5.1 | / 10 |
Users | 3.5 | |
Reviewer | 2.0 | |
Overall | 3.4 |
Through a series of misunderstandings, Alvin, Simon and Theodore come to believe that Dave is going to propose to his new girlfriend in New York City... and dump them. They have three days to get to him and stop the proposal, saving themselves not only from losing Dave but possibly from gaining a terrible stepbrother.
Starring: Jason Lee, Justin Long, Matthew Gray Gubler, Jesse McCartney, Kimberly Williams-PaisleyFamily | 100% |
Comedy | 89% |
Animation | 78% |
Fantasy | 43% |
Musical | 28% |
Music | 4% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 7.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1
French: Dolby Digital 5.1
English SDH, French, Spanish
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
UV digital copy
DVD copy
Slipcover in original pressing
Region A (C untested)
Movie | 2.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 2.0 |
For those of us who grew up when turntables and records were still the norm, one of the stupidly entertaining things to do (hey, we didn’t
have the internet!) was to put on a 33 ⅓ RPM disc and switch the player to 45 (or even better, 78!) and then to sit back and let supposed
hilarity ensue. It’s probably not too much of a stretch to imagine Alvin and the Chipmunks creator Ross Bagdasarian having done something
similar in his youth, though Bagdasarian (who was born in 1919) would have grown up in an era when 78s were the norm and may not have
experienced the “joy” of speeding up a slower playing record until his adult years. Bagdasarian’s career was a bit of a marvel, including
acting (he’s the pianist Jimmy Stewart repeatedly spies on in Rear
Window) and songwriting (he wrote the wonderful if outré “Come on-a My House” that became one of Rosemary Clooney’s defining
hits). But it wasn’t until Bagdasarian sprang for a then high tech tape recorder which allowed for variable speeds that he found his “true
calling” (or at least a facile way to pay the bills). As David Seville, Bagdasarian rather unexpectedly hit the top of the charts with “Witch
Doctor” in 1958, and at Christmastime that year he introduced the world to what would be his most lasting creation, The Chipmunks,
attaining the Number One position again with “The Chipmunk Song (Christmas Don’t Be Late)”. Rather interestingly, despite the Chipmunks’
lasting legacy in American culture, they weren’t all that popular after this initial rush of success. An early sixties animated series
called The Alvin Show tanked after one inglorious season, though its continued airings in reruns helped to foster a large fan base
which kept the little creatures alive, at least on the fringes of the pop cultural landscape. Bagdasarian died in 1972 at the rather young age
of 52, and it might have seemed the Chipmunks were fated to drift off into some kind of weird footnote in the history of recording and/or
television, but beginning in the late 1970s Bagdasarian’s son helped to reinvigorate the franchise, which led to new recordings and,
ultimately, a second animated series which fared much better than the original The Alvin Show.
Ross Bagdasarian, Jr. continued to manage
the further direction of the franchise, not always amicably, with several lawsuits accruing, including one that wrested control away from
Universal and ultimately paved the way for the live action films that Fox engendered. Those live action films started with 2007’s Alvin and the Chipmunks, an entry that received
less than kind reviews but which went on to rather staggering returns at the global box office, due no doubt to a combination of a new
generation being introduced to the franchise along with the nostalgia factor that got hordes of Baby Boomers into cineplex seats. Critics
(and you know how they can be) were seemingly shocked when the equally reviled Alvin and the Chipmunks 2: The Squeakquel raked in even more moolah
than the first film, and were probably just as curmudgeonly when Alvin and the Chipmunks 3: Chipwrecked managed to haul in hundreds of millions itself. Now
comes the fourth film in this seemingly inexhaustible “new, improved” version of the chipmunk clan, an offering which hasn’t (yet) achieved
the stunning receipts of the first three films, but which was no slouch in its theatrical incarnation.
Though none of the (thus far) four films in the rebooted Alvin universe depend on the others for context, those interested may want to check
out reviews of the previous releases here:
Alvin and the Chipmunks Blu-ray review
Alvin and the Chipmunks 2:
The Squeakquel Blu-ray review
Alvin and the Chipmunks 3:
Chipwrecked Blu-ray review
Alvin and the Chipmunks: The Road Chip is presented on Blu-ray courtesy of 20th Century Fox Home Entertainment with an AVC encoded 1080p transfer in 1.85:1. According to the IMDb, this was shot digitally with Red Epic cameras, perhaps a slight but telling factoid that points out that budgets are being monitored on this series as it continues (previous entries were shot on good, old fashioned film). The look here is still very much in line with the more traditionally shot previous entries, with a bright, colorful ambience that typically pops extremely well, especially since so much of the film takes place in brightly lit and/or outdoor environments. Perhaps a bit ironically, the best detail here is in the pure CGI elements, including things like the chipmunks' fur or even their eyes. Live action elements can tend to look just a little drab and less precisely detailed when thrust up against the CGI elements (something that happens with great regularity). A few darker scenes, including an early party scene and some later sequences inside a club, don't offer substantial shadow detail but still manage to pop quite well in terms of the general palette.
Alvin and the Chipmunks: The Road Chip features a boisterous DTS-HD Master Audio 7.1 that has quite a few opportunities to strut its sonic stuff courtesy of several musical interludes sprinkled throughout the proceedings. These moments offer some really fulsome lower end while spreading the musical material capably throughout the surround channels. The film is pretty frenetic quite a bit of the time, and that noisiness also tends to offer consistent immersion, though sometimes at the cost of clear prioritization once dialogue intrudes into the equation. Nonetheless, fidelity is top notch and dynamic range rather wide on this problem free track.
- Music Machine
- Music Videos (with Optional Sing-Along)
- Lyric Videos
Alvin and the Chipmunks: The Road Chip offers decent faux babysitter potential for parents wanting to get a little housework done as the tots are otherwise occupied, but it's by far the least involving of this already too rote franchise. Technical merits are generally strong for those considering a purchase.
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