6.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Single father Aaron struggles to connect with his only child, Tate, a timid hemophiliac. When Tate is roughed up at school by a bully, he lands in the hospital fighting for his life but makes a miraculous recovery after a necessary blood transfusion. Soon, Aaron begins to notice progressively strange behavior in his son.
Starring: James Martinez (II), Trevor Stovall, Farah White, Michael Chieffo, Luke Barnett (I)| Drama | 100% |
| Horror | Insignificant |
| Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
Jacket copy says DD 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 3.0 | |
| Audio | 3.0 | |
| Extras | 2.5 | |
| Overall | 3.0 |
Tommy Stovall is a do-it-yourself independent filmmaker based in Sedona, Arizona, the town that supplied the name and locale for his previous film. When financing for a project that Stovall was preparing to shoot in the summer of 2016 failed to materialize, the director's producing partner suggested he try his hand at a vampire script. The result, written, directed, edited and co-produced by Stovall and starring his son in a pivotal role, received a limited theatrical release in June 2017. Specialty distributor Gravitas Ventures has now issued a home video version of Aaron's Blood that would make an interesting addition to horror afficionados' libraries, but is hobbled by a few technical anomalies and the unfortunate choice of burned media instead of pressed.


Aaron's Blood is the first and, to date, the only feature-length project shot by cinematographer Taylor Camarot. According to IMDb, Camarot worked with the Blackmagic Cinema Camera, which is supposed to combine high quality with portability and a small size. Certainly the image on Gravitas Ventures' 1080p, AVC-encoded BD-R reflects the usual virtues of digital capture, with a clean, sharp, detailed image that is mostly free from noise or interference. I say "mostly", because there's occasional banding and also because there are several notable instances of dropped frames (e.g., in the scenes of moving vehicles during the opening credits). The latter appears to be a defect in the original photography and not in the transfer to Blu-ray. (According to some quick research, dropped frames are a known issue with the Blackmagic Cinema Camera.) Otherwise, the Blu-ray image aptly conveys the sense of an everyday world into which vampirism unexpectedly intrudes, and captures the film's sharp distinction between brightly sunny Arizona surroundings and the dark recesses of hospital rooms, deserted churches and dimly lit homes where evil may suddenly strike. Gravitas has mastered Aaron's Blood at an average bitrate of 27.09 Mbps, which is generous for digitally originated material.

Aaron's Blood arrives on Blu-ray with a stereo soundtrack encoded in lossless DTS-HD MA 2.0,
and I would normally assume this to be the original format, except that the jacket copy specifies
5.1. An inquiry to the press contact for Gravitas did not produce an explanation for this
discrepancy. In any case, the 2.0 track provides a nice sense of dispersed ambiance when played
through a surround decoder. The dialogue is clearly rendered, and the dynamic range is broad
enough to provide punch and impact to various "jump" moments. The effective electronic horror
score is credited to Jakub Gawlina, who has scored numerous video games and whose work here
sometimes reminded me of the Michel Rubini/Reds' work on Michael Mann's
Manhunter.
ADDENDUM: I have now heard back from the press contact, who advises that the jacket copy is erroneous and that the BD-R contains the film's
original stereo track.


Horror films are a dime a dozen these days (even accounting for inflation), and vampires are
among the genre's most overused villains, but Aaron's Blood manages to inject some much-needed life into these undead proceedings,
thanks mostly to the quality of its performances.
Between the use of burned media (an unfortunate choice by Gravitas) and the unresolved issues
regarding the soundtrack, I can't recommend the disc, but the movie is worth your time, and it
can already be found on several streaming services.