Alleged Blu-ray Movie

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Alleged Blu-ray Movie United States

Image Entertainment | 2010 | 94 min | Not rated | Nov 08, 2011

Alleged (Blu-ray Movie)

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Movie rating

7.3
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer1.5 of 51.5
Overall1.5 of 51.5

Overview

Alleged (2010)

Charles Anderson, a talented young reporter, feels trapped working for his deceased father's weekly newspaper and living in the tiny town of Dayton, TN in steep decline. Seeing in the Scopes Monkey Trial of 1925 a once-in-a-lifetime opportunity to break into the journalistic big leagues, Charles manages to insert himself into the middle of the "Trial of the Century."

Starring: Nathan West, Colm Meaney, Ashley Johnson, Fred Dalton Thompson, Brian Dennehy
Director: Tom Hines (I)

DramaUncertain
RomanceUncertain
HistoryUncertain

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.78:1
    Original aspect ratio: 1.85:1

  • Audio

    English: DTS-HD Master Audio 5.1

  • Subtitles

    English SDH

  • Discs

    25GB Blu-ray Disc
    Single disc (1 BD)

  • Playback

    Region A (C untested)

Review

Rating summary

Movie1.5 of 51.5
Video4.0 of 54.0
Audio3.5 of 53.5
Extras1.0 of 51.0
Overall1.5 of 51.5

Alleged Blu-ray Movie Review

Parrot the Spin. But the Wise Filmmaker Will Be a Servant to the Story.

Reviewed by Michael Reuben November 10, 2011

The so-called Scopes Monkey Trial of 1925 remains a famous event in American history, though it didn't actually accomplish much. John Scopes, a Tennessee high school teacher, was convicted of violating the state's Butler Act, which prohibited the teaching of evolution. Scopes was ordered to pay a fine of $100, but his conviction was reversed by the Supreme Court of Tennessee on technical grounds. The state declined to retry him, but the Butler Act remained on the books for another 42 years.

Still, never underestimate the power of popular culture. The Scopes Trial was all about symbols, not substance. The trial itself became a media circus, when the prosecution enlisted three-time presidential candidate and noted orator William Jennings Bryan to assist them. In response, the defense retained the most famous attorney of the day, Clarence Darrow. Reporters descended on the town of Dayton, Tennessee, eager to cover the Thunderdome-like clash of these oratorical titans. Chief among them was the Baltimore Sun's H.L. Mencken, whose acid diatribes against Bryan, the South, religion and pretty much everything that today would be denominated "red" were legendary.

Inherit the Wind, the fictionalized version of the Scopes Trial, has largely defined the event for the contemporary imagination since the play was written in 1955, then adapted into a film by Stanley Kramer in 1960 starring Fredric March and Spencer Tracy. The story is admittedly fictionalized, but everyone knows who's who. John Scopes became Bertram Cates; Clarence Darrow became Henry Drummond; and William Jennings Bryan became Matthew Harrison Brady, whose success in the trial is undercut by the fact that he drops dead in the courtroom at the end. (In real life, Bryan died of diabetes and fatigue five days after the trial, having traveled extensively during that time giving speeches, an activity he could never resist.)

Inherit the Wind continues to be watched and performed, because, like the trial on which it's based, it's a terrific drama. The central confrontation, in which Drummond puts Brady himself on the stand and examines him on the "truth" of the Bible, is based on Clarence Darrow's actual strategy against Bryan when the state court judge refused to allow any of his scientific experts to testify. It's an inherently exciting clash that great actors yearn to play. The most recent Broadway revival was in 2007, with Christopher Plummer as Drummond and Brian Dennehy as Brady.

But Inherit the Wind is hardly the last word on the Scopes Trial. The trial itself was as much a PR showcase for conflicting forces as any modern media event, and Inherit the Wind was as much about the time when it was written as it was about the Scopes Trial. Like Arthur Miller's The Crucible, the play used a historical event as a vehicle to comment on the present, in this case to protest McCarthyist efforts to limit what could be said, written about or taught. There is certainly plenty of room to look at the Scopes Trial from other angles and with a different focus, especially since the issue--evolution vs. creationism--continues to roil the political and social waters of America.

Which brings us to Alleged. Released through Slingshot Pictures, an avowed marketer of "faith-based" titles, Alleged positions itself as the antidote to Inherit the Wind by viewing the Scopes Trial through the eyes of an idealistic young reporter (an admittedly fictional character) who looks at this circus that's come to town with fresher eyes than the jaded players whose positions in the game are well known. It's a promising idea--until the filmmakers' hidden agenda spills onto the screen and sours the whole enterprise.


