by a mysterious figure once she gets back to her house. Amer is a film which exults in Eisensteinian montage. It’s also an epic trek through brilliant editing techniques, and a brightly lit, abundantly colorful revisionist look at abstract expressionism. This is a film which wears Ana’s every emotion on its filmic sleeve, and as such it is like taking a Fantastic Voyage journey into the psyche of a literally and figuratively haunted female. One is never quite sure what is real and what is imagined, what is waking life and what is dream (or nightmare), and what, frankly, is life and what is death. Amer is certainly one of the most challenging viewing experiences in recent memory, because it fully engages the viewer, insisting that the audience formulate the story as much as the filmmakers themselves.
Amer is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 2.35:1. Olive's previous Blu-ray slate has been limited mostly to older Paramount titles, and the label has done a fine job in releasing prints with little to no digital manipulation, though that has also often meant less than stellar source elements. There is little doubt that Amer is the sharpest looking Blu-ray yet released by Olive, no doubt due at least in no small part to the recent vintage of the film. This is a ravishingly beautiful film a lot of the time, courtesy of some extremely expressive cinematography by Manu Dacosse, and the Blu-ray reproduces the changing color spectrums effortlessly. Fine detail is abundant, the image is sharp and clear, and though many sequences are bathed in darkness, crush is minimal and shadow detail is strong. One of the best things about the film is the distinctive filtering which is employed, often bathing whole scenes in deep blues or reds, and that element is presented extremely well on the Blu-ray, with brilliantly saturated hues.
It wasn't until years after I had first fallen in love with Italian cinema, especially the work of Fellini, that I found out that virtually all Italian films up through the sixties (and even beyond), at least those done at Cinecitta, were filmed silently and then all sound was added later. I suddenly realized at least one element that contributed to many of these films' (and especially Fellini's) surreality, that slight but noticeable disconnect between image and sound. That same feeling is very much on display in Amer, whose Blu-ray offers two lossless tracks, both in French, one a DTS-HD Master Audio 5.1 surround mix and the other a stereo DTS-HD Master Audio 2.0. The film has virtually no dialogue, and the rest of the soundtrack is an assemblage of sometimes bizarre sound effects (heavy breathing and the like) mixed with archival soundtrack music from actual giallos, including work by composers Stelvio Capriani, Bruno Nicolai and none other than Ennio Morricone. The images are spectacularly evocative enough in Amer, but combined with the sometimes anachronistic soundtrack the film becomes like a waking dream, almost hallucinatory in its power, and the brilliance of the lossless audio contributes in no small measure to that slightly unreal feeling. Most of the music stems are in excellent shape (though astute listeners will hear a very slight change in speed right at the beginning of the first cue, perhaps done intentionally). Surround channels are artfully used to immerse the listener in the unreality. Fidelity is strong and dynamic range is exceptional.
Amer means "bitter" in French, and there is a certain tartness to the imagery and soundtrack throughout this film, a bitterness which requires the viewer (and listener) to actually engage with what's being depicted rather than simply passively assimilating everything. This is certainly not a mainstream film by any stretch of the imagination, but for those who want to experience something new and innovative but still tied to a specific filmic tradition, I personally can't think of a sweeter experience than Amer. Highly recommended.
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