8.4 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Bursting with imagination and having seen her share of tragedy and fantasy, Amélie is not like the other girls. When she grows up she becomes a waitress in a Montmartre bar run by a former dancer. Amelie enjoys simple pleasures until she discovers that her goal in life is to help others. To that end, she invents all sorts of tricks that allow her to intervene incognito into other people's lives, including an imbibing concierge and her hypochondriac neighbor. But Amélie's most difficult case turns out to be Nino Quicampoix, a lonely sex shop employee who collects photos abandoned at coin-operated photobooths.
Starring: Audrey Tautou, Mathieu Kassovitz, Rufus, Yolande Moreau, Artus de PenguernDrama | 100% |
Romance | 49% |
Foreign | 46% |
Surreal | 39% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
French: DTS-HD Master Audio 5.1
English, English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.5 |
Born to eccentric parents and raised in relative isolation in 1974, Amelie Poulain (Audrey Tautou) develops a wild imagination as real to her as the world she begins to encounter upon leaving home at eighteen. Mischievous but always well-intentioned, she sees magic in the mundane and finds pleasure in the simplest of things... like an old time-capsule of a box she finds that belonged to a boy who once lived in her apartment building. She suddenly realizes her life's purpose -- to make others happy -- beginning with Dominique Bretodeau (Maurice Bénichou), the owner of the box, who is so moved by the memories he had forgotten that he reconciles with his daughter. Amelie's meddling soon evolves into Rube Goldberg-esque machinations, as she aims to improve the lives of everyone from her neighbor, an artist with brittle bone disease named Raymond (Serge Merlin), to her cafe co-workers Joseph and Georgette (Dominique Pinon and Isabelle Nanty), the concierge of her building (Yolande Moreau), a cranky grocer (Urbain Cancelier), and even her father (Jacques "Rufus" Narcy), whose coldness and inaccessibility throughout her childhood left her profoundly changed. But more than anything, she desires true love, desperately trying to connect with Nino (Mathieu Kassovitz), a quirky young cafe patron who collects photographs and longs for love as well. Directed by Jean-Pierre Jeunet and narrated by André Dussollier, the five-time Oscar-nominated film also stars Lorella Cravotta, Clotilde Mollet, Claire Maurier, Artus de Penguern, Jamel Debbouze, Michel Robin and Andrée Damant.
"A woman without love wilts like a flower without sun."
While initial reports suggested that the 2024 Sony Steelbook release of Amelie would feature a new 2K remaster, it actually appears to be
minted from the same 2.35:1 master as the 2011 Lionsgate release, albeit with a new 1080p/AVC-encoded transfer. Not that I'm complaining. The film
has
aged beautifully, as has its presentation. The only thing remotely outdated are some of the film's CG effects (Amelie melting is especially antiquated)
but, other than showing the compositing seams more today than thirteen years ago, it rarely amounts to a distraction. Colors are bold and striking,
despite a heavy lean towards red, amber and green hues. Skin tones follow suit, only occasionally looking lifelike, but it's all in keeping with Jeunet and
cinematographer Bruno Delbonnel intentions. Contrast is dialed in nicely, black levels are deep and rich (without sullying delineation), and detail is
excellent, with a keenly resolved veneer of grain that remains largely consistent and altogether unobtrusive throughout the film. Fine textures are quite
revealing, often in spite of the dreamlike hazes and splashes of softness that frequent Amelie's imagination, and edges are well defined, with only the
slightest hint of barely-there haloing eagle-eyed viewers may spot in a handful of shots. Add to that virtually zero instances of artifacting, banding or
other unsightly business and you have a transfer that impresses, regardless of whether or not it's the product of a remaster (which, to my eye, doesn't
seem as if it could offer the upgrade some fans are envisioning).
As to why the film hasn't been remastered in 4K, there is a likely explanation. While the original film elements could presumably be restored to 4K
glory, the FX were created in 2K, meaning no 4K elements of the final film actually exist. Perhaps the wonders of AI will one day make such things a
problem of the past, but for now, this is functionally the best we can expect for Amelie and shouldn't be greeted with accusations of being a
lesser effort. I'll of course update my review if information to the contrary comes to light.
Sony's release features the same French-language DTS-HD Master Audio 5.1 surround track as the 2011 Lionsgate edition, and that's a very good thing.
Short of a whirlwind Atmos upgrade (don't hold your breath), Amelie continues to sound as wonderful today as it did in theaters. Perhaps more
so. Dialogue and narration is clean, intelligible and warmly embedded in the soundscape. The rear speakers, meanwhile, are subdued one moment, only
to erupt with impish activity the next, leading to a soundfield as playful and involving as its heroine's adventures. Likewise, LFE output is subtle but
suddenly oh so necessary to the impact of the mix, lending weight and presence to elements that might simply flit about in the wind of Amelie's
imaginings. Dynamics are spot on, fidelity is flawless and, as far as I can tell, all the filmmakers' intentions have been honored.
Note: the disc's English and English SDH subtitles are a crisp white (as seen in this screenshot), rather than a glaring yellow as they were in the 2011 Lionsgate release. They look notably better,
not to mention more legible and eye-pleasing atop the amber-hued image.
The new Sony Steelbook release of Amelie includes all of the previously released features that appeared on the 2011 Lionsgate edition.
However, it also offers up a new retrospective featurette with Jean-Pierre Jeunet. Is it worth the 2024 price of admission? Read on...
Amelie is a wonderful, at-times breathtaking film that nimbly avoids precociousness while fully embracing its odd, delightfully invasive title character's every whim and scheme. "It's all the more amazing, then," Kauffman writes in our original 2011 review, "that Amelie is so quietly effective and easily entertaining." Adding, "this is a film which almost incessantly pushes stylistic bounds in an exuberant manner, but which never loses sight of the fragile girl at the center of its story." Sony's Blu-ray edition may be a bit too similar to its 2011 Lionsgate predecessor (at least for those who were hoping for a full remaster or significant upgrade), but it's nevertheless a must-own release. With a striking video transfer, involving French DTS-HD Master Audio 5.1 surround track, and solid complement of extras, it justifies its price tag and, oh yeah, features one of the best films of the early 2000s. Not too shabby.
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2001
Le Fabuleux destin d'Amélie Poulain
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