8.8 | / 10 |
Users | 3.0 | |
Reviewer | 4.0 | |
Overall | 3.3 |
Ellen Ripley, the sole survivor from the original "Alien", is awakened after 57 years of drifting through space. Her experiences with the deadly creatures are disbelieved by Company executives who inform her that the aliens' planet is now inhabited and colonized by humans. But contact has been lost with the colonists, and Ripley is convinced to return to the planet with a squad of marines, an android, and a Company executive with a mission of his own. Once there, no survivors can be found except for Newt, a little girl who awakens motherly instincts in Ripley just in time for the acid-blooded aliens to attack in what quickly becomes a one-sided battle for sheer survival.
Starring: Sigourney Weaver, Carrie Henn, Michael Biehn, Paul Reiser, Lance HenriksenSci-Fi | 100% |
Action | 94% |
Thriller | 89% |
Horror | 57% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English: Dolby Digital 4.1
French: DTS-HD HR 5.1
Spanish: Dolby Digital 5.1
Music: Dolby Digital 5.1
English SDH, French, Spanish
Blu-ray Disc
Three-disc set (3 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region free
Movie | 4.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 4.0 |
Aliens is the outlier of the three James Cameron films Disney / Buena Vista is offering in new if evidently to some fans unimproved 4K UHD versions, since, unlike The Abyss 4K and/or True Lies 4K, this film has had a prior release on (1080) Blu-ray, and in fact more than once. This release offers both the Theatrical and Special Edition versions (kind of like The Abyss) in either 1080 or 2160, with two 1080 discs in this package also sporting supplementary material.
Note: Screenshots are sourced from the 1080 disc in this package.
Aliens is presented in 4K UHD courtesy of 20th Century Studios and Disney / Buena Vista with an HEVC / H.265 encoded 2160p transfer in
1.85:1. Those who have
already perused my True Lies 4K Blu-ray review and The Abyss 4K Blu-ray review will not be surprised to hear I'm
once again going to sidestep any controversies surrounding the technologies utilized to create this new master, and instead concentrate on how it
looks. This is another presentation where anyone wanting a recreation of a traditional 35mm viewing experience is probably going to be
disappointed, but as with both of the other Cameron films receiving 4K UHD releases, there are sometimes astounding improvements in fine detail
levels when compared to the old 1080 release, and even when compared to the 1080 disc in this release. The absence of grain is going to be the
biggest stumbling block for many viewers, though I have to say for me personally it was actually mostly a shock when seeing the opening 20th Century
Fox masthead, which is clear and clean and distinctly not reminiscent of a 35mm element. Things improve during the actual film, but grain is
still "minimized", and I'd say darn near obliterated some of the time, leaving this with a much more contemporary digital capture appearance. That
aspect definitely gives a glossy, sleek sheen to things, with typically admirable detail levels, even in some less than fulsome lighting conditions. As with
the two other Cameron offerings on 4K disc, and unlike most other Disney / Buena Vista 4K outings, Aliens does offer Dolby Vision,
and HDR definitely adds some rather lustrous new highlights across a span of hues, notably a lot of the blues, greens and teals that predominate some
of the darker material. As I mentioned in my review of True Lies, this may be another case where some fans actually prefer the 1080
presentation to the 2160 presentation, since the processed appearance of this transfer is arguably a bit less dramatic looking in the relatively lower
resolution.
The 4K UHD disc in this set offers another really nicely nuanced Dolby Atmos track, while the 1080 disc features a DTS-HD Master Audio 5.1 track. The Atmos track takes full advantage of both overhead and just general vertical effects in any number of establishing scenes offering spacecraft, but there's even clear engagement of the Atmos speakers in some of the scary interior scenes where the pitter patter of little (?) feet and/or other menacing sounds can create an enveloping sense of dread. Sudden bursts of LFE offer quasi-startle effects that do shake things up, and there is a regular background clamor of spaceship "high tech" sounds that frequently underlies the action. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.
Disc One (4K UHD)
- Development Original Treatment by James Cameron
- Footage
Pre-Visualizations: Multi-Angle Videomatics offer optional commentary by Pat McClung:- Angle 1: Videomatic (SD; 3:13)
- Angle 2: Videomatic/Final Shot Comparison (SD; 3:14)
- Pre-Visualization Storyboard Archive
- Conceptual Art
- Casting
- Photography Production Image Galleries
- Footage
- Colonial Marine Helmet Cameras (SD; 5:08)
- Video Graphics Gallery (SD; 4:07)
- Weyland-Yutani Inquest: Nostromo Dossiers (SD; 3:37)
- Footage
- Deleted Scene: Burke Cocooned (SD; 1:31)
- Deleted Scene Montage (SD; 4:08)
- Photography
- Image Galleries
- Miscellaneous
Laserdisc Archives- Chapter 1: Introduction
- Chapter 2: Table of Contents
- Chapter 3: Writer/Director James Cameron
- Chapter 4: The Screenplay
- Chapter 5: The Aliens Crew
- Chapter 6: Casting
- Chapter 7: Introduction
- Chapter 8: The Narcissus
- Chapter 9: Gateway Station
- Chapter 10: Alien Landscape
- Chapter 11: The Jorden Tractor
- Chapter 12: The Sulaco
- Chapter 13: The Drop-Ship
- Chapter 14: The Colonial Marines
- Chapter 15: Marine Weaponry
- Chapter 16: The Armored Personnel Carrier
- Chapter 17: The Colony
- Chapter 18: Facehuggers
- Chapter 19: The Alien Nest
- Chapter 20: The Chestburster
- Chapter 21: The Aliens
- Chapter 22: The Queen
- Chapter 23: The Power-Loader
- Chapter 24: Replicas of Bishop and Newt
- Chapter 25: The Power-Loader vs. Queen Battle
- Chapter 26: Editing and Music
- Chapter 27: Theatrical Release
- Chapter 28: Promotion
- Chapter 29: The Restoration
- Chapter 30: Closing Commentary
- Chapter 31: Bibliography and LaserDisc Production Credits
- Teaser Trailer (SD; 1:51)
- Theatrical Trailer (SD; 1:56)
- Domestic Trailer (SD; 00:35)
- International Trailer (SD; 00:32)
There's already been a lot of bandwidth expended (expanded?) with discussions about the appearance of the three 4K UHD releases of Cameron films. Are they true to the original looks of the movies? No, but as I mentioned in our True Lies 4K Blu-ray review, Cameron paid for these upgrades and evidently loves the way they look, so while that may not please each and every fan, until those fans have their own vaults of moolah to hand over to fund a transfer they would like, the controversies seem kind of moot. I'd personally rate the three in terms of video quality as The Abyss, Aliens and True Lies, in that order, in terms of preserving at least some semblance of an organic 35mm appearance, but as with the other two offerings from 20th Century Studios and Disney / Buena Vista, the absence of grain may be at least partially counterbalanced by some at times rather gobsmacking upticks in fine detail. Dolby Vision / HDR also offers some really nice, lustrous new highlights to Aliens in particular. Video revisionism aside, technical merits are solid, and the supplements exhaustive and very interesting. With caveats for some videophiles in mind, Recommended.
1986
1986
1986
Awards O-Ring Slipcover
1986
2015 Comic Con Exclusive
1986
30th Anniversary Edition
1986
4 Exclusive Mondo Cards + Alien: Covenant Movie Cash
1986
1997
40th Anniversary Edition
1979
1992
Extreme Unrated Set
2007
2004
2012
1987
Special Edition
2000
3-Disc Set
2010
2002
2009
2004
1990
2017
2014
2010
2009
2010
Collector's Edition
2013
2017