8 | / 10 |
Users | 4.7 | |
Reviewer | 4.0 | |
Overall | 4.1 |
The only movie powered by AC/DC. This legendary concert film, covering a 1979 Paris concert during the Australian heavy metal band's "Highway To Hell" tour showcases the power and precision that the quintet bring to vicious rockers like "Whole Lotta Rosie" and "Let There Be Rock." Pixie-ish lead guitarist Angus Young, attired in his trademark school-boy's uniform, takes center stage with his energetic antics and frenetic solos, while the rest of the band crank out their minimalist boogie with quiet determination. Interview segments and humorous backstage footage show another side to the thuggish musicians, especially AC/DC's flamboyant lead singer Bon Scott, who died two months after this filmed concert.
Starring: Malcolm Young, Angus Young, Cliff Williams, Phil Rudd, Bon ScottMusic | 100% |
Documentary | 39% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: Dolby Digital 2.0 (192 kbps)
English SDH, French, German SDH, Italian SDH, Portuguese, Spanish, Czech, Korean, Polish, Turkish
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A, B (C untested)
Movie | 4.0 | |
Video | 3.0 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.0 |
AC/DC fans who also happen to be high-definition aficionados have a lot to celebrate this year. Just recently, AC/DC: Live at River Plate was released, giving a good idea of what the band has been up to relatively recently. But perhaps much more anticipated is this new 30th anniversary release (has it really been that long?) of AC/DC Let There Be Rock, a (mostly) concert feature that gives fans, especially younger ones, a chance to see the band in its original heyday, with original lead singer Bon Scott. It's fascinating to compare the two Blu-rays in terms of actual concert footage. Live at River Plate is huge, gargantuan even, in virtually every aspect. An unbelievably large arena, a swarming mass of humanity in the audience, and a big, big, big production that features animations, fireworks, light shows and all the attendant hoo-hah of modern rock concerts. Let There Be Rock, on the other hand, is a relatively small scale affair. On a simple stage the Young boys and the rest of the band move through their set list with a minimum of fuss and bother. There are small pretty small scale lighting changes, but there's little of the glitz and glamour that modern day audiences have come to expect from the rock demigods on tour. And while the opportunity to see Angus shred in his youthful exuberance can never be underestimated, it's probably the chance to see (and hear) Bon Scott that may draw a lot of prospective consumers to this release.
Despite a generally strong AVC encoded 1080p transfer in 1.37:1, AC/DC Let There Be Rock simply can't overcome the limitations of its source elements. This is a piece that was shot in virtual darkness a lot of time with what appears to have been smaller millimeter formats (at least some of the time), and therefore this feature has a somewhat murky and soft appearance. While grain is quite evident in any number of shots, it does appear that at least some moderate DNR may have been applied to this release, leading to a kind of smeary ambience some of the time. Colors are generally excellent, and things look a good deal better in the hotel "confessional" sequences as well as the sort of proto-music video which is included as part of the concert. But the main concert footage, which consists largely of the band playing in aggressive red (demonic?) light is very, very soft and suffers from fairly severe crush, so that backgrounds simply disappear and shadow detail reveals next to nothing.
Thankfully things are much better on the audio side of things, which is probably the main calling card for fans, anyway. Aside from the original mix in Dolby Digital 2.0, this release sports an excellent lossless DTS-HD Master Audio 5.1 mix which offers incredibly robust low end, bringing the propulsive riffs of AC/DC fully to life. There are some occasional mix issues in terms of Bon not being mixed loudly enough above the band, but those are no doubt endemic to the original mixdown. The surround repurposing is really good and allows the individual instruments to really shine, giving ample breathing space to all of them. The drums are crisp and solid and the Young boys sound fantastic. Fidelity is excellent, and though the band typically plays everything "turned up to 11," dynamic range is also quite supple.
AC/DC Let There Be Rock's Limited Edition boasts an impressive selection of extras, starting with the packaging itself. Housed in a hinged steelbox with a nicely embossed cover, the set features the following extras.
On the Blu-ray itself:
There's an embarrassment of AC/DC riches on Blu-ray now. While Live at River Plate may show the seams a little more, especially vocally, it still reveals the band to be in rather vigorous shape, considering everyone's advancing ages. Let There Be Rock, on the other hand, is a testament to the band in its relative youth and early glory. Featuring a fantastic opportunity to see Bon Scott in action, the concert is also notable for the incredible playing of Angus, who is simply on fire. This limited edition comes stuffed to the gills with excellent supplements and should be a fan's treasure trove. Though the image quality on this Blu-ray isn't up to contemporary standards, the audio is superb and the release as a whole comes Highly recommended.
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