8.4 | / 10 |
Users | 3.9 | |
Reviewer | 4.5 | |
Overall | 4.0 |
Bursting with imagination and having seen her share of tragedy and fantasy, Amélie is not like the other girls. When she grows up she becomes a waitress in a Montmartre bar run by a former dancer. Amelie enjoys simple pleasures until she discovers that her goal in life is to help others. To that end, she invents all sorts of tricks that allow her to intervene incognito into other people's lives, including an imbibing concierge and her hypochondriac neighbor. But Amélie's most difficult case turns out to be Nino Quicampoix, a lonely sex shop employee who collects photos abandoned at coin-operated photobooths.
Starring: Audrey Tautou, Mathieu Kassovitz, Rufus, Yolande Moreau, Artus de PenguernDrama | 100% |
Romance | 49% |
Foreign | 46% |
Surreal | 39% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
French: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English, English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.5 |
One of my favorite all-time commentary moments was provided by the ever colorful Ron Perlman on his commentary track for the decidedly odd film City of Lost Children, one of a number of wonderful collaborations by Marc Caro and Jean-Pierre Jeunet. Perlman starts his commentary on the film out by saying something along the lines of, “This is the extremely peculiar opening of City of Lost Children. . .which is followed by the extremely peculiar middle section and then the extremely peculiar ending.” As off the cuff hilarious as that comment is, it in its own way aptly sums up the really unique world of Caro-Jeunet films, films which include such disparate fare as the cult hit Delicatessen and the multiplex sensation Alien Resurrection (actually solely directed by Jeunet, but featuring some production design help from Caro). Jeunet’s very distinctive flair for both story and directorial ebullience is also fully on display in the incredibly charming, and just as incredible odd, Amélie, a film which rather unexpectedly became an international attraction of rather gigantic proportions, ultimately garnering five Academy Award nominations. As with most Jeunet (or Jeunet-Caro) films, Amélie is a completely quirky outing that combines a completely inventive and captivating production design with a decidedly anti-Hollywood approach to a standard three act, overly structured storyline. Like its breakout star Audrey Tatou, Amélie is full of charm and a sort of innocent sex appeal, idiosyncratic and singularly eccentric and even more than a little bit odd at times.
Amélie is one of the most gorgeous films in recent memory, and the good news is this new AVC encoded 1080p transfer in 2.35:1 finally reproduces the film's absolutely lush and luscious cinematography largely to a tee. Cinematographer Bruno Delbonnel received a well-deserved Academy Award nomination for his sun drenched work here, a series of images which is absolutely bathed in golden tones that are somehow utterly redolent of the French soul. The image here is beautifully sharp and extremely well detailed. For example, on the SD-DVD I had frankly never even noticed the small stream of water flowing in the lower left side of the screen in the film's opening shot detailing the life of the blue fly. But over and over again fine detail is staggering in this release, and the brilliant palette is both robust and wonderfully well saturated. Digital post was still a relatively new phenomenon when this film was released and then migrated to DVD, and Jeunet goes into some detail in the commentary about how various scenes were digitally pushed toward the green end of the spectrum for example, but this Blu-ray offers all of that artificiality with really nuanced detail. Amélie has had a somewhat spotty release history on some international Blu-rays, but Lionsgate has done a stellar job on this first domestic release.
Amélie is presented with only its original French language track, offered here in lossless DTS-HD Master Audio 5.1, but that's nothing to sneeze at. This is a wonderfully realized and brilliantly reproduced track that is both boisterous and very subtle at times. Surround activity is fairly consistent, especially in the use of ambient noises and Jeunet's often very funny use of weird sound effects (listen to the completely inexplicable sound when Amélie removes the garden gnome from its perch in her father's garden for a good example). Dialogue is clean and well presented, as is the opening narration, and the charming score sounds better than ever.
I hadn't yet seen Delicatessen when I stumbled on City of Lost Children in a video store and picked it up simply because the cover was kind of cool. I instantly fell in love with that movie and have been a confirmed Jeunet (and Jeunet-Caro) fan ever since. This is a director who doesn't make any bones about having a completely unique and idiosyncratic vision, and he brings such overwhelming amounts of whimsy and invention to his films that it can be daunting at times. It's all the more amazing, then, that Amélie is so quietly effective and easily entertaining. This is a film which almost incessantly pushes stylistic bounds in an exuberant manner, but which never loses sight of the fragile girl at the center of its story. There's a subplot concerning cloning in City of Lost Children, but when you see a film of Amélie genius and innovation, you can't help but wish Jeunet could clone himself so that we'd have more of his wonderful films to enjoy. This is an excellent Blu-ray release of a formidably original film, and it easily comes Highly recommended.
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