7 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A prosecutor leaks a false story to a reporter that the nephew of a mob boss is under investigation for murder, hoping to pressure the nephew into turning informant. The reporter has no responsibility for the truth of the story, only for accurately repeating what she's been told.
Starring: Paul Newman, Sally Field, Melinda Dillon, Wilford Brimley, Bob BalabanRomance | 100% |
Thriller | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 (48kHz, 16-bit)
Case is incorrect
English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 4.0 |
Few mainstream directors in the last half of the 20th Century were as productive as the late Sydney Pollack, but two periods in his career stand out: the early Seventies, when he made The Way We Were and Three Days of the Condor; and the early Eighties, when he made Tootsie, the multiple Oscar-winning Out of Africa and Absence of Malice. The last merits renewed attention, not only because it contains a classic Paul Newman performance, but because it's an essential counterpoint to the much lauded (justifiably so) All the President's Men. What a difference five years can make. In that short time, the crusading journalists and courageous sources of Alan J. Pakula's film had become amoral careerists personified by Sally Field's reporter and Bob Balaban's cynical prosecutor. Instead of exposing government's abuse of power, the press became a tool of it, all for the sake of a story. "You don't write the truth", says Newman, playing an anguished private citizen who wakes up one day to find himself indicted in the court of public opinion by a front page story based on anonymous sources. "You write what people say." To our ears, that sounds like standard operating procedure, because it's what passes for journalism now: repeating what people say, no matter how ludicrous or unsupported. (As one wag noted, if an advocacy group issued a statement insisting the earth was flat, the headline would read: "Debate Rages Over Shape of Earth".) After leaked information helped bring down a president, everyone started doing it routinely, because everyone wanted to control the story. It's only a short step from there to manufacturing stories, which is what the prosecutor does in Absence of Malice. The title refers to a legal standard. "Malice", in the law of libel, means actual knowledge that a story is false. Normally, a newspaper or other media source commits libel by publishing a false statement damaging to a person's reputation where it was only negligent in failing to ascertain the truth. But under the Supreme Court's landmark decision in New York Times v. Sullivan, negligence no longer applies when the person in question is a so-called "public figure" (a concept that, as the newspaper's lawyer says in the film, is impossible to pin down). A public figure must prove that the newspaper knew the story was false and published it anyway. It's a standard that's almost impossible to satisfy, and that's the whole point, because the First Amendment is supposed to foster open and robust public discussion, even if it wrecks the lives of a few unfortunates who find themselves promoted to "public figures" by officials with a hidden agenda.
You had a "leak"? You call what's goin' on around here a "leak"? Boy, the last time there was a leak like this, Noah built hisself a boat.Parts of Absence of Malice may seem contrived. In particular, the romance between Megan Carter and Gallagher has been called far-fetched (and certainly unprofessional on Megan's part). But is it really a romance? We know from the outset that Megan dates sources, and we see her string along Waddell, the FBI agent. There's barely an encounter between Megan and Gallagher where we don't see some clash of agendas, as one or the other (or both) looks for information or insight into the larger game being played. Sure, there's an attraction between them, but it's always accompanied by some element of "business". (Pollack notes in the documentary that he wanted Field for the part, because he needed her likeability to offset all the terrible things Megan does as a reporter, which is what she remains first and foremost.) And while it may be inappropriate for sources and reporters (or doctors and patients or lawyers and clients) to become romantically involved, anyone who thinks it doesn't happen is living in fantasyland. Absence of Malice was the last film in which Newman played anything resembling a traditional romantic lead, and he could still bring it off effortlessly at age 55 (and playing a good ten years younger). The following year, with The Verdict, Newman moved into an entirely new and rich phase of his career, playing older men with a clear sense of who they are and where they've been, using his incomparable gift for expressing a character's thoughts without words to convey a sense of the weight of years of accumulated experience. If for no other reason, Absence of Malice is worth seeing to savor Newman's last go-around at the kind of passionate younger role that made him famous. I challenge anyone to watch the scene where Gallagher explodes and attacks Megan and not feel disturbed by the violence.
Image's 1080p, AVC-encoded Blu-ray provides a nice presentation of the low-key, realistic cinematography by regular Pollack collaborator Owen Roizman, who can do everything from gritty urban street style (The French Connection) to glossy period photography (Wyatt Earp). This is the kind of image that is usually described as "soft" by viewers who experience most films on video and as "film-like" by those (like me) who grew up seeing movies projected on film. It's a detailed image with colors that are saturated (but not overly so), good black levels, natural-looking grain and no apparent attempts to modernize the photographic style or process the texture to create "pop". The source material is in excellent shape, although the closing title sequence, which depicts boats in the inland waterway will strike some as excessively grainy, probably because of the optical processing required to include the titles. I saw no signs of high-frequency filtering, transfer-induced ringing or other inappropriate digital tampering, nor did I spot any compression artifacts.
The PCM 2.0 track (and not DTS-HD MA, as indicated on the case) preserves the film's original audio format. It's a front-oriented mix with limited surround presence, even when processed through DPL IIx decoding. Dialogue remains clear and centered, as do essential sound effects. There is almost no sense of stereo separation, except that Dave Grusin's score -- insistent and staccato-inflected for the newspaper scenes, gently emotional for the personal scenes -- spreads across the front soundstage. Grusin's score is one of his best, for my money. It greatly aids in modulating the film's tricky shifts in tone, as it moves between individual relationships and the larger events in which they've been swept up.
Sony previously released Absence of Malice on DVD in 1998. Image released a DVD in December 2010, but according to their online catalogue, that release did not include any extras.
Absence of Malice is an "issue" movie, but it's an issue that not only hasn't gone away, but has also become knottier and more treacherous as technology has increased the speed of information's spread and, with it, the intensity of competition to be first to get the story. Pollack, Luedtke and an exceptional cast dramatized the issue effectively so that it lives and breathes beyond a series of talking points, which is exactly what narrative fiction is supposed to do. Only a born storyteller could appreciate the irony of showing Santos Malderone cackling over how his nephew, Gallagher, turned various law enforcement people against each other -- and get the audience laughing with him, even though it was probably Malderone who killed the labor organizer, Diaz, and started the whole mess. The film is highly recommended, and so is the Blu-ray.
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