7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
'Adrenaline Rush: the Science of Risk' takes a look at the world of skydiving and base jumping - parachuting from a building, a bridge or a cliff. While providing breathtaking views of skydiving over the Florida Keys, the Mojave Desert and in the magnificent Fjords of Norway, this giant-screen experience explores the psychological and physiological forces behind risk-taking.
| Documentary | Uncertain |
| Short | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.43:1
English: DTS-HD Master Audio 5.1
Spanish: DTS-HD Master Audio 5.1
French: DTS-HD Master Audio 5.1
None
25GB Blu-ray Disc
Single disc (1 BD)
BD-Live
Region free
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.0 |
One person's passion is another's "who cares?" I have good friends who can't fathom the time I spend fussing over grain structures, color densities and aspect ratios. I feel the same way (and then some) about the principals of this short IMAX documentary, who exercise ever greater ingenuity in search of what the thrill-seeking bank robbers in Point Break would call a "killer rush". The subject of an IMAX documentary often seems to be no more than a pretext to get the big-format camera into dramatic locations where it can record vistas that most audience members aren't likely ever to see in the flesh. In the case of Adrenaline Rush: The Science of Risk, this includes dramatic aerial views from a skydiver's perspective—and not just any skydiver, but one wearing a specially designed "flying" suit intended to extend the jump to several times its normal duration—as well as spectacular scenes of Norwegian mountains and fjords, a favored destination for "base-jumpers" (i.e., parachutists who leap from high points on earth rather than diving from airplanes). Despite the film's subtitle, and some thinly reasoned attempts to link the extreme sports pursued by these adrenaline junkies to the daily lives of normal people, there's very little "science" involved.


I was unable to find detailed specs on the shooting format for Adrenaline Rush, but since it was created for IMAX exhibition, one can reasonably assume that IMAX cameras were used for most of the photography. The credits indicate digital scanning and compositing, and this makes sense for sequences such as those that animate and superimpose diagrams of the human body or excerpts from Leonardo da Vinci's notebooks. Also, a few of the skydiving shots appear to have been captured with 35mm cameras, then blown up to IMAX scale, because the lesser resolution is immediately obvious in comparison. On the whole, though, Adrenaline Rush delivers exactly the sort of eye candy that one expects from an IMAX film, and Image's 1080p, AVC-encoded Blu-ray reproduces the impact as well as can be expected in the home (the point of IMAX being to enhance the theatrical experience). Detail is excellent, colors are vivid and contrast is distinct without overstatement. The quality of the black levels becomes evident in a brief B&W sequence at the end. With such a short program and scant extras, compression artifacts are never an issue.

In what is surely a hommage to Apocalypse Now, the film opens with a repeated "fly around" by the title through all five speakers, before it settles down to display itself on the screen in front. It's the single most gimmicky moment on the entire DTS-HD MA 5.1 track, as if the sound designers wanted to let us know that all channels are active, before they settle down to the business of supporting the film's narrative (such as it is). For the remainder of Adrenaline Rush, the soundtrack attempts to provide an appropriate sonic environment for the various actions on screen. Usually this consists of little more than the sound of plane engines, chutes opening or wind rushing past a skydiver or base-jumper in free fall. The narration has been well-recorded, and there's effective underscoring and songs by composers with names like Abasi, Poulet Ch and Chevalier F. The main theme, which plays over the credits and also over the disc's menu, is appropriately entitled "When You're Fallin'", and it sounds like a lost Peter Gabriel song, but it's by a group called Afro Celt Sound System.

Although the Blu-ray jacket indicates a 22-minute "making of" feature, there is no such item on the disc.

Adrenaline Rush: The Science of Risk didn't help me better understand adrenaline junkies, but it did make me glad I don't suffer from their condition—and gladder still that no one I care about is one of them. Other than that, I enjoyed the pretty pictures. Recommended if you like IMAX films. If you're a skydiver or base-jumper, I suspect only the real thing will satisfy.