8.6 | / 10 |
| Users | 4.3 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Portrays the rivalry between the genius Mozart and the jealous court composer Salieri who may have shortened Mozart's life.
Starring: Tom Hulce, F. Murray Abraham, Elizabeth Berridge, Roy Dotrice, Simon Callow| Drama | Uncertain |
| Period | Uncertain |
| Biography | Uncertain |
| Music | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
German: Dolby Digital 5.1 (640 kbps)
Italian: Dolby Digital 5.1 (640 kbps)
Spanish Castilian & Latin
English SDH, French, German SDH, Italian SDH, Spanish, Danish, Dutch, Finnish, Korean, Mandarin (Traditional), Norwegian, Swedish
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 5.0 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 2.5 | |
| Overall | 4.0 |
"It's quality work. And there are simply too many notes, that's all. Just cut a few and it will be perfect."
This remark by Emperor Joseph II (played by Jeffrey Jones) in Milos Forman's monumental Amadeus (1984) offers an accurate critique of its controversial Director's Cut, which debuted in 2002 and has been the only available version on home video for over two decades. The original theatrical cut, a rousing box office success and winner of eight Academy Awards including Best Picture, was last released on a 1997 "flipper" DVD and languished in SD purgatory. This has all changed thanks to a recent 4K restoration by The Academy Film Archive in conjunction with The Saul Zentz Company, Teatro Della Pace Films, The Film Foundation, and The George Lucas Family Foundation. Their collective mission was to reverse changes made to the camera negative for that Director's Cut and present Amadeus as it was originally seen in 1984, which was successfully done during a process that was originally announced back in 2020.

In a perfect world, we'd have both versions sitting side-by side as part of a definitive 4K edition celebrating the film's 40th anniversary last year,
maybe even with a wealth of new bonus features and remastered Blu-ray copies of each cut too. Sadly that's not what we get: it looks like the
restoration teams listed above did 95% of the work here and Warner Bros. just slapped the finished product on a lone UHD disc with a so-so new
retrospective featurette. It's still a highly recommended purchase based on the theatrical cut's formidable strength and A/V merits, of course, so
fans and first-timers should definitely seek this one out... especially if they've never seen the original version before.

NOTE: Since no Blu-ray is included, these screenshots are sourced from the 4K disc but have been downsampled to 1080p/SDR and should thus not be considered an accurate representation of the film's appearance on UHD.
Shot in Prague and featuring lavishly decorated interiors often evocatively lit solely by candles, Amadeus is a beautiful-looking film and absolutely shines on this UHD's 2160p/HDR transfer, which was reportedly assembled from a recent 4K scan of the reconstructed original camera negative. Given that said negative was altered for the 2002 Director's Cut, I'll assume this was no easy task. (More information about its completion can be found here, which reportedly included bits and pieces of a 35mm interpositive.) Additional work was done in the form of both manual cleanup and color correction, affording Amadeus an overwhelmingly pitch-perfect appearance that is most likely as accurate to a vintage theatrical presentation as possible under the circumstances. The benefits of HDR are fully felt during those low-lit interior scenes, where gentle candle flicker stands out strongly against the shadows with no traces of blooming of banding, but it's a tasteful effort that thankfully doesn't push things too far at either end of the visual spectrum.
Truthfully, Amadeus is a fairly soft-looking production by design and thus doesn't achieve the kind of tack-sharp and almost crystalline appearance that some may be used to seeing in classic films remastered in 4K; instead it simply lets color and overall mood do most of the heavy lifting. Both are represented strongly here from start to finish, as only stray moments like the opening optical credits dip in quality with more pronounced noise levels and a flatter overall appearance. Perhaps this restoration's only shortcoming is in occasional shot transitions during a few scenes where the color correction doesn't quite match up flawlessly, but it's so dangerously close to perfection that my 4.5/5 is probably closer to a 4.75 -- there's almost nothing to complain about here, since organic film grain seems fully intact and the encoding is solid too, running at a supportive bit rate on this triple-layered disc. In almost every respect, it's truly a best-case scenario for purists and should consistently delight even the pickiest videophiles out there.

Similarly, this DTS-HD 5.1 Master Audio track -- which is apparently Amadeus' original 5.0 mix in a 5.1 container -- pulls more than its own weight with a lively, robust, and extremely dynamic presentation that's at once both intimate and extremely forceful during pivotal moments, from intense arguments to lively get-togethers and, of course, the numerous operas and other shows presented in expansive concert halls. Discrete activity and panning are somewhat limited with most of this track aiming for a front-forward presentation that ramps up considerably to include the rear channels as well, often expanding to a convincing room-filling sound that really puts you in the middle of the show. It's excellent work and certainly in keeping with the film's stage roots, provided a dynamic "you are there" experience punctuated by more than a few clever stylistic flourishes. (That crumpled paper transition absolutely floors me every time I hear it, and it's just one of several such moments during the film.) Of course a new Atmos remix would've been interesting... but given the inarguable strength of this original track, it stands on its own two feet just fine.
Optional subtitles, including English (SDH), are offered during the main feature and both extras listed below.

This one-disc release ships in a keepcase with brand-new cover artwork -- again, it's not terrible but falls short of the theatrical poster -- with a matching slipcover and Digital Copy redemption code. Bonus features include two similarly-named featurettes, one of them new, but several items from previous releases aren't carried over; some are forgivable like the Director's Cut audio commentary with Milos Forman and writer Peter Shaffer as well as a bonus music CD, but the theatrical trailer and an isolated score track (from the 1997 theatrical DVD) are gone too. Select scenes from the Director's Cut should also have been included here, as well as a piece on the new restoration.

Milos Forman's Amadeus is a timeless drama whose theatrical release was warmly met by critics and audiences alike, so it's fitting that WB's 4K edition finally offers a reconstruction of that original version more than two decades after the inferior Director's Cut dominated the home video market. This labor of love is absolutely worth owning, although it can't help but feel incomplete due to the lack of a similarly restored Blu-ray and a more comprehensive set of existing bonus features, including at least one scene from the Director's Cut that most fans agree would make it an even better film. It's nonetheless Highly Recommended to fans and first-timers alike; without question, you won't regret it.

Director's Cut
1984

Director's Cut | Academy Awards O-Sleeve
1984

Director's Cut
1984

Director's Cut
1984

Theatrical (4K/BD) and Television (BD) Versions
1987

La Môme / Warner Archive Collection
2007

2001

Election Year Edition
1995

Gainsbourg: Vie héroïque
2010

2000

2013

1994

2004

2007

2002

1985

Signature Edition
1948

1986

Original UK Edition
2013

2018

2006

2011

1978

2008