5.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A young aspiring musician preparing for a competition, is incredibly confident and gets herself involved in a frightening trap that she has to find her way out of. It raises the question: If an insane person is telling a story, is it real?
Starring: Sonoya Mizuno, Katherine Hughes, Kyanna Simone, Giles Matthey, Jared BankensThriller | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 1.5 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 1.0 | |
Overall | 3.0 |
While primarily known as the founder of New Line Cinema, Robert Shaye has taken a few stabs at film direction over the years, helming 1990’s “Book of Love” and 2007’s “The Last Mimzy.” Shaye hasn’t found much success behind the camera, and his streak continues with “Ambition.” Looking to generate his own take on Hitchcockian suspense, Shaye doesn’t have the visual chops, writing, or acting to best support whatever nail-biting reactions he’s looking to conjure. “Ambition” isn’t frightening, and it doesn’t even want to be, registering more as a Freeform Network original where bland young characters deal with modest challenges to their sanity.
The AVC encoded image (2.40:1 aspect ratio) presentation showcases limited cinematographic achievements with inviting clarity. The digital look of the feature is preserved, with crisp details throughout, handling defined facial surfaces and household decoration. Costuming is fibrous. Colors are bright and true, with secure primaries, best with concert and domestic lighting. Skintones are natural. Delineation is agreeable with some mild solidification encountered along the way.
The active 5.1 DTS-HD MA sound mix really brings the picture to life at times, with loud sound effects generating necessary tension. Atmospherics are active as well, capturing changes in weather and echoed interiors. Surrounds enjoy some panning and separation effects as well. Dialogue exchanges are crisp, detailing all performances. Scoring cues and violin performances are sharp, with appealing instrumentation and position, dominating the track when necessary. Low-end has some punch with scenes of violence.
Scoring efforts from Wlad Marhulets are appreciable, as he works hard to sell the thriller mood, but Shaye doesn't deliver anywhere else, keeping momentum and dramatic power out of the feature's grasp. "Ambition" doesn't offer anything novel to explore, and the limited scope of the film wears on the viewer, forced to watch one-dimensional characters deal with a paper-thin mystery of identity and threat.
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