5.9 | / 10 |
Users | 3.7 | |
Reviewer | 3.0 | |
Overall | 3.6 |
After becoming the first woman to fly across the Atlantic, Amelia was thrust into a new role as America's sweetheart - the legendary "goddess of light," known for her bold, larger-than-life charisma. Yet, even with her global fame solidified, her belief in flirting with danger and standing up as her own, outspoken woman never changed. She was an inspiration to people everywhere, from First Lady Eleanor Roosevelt to the men closest to her heart: her husband, promoter and publishing magnate George P. Putnam, and her long time friend and lover, pilot Gene Vidal. In the summer of 1937, Amelia set off on her most daunting mission yet: a solo flight around the world that she and George both anxiously foresaw as destined, whatever the outcome, to become one of the most talked-about journeys in history.
Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston, Joe Anderson (VI)Romance | 100% |
Drama | 93% |
History | 41% |
Biography | 39% |
Period | 34% |
Adventure | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, French, Spanish
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy (on disc)
Region free
Movie | 3.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.0 |
We’ve probably all heard a variation of the story—the guy who gets upset when a friend tells him that the ship sinks at the end of James Cameron’s Titanic. Well, spoiler alert, Amelia ends with the famed aviatrix’ Lockheed Electra disappearing somewhere over the Pacific Ocean. We don’t even see it crash. There’s a flash of white, a shot of the endless seascape, a cut to her mourning widower looking out toward the horizon. The film doesn’t indulge any of the juicy speculation that’s been ongoing since she vanished into the blue in 1937. Was Amelia secretly spying on the Japanese for the U.S. government? Did she somehow survive for several months on a remote island populated only by enormous crabs capable of crushing a human skull with their pincers? Might she and her navigator Fred Noonan be the skeletons that were found in the cave during season one of TV’s Lost? All three possibilities are beyond the safe, tepid, historically accurate scope of director Mira Nair’s ultra-dry Amelia, which sticks so staunchly to the grounded facts that the overloaded film never takes flight while wobbling down the runway of its narrative.
The fateful final moments...
While the film comes as a dull disappointment, Amelia's 1080p/AVC-encoded transfer is anything but, taking flight with an image that's remarkably detailed and full of color. If the film has one saving grace, it's Stuart Dryburgh's cinematography, which paints a warm, vivid picture using a unified palette featuring prominent reds, especially of the primary, fire-engine, freshly picked cherry variety. Whether we're on the dusty plains of Gambia or in the middle of a misty Nova Scotian morning, color is deeply saturated and the image as a whole is frequently striking, with superlative depth and presence. Skin tones are entirely natural, black levels are consistently inky, shadow delineation is sublime, and strong but never over-pushed contrast gives the image a substantial dimensionality. And clarity keeps up with color, no problem. You'll count rivets on the side of the Lockheed Electra, note the texture on a leather flight jacket, spot each bit of grime on an engine cowling, and make out each dusty orange strand of Amelia's hair. I did spot some uncharacteristic softness around the edges of the frame during a few shots, and the thankfully infrequently used CGI isn't exactly convincing, but it's fruitless to nitpick about this gorgeous transfer. Grain is exceedingly fine, and there are no overt technical anomalies to spoil the look.
With all those whooshing, diving, stalling, rumbling, and taxiing planes, you might expect Amelia to have a beefy soundtrack, heavy on directional effects and low-end rumble. And there is a little bit of that, but the film's DTS-HD Master Audio 5.1 surround track is almost as uninvolving as the gripless narrative. Don't get me wrong; nothing sounds bad—there really are no audio slipups to be found here—but this is one of those tracks that doesn't capitalize on the sonic possibilities inherent in the story. Rear channel usage is kept fairly quiet. Propellers buzz, planes zip by from left to right, thunder peels and rain pours, crowds of journalists chatter and set off flashbulbs, but it's all kept to a safe volume so as not to disrupt the period piece's unwavering decorum. Likewise, Gabriel Yared's faux-inspirational score never booms the way it could, though there's plenty of high-end detail to be heard and a robust mid-range. Dialogue is the most important aspect of the mix here, and it's practically flawless. Aside from a few shouted commands that get muffled (realistically) in the roar of the engines, the lines are all easy to understand and carry a convincing acoustic presence. You might call this track perfectly adequate, but never exceptional.
Making Amelia (1080i, 23:06)
A fairly substantial making-of documentary, Making Amelia explores Hilary Swank's
transformation, the personal life of Amelia Earhart, and the challenges of scouting locations
where you can land antique airplanes. Features interviews with Mira Nair, Hilary Swank, Richard
Gere, and several others.
The Power of Amelia Earhart (1080i, 10:45)
Culled from the same interview sessions in the previous documentary, the focus here is initially
on Amelia's cultural legacy, but it veers incongruously into the film's production and costume
design.
The Plane Behind the Legend (1080i, 4:33)
Mira Nair discusses how she really didn't want the film to turn into a "computer graphics fest," so
it was important to find a fully functioning Lockheed Electra. Granted, the one in the film is from
1941, so it's slightly different from the one Amelia actually flew, but unless you're an aviation nut
you probably won't be able to tell the difference.
Re-Constructing the Planes of Amelia (1080i, 6:37)
Visual Consultant Paul Austerberry leads us through the warehouse where the preproduction
crew built full-size mockups of four planes featured in the film.
Movietone News (SD, 6:41 total)
This is the highlight of the bonus features, in my opinion, as we get seven original Fox Movietone
news reels that cover several of Amelia Earhart's flights.
Deleted Scenes (1080p, 13:53 total)
Includes ten deleted scenes, most of which explain minor plot points and fill in the gaps.
As a long-time aviation geek, I thought that I might enjoy Amelia on the basis of its subject matter alone. While the sleek aircraft featured in the film are works of art in their own right, the film is a desiccated drama that sucks all the joy out of flying and fails to give us any new insight about the life and times of Lady Lindy. Safe, predictable, and unwilling to take any risks, Amelia's tone flatly contradicts the boundary-breaking life of the actual Amelia. The film was one of my biggest theatrical disappointments of 2009, and the feeling hasn't changed on Blu-ray, despite a sparkling video transfer, a capable audio track, and a host of supplementary features. The material may still interest some, I'd suggest a try-before-you-buy rental.
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