6.3 | / 10 |
Users | 4.0 | |
Reviewer | 3.0 | |
Overall | 3.2 |
A psychological suspense thriller adapted from James Patterson's first highly acclaimed novel in the Alex Cross series, Morgan Freeman reprises his role as the Washington, D.C. police detective and psychologist who is through playing mind games with criminals -- that is until a methodical predator, Gary Soneji (Michael Wincott) commits a daring kidnapping and lures Cross into the case.
Starring: Morgan Freeman, Michael Wincott, Monica Potter, Dylan Baker, Mika BooremThriller | Insignificant |
Crime | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.34:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
German: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 2.0
French: Dolby Digital 5.1 (640 kbps)
Portuguese: Dolby Digital 2.0
Polish: Dolby Digital 2.0
Spanish DD 2.0=Latin
English, English SDH, French, German, Portuguese, Spanish, Danish, Dutch, Finnish, Greek, Korean, Mandarin (Traditional), Norwegian, Polish, Swedish, Thai
50GB Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 2.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.0 | |
Overall | 3.0 |
The success of Kiss the Girls made it inevitable that Morgan Freeman would return to the screen in the role of forensic psychologist Alex Cross, especially since there was no shortage of additional novels from author James Patterson. Producers David Brown and Joe Wizan settled on Patterson's first book featuring the so-called Doctor Detective, Along Came a Spider, but that book presented many more challenges for a film adaptation than Kiss the Girls. For one thing, Cross was in his thirties in both stories. Aging him to suit Freeman wasn't a big challenge for Girls, but Spider was another matter altogether. In the film's chaste flirtation that occurs between Freeman's Cross and the much younger Secret Service agent played by Monica Potter, you can spot traces of the romantic relationship that the characters shared in the book. Otherwise, the interpersonal dynamic in the film had to be re-imagined. The criminal schemes, too, had to be revised. Patterson's plot was multilayered and far too complex for a 100-minute film. The job of streamlining it was assigned to screenwriter Marc Moss, who would return eleven years later to co-write another Patterson adaptation, Alex Cross, starring Tyler Perry. The producers of Cross should have paid closer attention to how Moss handled Spider. In condensing Patterson's story, he neglected to consider whether the abridgement made sense, leading Roger Ebert to ask, in reviewing Spider, "since Dr. Alex Cross is so brilliant, how come he doesn't notice yawning logical holes in the very fabric of the story he's occupying?" Like Ebert in his review, I have to avoid specifying these holes to prevent spoilers. The director, Lee Tamahori (Die Another Day ), does distract from many of the problems with skillfully mounted set pieces, but as soon as the movie ends, you start asking questions for which the script has no answers—and on a second viewing, the whole thing falls apart.
Along Came a Spider was shot by Matthew F. Leonetti, whose extensive credits include Star Trek: First Contact and the eagerly-anticipated-on-Blu-ray Rush Hour 2. The cinematography is similar to that of Kiss the Girls in the use of anamorphic lenses and a 2.39:1 frame, but Leonetti lights for sharper contrast, and the effect better suits Spider's predominance of urban landscapes and interiors. The vintage of the transfer used for Paramount's 1080p, AVC-encoded Blu-ray is unknown, though it is at least several years old, but Leonetti's photographic style usually translates well to Blu-ray, and Spider is no exception. The image is detailed without obvious signs of untoward digital manipulation, and it is also sharp, with due account taken for the inherent limitations on the depth of field of anamorphic lenses. Except in the opening prologue, which involves the pursuit of a sexual predator, the film's palette heavily favors grays, whites and blues, probably because the crimes in Spider are meant to involve extreme calculation and have very little passion behind them. Cross, by contrast, tends to dress in earth tones. However intellectual he may be, he is usually the warmest presence in the room. Blacks are very good; a night encounter on the water between the Kidnapper and the Coast Guard provides a fine demonstration of how to arrange a few isolated light sources in deep pools of darkness. Paramount has mastered this Warner-distributed disc with an average bitrate of 33.96 Mbps, which is certainly enough bandwidth, and the compression appears to have been capably performed.
The 5.1 soundtrack for Along Came a Spider, encoded in lossless DTS-HD MA, gets off to a dramatic start with the opening pursuit involving multiple vehicles, a helicopter, gunfire and a waterfall at a dam. The sonic assault matches the emotional tragedy that sends Alex Cross into semi-retirement. By the time the film ends, director Tamahori has staged numerous other elaborate action sequences that place equal demands on the sound editors, most of which cannot be described without major spoilers. They include Megan's initial abduction; her recapture after an attempted escape; an encounter between law enforcement and the Kidnapper in a torrential downpour; an elaborate game of cat-and-mouse on the D.C. Metro train; and another one in a remote country barn. Each of these involves different points of view that switch back and forth, often very quickly, with sonic signatures to match. The dynamic range is broad throughout, and the sounds that need to register forcefully make the appropriate impact. The dialogue always remains clear. The late Jerry Goldsmith supplied one of his incomparably urgent action scores, which helps distract from the film's improbabilities.
The disc has no extras. Paramount's 2001 DVD had a behind-the-scenes featurette and a trailer.
Despite being a weaker film, Along Came a Spider did twice the box office of Kiss the Girls, presumably on the strength of Morgan Freeman's ever-growing popularity. It's certainly Freeman who deserves the credit, because unlike his previous Alex Cross film, Spider did not benefit from a strong leading lady. Monica Potter had previously appeared in such supporting roles as Nicolas Cage's anxious wife in Con Air, where she failed to make a strong impression, and the same is true of her Secret Service agent in Spider. Even with the novel's romantic relationship between Cross and Jezzie Flannigan removed, Jezzie is meant to supply a companion to Cross in regret and remorse, after young Megan is kidnapped on her watch. Next to a talented pro like Freeman, Potter barely registers, and when the machinations of the plot require more from her, she evaporates. For fans of the film, Paramount's Blu-ray of Along Came a Spider will do, but it's not a film that improves with age.
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Paramount Presents #37
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Warner Archive Collection
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