6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
When his transfer request to stay stateside is approved while his unit gears up for deployment to Iraq, a lieutenant in the National Guard faces a dilemma as one of his soldiers looks to go AWOL.
Starring: Seth Gabel, Aidan Quinn, Shad Moss, Malik Yoba, Pablo Schreiber| War | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English SDH
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 4.0 |
Allegiance is the rare film set against the background of the U.S. war in Iraq that successfully sidesteps the political landmines that have crippled so many other efforts. It's also devoid of the preachy tone that unavoidably creeps into even such laudable projects as The Dry Land. Instead, writer/director Michael Connors' accomplished first feature delivers a tense and effective chase picture—Connors likens it to a prison escape film—where the motivations just happen to arise out of circumstances surrounding the call-up of National Guard units to supplement the military forces already deployed to the Middle East. Connors, himself a veteran, treats the responsibilities of service with utmost sincerity, as do the many veterans who appear in Allegiance, contributed services behind the camera and/or supported the film financially. It's the film's authenticity, and the respect accorded the good intentions of every character, that make Allegiance such compelling viewing. It also doesn't hurt that Connors assembled a first-rate cast. Connors had completed four years as an Army officer and started the graduate film program at Columbia when 9/11 happened. He expected to be called back immediately, but when he wasn't, he began work on a "thesis" short film. The film was based on an experience when a soldier under his command announced that he intended to go AWOL. While Connors was working on the short, he was suddenly activated through the "Inactive Ready Reserve" (or "IRR") program, sometimes known as the "backdoor draft"—a program that generated so much adverse publicity that the Army was forced to shut it down before Connors had to report. Instead, the Army asked him to return to duty as a volunteer. After much agonized soul-searching, Connors declined. All of these experiences and the contradictory feelings accompanying them eventually found their way into the feature-length version of Allegiance. Connor originally conceived the film as an epic saga with lengthy sequences set in Iraq. Once he realized the near-impossibility of a first-time filmmaker raising the millions of dollars that such sequences would require, Connors reimagined the film as a claustrophobic thriller that plays out over twenty-four hours within the confines of a single Army base. As is so often the case, less turned out to be more.


Allegiance was shot on the Red system by Daniel Vecchione, a regular on the independent film scene in New York City. To soften the hard digital edges often associated with Red photography, Vecchione used vintage lenses. The result, as reflected on Xlrator Media's 1080p, AVC-encoded Blu-ray, is a detailed picture that is sharp but without the harshness that sometimes afflicts digitally originated photography. Connors and Vecchione have framed their shots as much as possible to create a sensation of claustrophobia. They like tight shots of groups of soldiers and crowded interior spaces, where the crush of people and objects is inescapable. The Blu-ray's black levels are good enough that, even when such spaces are dimly lit, shadow detail registers clearly. Connors and Vecchione have so desaturated Allegiance that it is almost black-and-white. Bright or saturated colors are nowhere to be seen, as if everything had already been suffused with a layer of desert dust (or the sombre mood preceding deployment). The lack of color contributes to the sense of confinement and may also be intended as part of the homage to Stalag 17. The disc has been well-mastered, and the lack of major extras allows the 91-minute film to fit comfortably on a BD-25, without artifacts.

When Connors abandoned his original idea for scenes set in Iraq, he gave up many opportunities for spectacular sound design, but subtle possibilities remained. The sounds of the base are always in the distance and frequently in the surrounds: helicopters flying; vehicles traveling; voices; and, in at least one instance, card players shuffling, dealing and trash-talking just down the hall and to the right. Dialogue is always clear, and the musical score, credited to four different composers, strikes the right note of urgency.


Allegiance lures the viewer into its world with the simple mechanics of Specialist Reyes's predicament: How can he get off the base? Where can he hide? Who will help him? How can he rendezvous with the relative who is coming to pick him up? As a director, Connors takes the time and demonstrates the skill to make these logistics interesting and suspenseful. He has enough faith in both his material and his actors to let the larger questions raised by the specialist's decision unfold on their own, as those around Reyes are forced to react and choose a side. In the last twenty minutes of the film, as tempers flare and violence erupts, questions of duty and sacrifice that are so often debated in the abstract become all too real. Lives hang in the balance, and no one has even left America yet. Highly recommended.
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