Charles Anderson (Nathan West) is a young reporter in Dayton, Tennessee, struggling to make a go of the newspaper of which his late father was editor. His real dream, though, is to work for a big city paper like the Baltimore Sun under the legendary H.L. Mencken (Colm Meaney). Still, Dayton has its compensations, especially the lovely Rose Williams (Ashley Johnson), who works with Charles at the paper. They grew up together, and they have the kind of easy familiarity that lets them greet each other with variations of "marco!" and "polo!" Marriage is something they've already agreed upon; it's just a matter of finances and opportunity.

With the closing of the local coal mine, Dayton is facing hard times, but the town's movers and shakers, personified by George Rappleyea (JR Bourne), have an idea. They'll put Dayton on the map by making it the scene of a test case for the Butler Act. They enlist John Scopes (Jamie Kolacki), a local teacher who happened to use a textbook that mentions evolution on a day when he substituted for a colleague, line up the state attorney general to prosecute, and it's off to the races.

Alleged is lively and entertainingly contemporary when it shows celebrities like William Jennings Bryan (Fred Dalton Thompson) being received by an adoring crowd, or calculating speculators like Rappleyea buying up land in the hope of a quick killing. And it's on familiar ground when it shows Mencken tempting Charles into compromising his journalistic principles with the promise of a job offer. In this instance, "compromising his principles" means writing what Mencken wants to hear, no matter what actually happens in the courtroom. Indeed, Mencken leaves town before the closing arguments by Bryan and Clarence Darrow (Brian Dennehy), because he says he can write about them without hearing them. (In real life, Mencken didn't even stay to hear Darrow put Bryan on the stand.)

But the makers of Alleged get skittish whenever they get too far from Charles's ethical dilemma and find themselves at the actual Scopes Trial. They always seem in a hurry to cut away from the proceedings, which is a problem if one truly wants to provide a counterpoint to Inherit the Wind. Darrow/Drummond's examination of Bryan/Brady is the central event of that drama, but no sooner does it begin in Alleged than the film shifts to a subplot (about which more in a moment). The actual historical event lasted two hours. Couldn't the creators of Alleged find sufficient material to craft even a five-minute scene that would pay off the intense build-up? Apparently not, because all they provide is a disagreement between Mencken and Charles over who "won" the encounter, Darrow or Bryan. It's a classic example of telling when they should be showing. The sole extra on the Blu-ray, a "discussion guide" replete with Biblical citations, asks questions about Charles's dilemma over selling out for career advancement, but those questions are difficult to assess when we haven't seen what's caused Mencken and Charles to disagree. What if Charles got it wrong, and Mencken, the more experienced observer, knows better?

If the point of Alleged is to show how a media circus can pre-judge the outcome of an event and shape both the public's and history's perception accordingly, skipping over Darrow's examination of Bryan leaves a huge dramatic hole. After all, the version of Bryan's testimony in Inherit the Wind wasn't intended to be literal history; it was condensed and shaped for a specific purpose, which wasn't to prove evolution or disprove religion, but simply to uphold the right of individuals to think and decide for themselves, a suitable theme for the age of McCarthyism. But Alleged apparently doesn't think we need to see the Darrow examination to know that Charles is right: Bryan came out on top, and Mencken is lying. Some things are just, well, obvious.



Now it's time to look at the subplot I mentioned, the one for which the film leaves the so-called "Trial of the Century" at its most dramatic moment. It's here that Alleged's true agenda is revealed. Recall beautiful Rose, Charles's future bride. Throughout the film, we've been detoured to visit her younger sister, Abigail (Khori Faison), who is an unfortunate inhabitant of a Women's Colony for Epileptics and the Feeble-Minded outside Dayton. No explanation is given, but it is immediately apparent to the viewer that Abigail is neither epileptic nor feeble-minded; she is, however, dark-skinned with African-American features indicating a genetic component to the family's ancestry that clearly no one wants to acknowledge. Rose and Abigail are orphans, and the doctor who heads the facility (Geoffrey Beauchamp) just happens to be their uncle. Consistent with a now-discredited practice allegedly based on science called "eugenics", the doctor wants to sterilize Abigail to eliminate any risk that her "defect" can be passed on to future generations.

These events involving Abigail feel shoehorned into the story, because they're poorly explained and barely connected, even at the end of the film, when Rose is handed a dossier on her family's history of which we're granted only a glimpse. The filmmakers clearly don't care about explaining Abigail's background. They've concocted this toxic blend of contrivance, racism and junk science, because this is Alleged's true response to Inherit the Wind. Don't you see, the filmmakers are saying, this is what comes of teaching evolution. Sweet-faced, innocent girls get their insides cut open and their sacred maternal capabilities ripped out of them.

