6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Lucky Mann is a contractor equally handy at repairs and seduction. The latest lonely housewife to succumb to his charms is Marianne, childless and unhappy with her marriage to business-obsessed Jeffrey. When Jeffrey coincidentally becomes enraptured by Lucky's wife, the fading former starlet Phyllis, the four get caught in a tangled-up love quadrangle that reignites their tired marriages.
Starring: Nick Nolte, Julie Christie, Lara Flynn Boyle, Jonny Lee Miller, Jay Underwood| Drama | Uncertain |
| Comedy | Uncertain |
| Romance | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.5 |
Note: This film is available on Blu-ray as part of Afterglow / Ray Meets Helen.
Despite a long career that has seen at least some success in both critical circles and box office returns, Alan Rudolph hasn’t really seemed
to become a
significantly recognized name for much of the filmgoing public at large. Rudolph’s oeuvre is rather wide and varied, but for anyone
unfamiliar with him and needing
a probably inherently inadequate summary of his approach, it may be salient to note that Rudolph was an acolyte of Robert Altman, with Rudolph
lending a hand
in a number of capacities on such well remembered Altman efforts as The Long Goodbye, California Split, Nashville, Buffalo Bill and the Indians, or Sitting Bull's History Lesson and The Player, and with Altman returning the favor by co-
producing
a number of films directed by Rudolph, including one included in this new double feature from MVD’s Marquee Collection imprint, Afterglow.


Afterglow is presented on Blu-ray courtesy of the MVD Marquee Collection, an imprint of MVD Visual, with an AVC encoded 1080p transfer in 1.78:1. A number of issues like pretty pronounced wobble during the credits and some fairly rough looking moments (see screenshots 7, 8 and 9) suggest that this is probably not a newer master. When the presentation features more brightly lit material, and especially when close-ups are employed (which they frequently are), detail levels are rather good, though the entire presentation looks pretty soft. The palette is curiously wan at times, with flesh tones skewing toward pink. My score is 3.25.

Afterglow features a nice sounding LPCM 2.0 track. One of the film's undeniable assets is its moody, jazz inflected score by the great Mark Isham (and any jazz fans should pay attention to the band he assembled, as disclosed in the final credits roll), which is rendered with appropriate smokiness throughout. Dialogue and effects as in the urban clamor in some outdoor material are all rendered without any problems. This film features optional English subtitles, though kind of strangely Ray Meets Helen does not.


Performances help Afterglow elide some of its less believable moments, but the film may strike some as too ridiculously melodramatic, especially in a final few minutes which I personally don't think are Christie's finest moment, Oscar nomination and New York Film Critics Best Actress Award aside. Video encounters some iffy moments, but audio is fine, for those who are considering a purchase.
(Still not reliable for this title)

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