| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
| Horror | 100% |
| Foreign | 71% |
| Erotic | 20% |
| Documentary | 6% |
| Drama | 5% |
| Western | 5% |
| Martial arts | 1% |
| Sci-Fi | Insignificant |
| Crime | Insignificant |
| Family | Insignificant |
| Comedy | Insignificant |
| Biography | Insignificant |
| Adventure | Insignificant |
| Action | Insignificant |
| Musical | Insignificant |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.84:1
Original aspect ratio: 1.85:1
See individual releases
English
Blu-ray Disc
Fourteen-disc set (14 BDs)
Region A, B (C untested)
| Movie | 2.5 | |
| Video | 3.0 | |
| Audio | 3.5 | |
| Extras | 5.0 | |
| Overall | 4.0 |
Note: The scores above are averages for the set, and with so many films in this collection with such widely varying technical merits, my
suggestion is to pay more attention to the individual scores on the separate reviews.
Time’s up! You’ve had almost four years to finish getting through The Herschell Gordon Lewis Feast, Arrow’s immense package devoted to one of the exploitation titans of his (or any) era,
and so you should have more than enough free hours by this time to start wending your way through Severin Films’ even more immense
package (in
terms of films and supplements if not in terms of the package itself) devoted to another titan of exploitation cinema, the redoubtable Al
Adamson. This handsome set aggregates an amazing 32 Adamson films (albeit some of them are different “versions” of some of the same basic
material, and at least a couple have already had standalone releases), along with some appealing supplements and a rather nicely done booklet.


Video quality of each film is assessed in the above linked reviews.

Audio quality of each film is assessed in the above linked reviews.

Supplementary material for each film (if any) is detailed in the above linked reviews. Additionally, this is housed in what amounts to an oversized DigiBook, with each disc in a cardstock sleeve "page" that reproduces poster art for the various films. (One issue I had with regard to the packaging was in trying to get the discs out of the cardstock sleeves, which I found rather difficult to do at times. Several of my discs ended with thumb prints as a result, and two had minor scratches, with the result being they temporarily wouldn't play correctly, though after a thorough cleaning, they did fine.) There's also an exhaustive and extremely interesting booklet by Bill Ackerman and Amanda Reyes detailing Adamson's history and the films in the set.

In a way it was instructive to watch all of these Adamson films in a "binge-a-thon", because it soon became evident that it wasn't only his "repertory" company that he used over and over. There are numerous plot elements (naked women, snakes, cars plummeting over cliffs, women on horseback, rapes, kidnappings, and more naked women) that Adamson returned to again and again. One of the things that delights this Salt Lake City born guy is the fact that Adamson probably shot in Utah more than even John Ford did. The films? They're unabashedly (and maybe even unashamedly) low rent, but they're almost always enjoyable in their own gonzo way. Technical merits here are pretty variable, but Severin has really provided a nicely designed package with some very appealing supplements and a very handsome insert booklet. The many commentaries by Samuel M. Sherman are especially illuminating and enjoyable. For "discerning cineastes" if for no one else, Al Adamson: The Masterpiece Collection comes Recommended.