7.3 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Two New York City police officers race against the mob to catch three black hoods who, disguised as cops, stole $300,000 from a Mafia-controlled numbers bank in Harlem. The mob want their money back... and they want revenge!
Starring: Anthony Quinn, Yaphet Kotto, Ed Bernard, Anthony Franciosa, Paul BenjaminFilm-Noir | 100% |
Thriller | Insignificant |
Crime | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 1.0 | |
Overall | 3.5 |
1972’s “Across 110th Street” is often labeled a blacksploitation picture, and while parts of the movie fit into such a classification, this cops-and-criminals saga appears to have more in common with “The French Connection.” Gritty and mindful of perspective, the feature is a bruising examination of power and desperation, filled with energetic chases and fiery confrontations. And while the picture deals with race and prejudice, it’s more interested in dissecting character, creating a community of hotheads after one another for numerous reasons.
The AVC encoded image (1.85:1 aspect ratio) presentation is a mixed bag, showing signs of age that keep the viewing experience from being as fresh as possible. It's a softly shot feature to begin with, limiting a true reach of fine detail, but facial particulars and location nuances are surveyed, while textures on costuming are open for inspection. Blacks aren't particularly strong, with solidification a common occurrence. Whites are bit bloomy. Colors are stable and overall quite welcome, with bold period costuming providing varied hues, and skintones are natural. Grain is heavy. Damage is minimal, with speckling and a few brief trouble spots.
The 2.0 DTS-HD MA sound mix doesn't have the benefit of crisp and clear source material, with age and original quality delivering a slight muddiness to the group dynamic. Dialogue exchanges are largely understood, with sweeps of emotion held in position. Soundtrack selections and scoring cues display greater confidence, arriving louder and cleaner than acting efforts. Atmospherics are pronounced with active street life, and sound effects are sharp and forceful.
Performances are uniformly strong, with Kotto and Quinn a tempestuous duo, creating an unusual balance of antagonism and ambition in their respective roles, adding a welcome dimension of begrudging respect that pays off in the fantastically blunt ending. However, Paul Benjamin steals the movie, delivering sensational work as a man out of options turning to crime. Intimate scenes with this character drip with desperation and defiance, generating a precise tone of distress for "Across 110th Street" that feeds into the rest of the film, giving it a lasting thematic snap.
1971
Limited Edition to 3000 - SOLD OUT
1955
Encore Edition | Limited Edition to 3000 - SOLD OUT
1953
Warner Archive Collection
1972
1996
1955
1981
Rundskop
2011
Limited Edition to 3000
1961
1950
1955
1972
1967
Straight Up: The Director's Cut | Special Collector's Edition
1999
1961
1949
1948
1949
Rome Armed to the Teeth / Roma a Mano Armata
1976
1973