6.5 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A New York City drug dealer decides to get out of the business, but has to flee from mobsters.
Starring: Vincent Spano, Michael Winslow, Kate Vernon, Jami Gertz, Zohra LampertDrama | 100% |
Thriller | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English: Dolby Digital 2.0 Mono
BDInfo. 2nd track is just the "lossy" track (448 kbps)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.5 | |
Overall | 4.5 |
The director of “Unmade Beds” and “Frogs for Snakes,” Amos Poe tries to summon the real New York City as it was in the mid-1980s for “Alphabet City.” The 1984 release takes audiences into a dangerous area populated with drug dealers, addicts, and prostitutes, endeavoring to explore a survival story involving a young hoodlum who’s has enough of crime. Poe does better with atmosphere than storytelling with the feature, as “Alphabet City” does just fine as a tour of community devastation and troubling individuals, with the central character trying to manage a typical evening while an unusual problem grows in urgency over the course of the night.
Lighting is a major component of the "Alphabet City" viewing experience, and the AVC encoded image (1.85:1 aspect ratio) presentation delivers a vivid understanding of creative intent. Listed as a "New 2K restoration from its 35mm interpositive," the disc provides as much clarity as the original cinematography allows, with darkness a common sight in the feature. Limited sources of lighting register nicely, including golden candlelight and bigger offerings of primary colors, including washes of reds and greens, and Poe favors purples along the way. Hues remain secure throughout, enjoying bright make-up, art displays, and period outfits, and club scenes deliver neon power. Skintones are natural. Detail comes through for the most part, battling some softness. Skin particulars are satisfactory, and costuming, with all its leather, mesh, and nylon, enjoys some fibrous qualities. Street distances are dimensional, along with loft and apartment interiors. Delineation is amazingly secure, preserving frame information. Grain is heavy but film-like. Very mild banding is detected. Source is in strong shape, with some speckling.
The 2.0 DTS-HD MA sound mix handles dialogues exchanges comfortably, even in difficult environments. Accents and authority emerge with decent emphasis, reaching the limits of production audio capabilities. Music plays a significant part in the feature, and chirpy beats and synth come through without issue. Atmospherics are limited, but community bustle and street presence are noted.
"Alphabet City" flounders some when trying to piece together a cohesive character study, but it excels with low-budget technical achievements, with cinematographer Oliver Wood using lighting in artistic ways, creating a distinct look for the film. Costuming from Anna Taylor is interesting, and editing by Grahame Weinbren aims to add some indie edge to the viewing experience. Performances also shine, with Spano carrying the picture with passion. Poe captures the menace of the titular location and the time period, giving "Alphabet City" some power as it examines the creatures of the night. There's not much dramatic pull, but it connects on a visual level more often than not.
1990
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