6.6 | / 10 |
| Users | 3.0 | |
| Reviewer | 3.5 | |
| Overall | 3.4 |
An elderly artist thinks he has become too stale and is past his prime. His friend (and agent) persuades him to go to an offshore island to try once more. On the island he re-discovers his muse in the form of a young girl.
| Drama | 100% |
| Romance | 25% |
| Biography | 3% |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 3.5 | |
| Video | 3.0 | |
| Audio | 5.0 | |
| Extras | 4.0 | |
| Overall | 3.5 |
Michael Powell's "Age of Consent" (1969) arrives on Blu-ray courtesy of Indicator/Powerhouse Films. The supplemental features on the disc include vintage promotional materials for the film; archival interview with Helen Mirren; archival interview with Michael Powell; featurettes; and more. The release also arrives with a 40-page illustrated booklet with a new essay by Samm Deighan, an overview of contemporary critical responses and historic articles on the film. In English, with optional English SDH subtitles for the main feature. Region-Free.


Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Michael Powell's Age of Consent arrives on Blu-ray courtesy of Indicator/Powerhouse Films.
There are two presentations of the film on this release: The Film Foundation's 2005 restoration of the original 106-minute Director's Cut, and the 96-minute 1969 Studio Cut. The restored version is obviously preferable, but keep in mind that these versions also use different soundtracks: one by Peter Sculthorpe, and another by Stanley Myers.
The Film Foundation's restoration provides better balanced visuals, with the wider panoramic shots in particular having more pleasing delineation. However, once you start paying attention to the smaller details and nuances it very quickly becomes obvious that there is plenty that could be improved. For example, there is noticeable background flicker. Density levels also fluctuate and there are select parts of the film where the visuals have that rather heavy contrasty look that was quite common on older remasters from the DVD era. Also, background highlights are frequently uneven and at times further exacerbate the overall shaky appearance of the film. Generally speaking, the primary colors look good, but this film could and should have far better ranges of nuances. Folks with larger screens will also easily notice that during the darker footage there is quite a bit of lost shadow definition. All in all, the technical presentation is acceptable, but if redone in 4K by Sony Pictures this film could look far stronger in high-definition. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to access its content regardless of your geographical location).

Each of the two versions of the film arrives with a standard English DTS-HD Master Audio 1.0 track. Optional English SDH subtitles are provided for both.
The original soundtrack by Peter Sculthorpe was remastered and I think that it sounds very nice now. There is some extremely light buzz that attempts to sneak in when the music becomes prominent, but the rest sounds lovely. The dialog is clean and easy to follow, and there are no dropouts or digital distortions to report.

NOTE: All of the supplemental features on this Blu-ray release are perfectly playable on North American Blu-ray players, including the PS3.

If you are looking for the best all-around presentation of Michael Powell's final feature film, Age of Consent, then this Region-Free release from Indicator/Powerhouse Films should be on your radar. It has two versions of the film with two different soundtracks, plus a nice selection of bonus features. However, I have to say that I find the recent restoration that The Film Foundation funded rather underwhelming, and I am a bit surprised to see that it was actually not a project that Sony Pictures tackled. With Grover Crisp in charge of an elaborate 4K restoration, I think that the end result would have been very different. (Last night I viewed The Boy Who Turned Yellow, which is included on the disc, and this film actually looks quite a bit healthier). Anyhow, currently this is the best presentation of the film on the market. RECOMMENDED.

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