Cover coming soon |
6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Boxer Tommy Nelson is accused of killing his manager. While detectives Bud and Lou investigate they come across an invisibility formula with which Tommy injects himself rather than face the police. This sparks an idea for trapping gangster Morgan by having Lou fight champ Rocky Hanlon, with Tommy's invisible help.
Starring: Bud Abbott, Lou Costello, Nancy Guild, Arthur Franz, Adele JergensHorror | 100% |
Sci-Fi | 10% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.35:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 3.0 |
Recently graduating from a private detective school, Lou (Lou Costello) and Bud (Bud Abbott) are ready to prove themselves, eager to accept their first case. Unfortunately, their introduction to the world of crime comes in the form of Tommy (Arthur Franz), a boxer accused of killing his manager. Trying to clear his own name, Tommy comes into contact with a special invisibility serum, giving him a chance to discover the real murderer. Supporting Tommy’s endeavor are Lou and Bud, who have to deal with the invisible man and his special ways of showcasing his power.
"Abbott and Costello Meet the Invisible Man made its way to Blu-ray in 2018, and makes a quick return here. The AVC encoded image (1.35:1 aspect ratio) presentation is certainly palatable, with reasonable clarity for a movie that's loaded with special effects. It's not a sharp viewing experience, but skin textures are appreciable, along with costuming, surveying silky eveningwear and woolen suits. Delineation is acceptable.
The 2.0 DTS-HD MA sound mix provides a satisfactory understanding of dialogue exchanges for "Abbott and Costello Meet the Invisible Man." Comedic exchanges are alert, enjoying clarity for specialized responses to danger, and dramatic moments retain thespian emphasis. Scoring is acceptable, offering decent instrumentation and support when it comes to the production's shifting genres.
There are a few attempts to unnerve the audience, but "Abbott and Costello Meet the Invisible Man" isn't out to frighten. Like its predecessors, it tries to be unsettling and uproarious, taking the invisible man as seriously as this type of entertainment allows, while the rest of the endeavor is gifted to Abbott and Costello, who are permitted time to make their side of the film their own, even when dealing with the complexity of visual tricks.
(Still not reliable for this title)
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