The connection may not be drawn in the disc's "discussion guide", but it's made plain as the idyllic sun that shines daily over Dayton during Bryan's courtroom argument about the consequences of accepting Darwin's theory of survival of the fittest. Such consequences include "unbridled" capitalism where the strong crush the weak, imperialist foreign policy that enslaves other people, the murders of Leopold and Loeb (who were defended by Darrow) and, yes, a program of "scientific" breeding that determines who may and may not bear children. (The script even has Darrow pick up the same theme during a prep session, as he's playing devil's advocate.) That Darwin's theory is a description of naturally occurring phenomena, while Bryan's examples involve moral and social choices doesn't seem to have penetrated either Bryan's consciousness or that of the filmmakers.

Lest any doubt remain, the film concludes with a series of "what happened to them" closing cards containing text that's every bit as tendentious and loaded as anything H.L. Mencken ever wrote. Going through each of them would take too long, but for present purposes here's the key one:
Hunter's Civic Biology was the leading biology textbook used in high schools in America. Under the general topic of human evolution (the only aspect of Darwin's theory prohibited in public schools under the Butler Act), many readers are shocked by its vicious statements regarding racial minorities, the poor, and the disabled.

And what exactly does this have to do with whether evolution is legitimate science? Well, nothing. Welcome to guilt by textual association. If the legitimacy of an idea is to be judged by its proximity in a document to something offensive, then the very idea of constitutional government is in trouble, because the U.S. Constitution contains some pretty troubling stuff about slavery (art. 1, sec. 2, para. 3).

I suppose it was too much to expect that a faith-based movie company could get behind a film about the Scopes Trial and settle for a critique based solely on the press's manipulation of public perception. There had to be true villains somewhere, and guess what? They turned out to be scientists and doctors.


Alleged Blu-ray Movie, Video Quality  4.0 of 5

Alleged was shot on the Red One camera and finished on a digital intermediate, where the colors were fine-tuned to give it a nostalgic, picture postcard look. This is a kinder, gentler pastel past, and it's certainly pretty to behold. Detail and depth of field are excellent without the harsh edges or sharp contrasts often associated with digital cinematography. Black levels are solid and dark, although night scenes are frequently shaded more toward brown than black, especially if they're illuminated interiors. In general, earth tones predominate in town, and cool blues predominate in the women's facility that houses Abigail. Artifacts of any variety, whether aliasing, compression, filtering or ringing, were nowhere to be found.


Alleged Blu-ray Movie, Audio Quality  3.5 of 5

The DTS-HD MA 5.1 track provides a serviceable but unremarkable mix. There are no showy effects, merely dialogue (which is clear), a general sense of ambiance, and an energetic but generic score credited to John R. Graham.


Alleged Blu-ray Movie, Special Features and Extras  1.0 of 5

  • Discussion Guide: This is certainly one of the most unusual special features I've encountered. Subtitled "6 discussion topics for church and home group study using biblical references and lessons to go along with the film", the guide uses the letters of the title to organize its topics:
    • Ambition at any cost
    • Little white Lies
    • End justifies the means
    • Getting ahead, God's way
    • Every action matters
    • Destiny shaped by choices

    That the guide comes down hardest on H.L. Mencken and Clarence Darrow should surprise no one, but at least it's open about its leanings. The notion of "Getting ahead, God's way" is especially provocative. In Alleged, things work out extremely well for Charles when he stands up for his beliefs, but in life that isn't always the case. Whether or not a movie is faith-based, it never hurts to have the screenwriter on your side.


Alleged Blu-ray Movie, Overall Score and Recommendation  1.5 of 5

Having spent much of my life subject to false assumptions about who I am because of my name (which is not indicative of my background) and where I live (which is nothing like where I was raised), I try to approach films with as little prejudgment as possible--which is relatively easy, since they don't require more than your attention and a few hours of your time. I sat down to watch Alleged really wanting to experience the Scopes Trial and Dayton, Tennessee of 1925 from a thoughtful new perspective. What I got instead was an insistent piece of propaganda. It may have lacked Mencken's focus, and it certainly didn't have his wit, but it was just as driven by bias and unstated assumptions. I have no problem with stories that reflect a strong point of view, but the point of view has to arise from the story, not vice versa. Inherit the Wind respected that principle. Alleged doesn't.