6 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Abraham van Helsing moves his two sons to the United States in an attempt to escape their past.
Starring: Titus Welliver, Jocelin Donahue, Brady Hepner, Judah Mackey, Aurora Perrineau| Horror | 100% |
| Mystery | 16% |
| Thriller | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 2.5 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.0 |
Vampire stories are plentiful, but author Joe Hill has something a little different in mind with “Abraham’s Boys.” The material is an adaptation of a short story, and writer/director Natasha Kermani is challenged to figure out how to work with Hill’s central concept of post-Dracula life for Mina Harker and Abraham Van Helsing, picking up with the characters as they experience the trouble of maintaining sanity after they’ve survived maddening events. It’s a neat idea, and Kermani is hunting for patience from her audience, going the slow-burn route with the endeavor, searching for a sense of creepiness to command the viewing experience. “Abraham’s Boys” has mood, and the tale eventually gets around to escalation, helping to improve a somewhat sluggish effort that battles with the limitations of the material that inspired it.


Screencaps are taken from the Blu-ray.
The image presentation for "Abraham's Boys" offers an HDR viewing experience, and one that struggles mightily with encoding issues. Evidence is there
from the start of the feature, with posterization and some solarization present, varying in intensity. Banding is found as well. Detail is acceptable,
delivering decently textured skin particulars on the cast, and period costuming is also reasonably fibrous. Exteriors maintain appealing depth,
reinforcing the remote location. Interiors are dimensional, permitting access to decorative additions. Color is acceptable, with clear greenery and blue
skies. Blood reds are defined, and clothing carries crisp whites. Skin tones are mostly intact, though Welliver looks just a touch too orange at times as
Van Helsing. Highlights are tasteful.

The 5.1 DTS-HD MA mix isn't working with an especially forceful movie. Dialogue exchanges dominate the picture, and performances are understood, handling with clear balance between hushed conversations and argumentative moments. Scoring supports with defined instrumentation, handling changes in suspense and mood. Surrounds aren't all that active, mostly pushing out a few musical moods and milder atmospherics. Sound effects are distinct. Low-end isn't challenged.


"Abraham's Boys" isn't a horror film, but it contains genre elements such as gore and troubling encounters with potentially dangerous people. It's more atmospheric than physical, as the writing looks to cut to the bone when examining character battles with guilt, which is a mighty force equal to the wrath of vampirism. The story begins to take a more familiar shape in the final act, examining the Van Helsing way as a generational duty, and Kermani visibly struggles with pacing, getting too caught up in stillness as a form of communication among family members. "Abrahams's Boys" isn't thrilling, but it's interesting, playing with pieces of Bram Stoker's creation, finding new monsters to deal with for disturbed characters who've already seen too much.
(Still not reliable for this title)

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